Lithograph by Chalon and Lane of Marie Taglioni as Flora in Charles Didelot | Didelot's Zéphire et Flore.

Lithograph of Opothleyahola, published in The History of the Indian tribes of North America, by Thomas L. McKenney and James Hall ( author ) ( Philadelphia, 1836-1844 ), based ( probably ) on a painting by Charles Bird King.

Une discussion littéraire à la deuxième Galerie by Honoré Daumier Lithograph published in Le Charivari newspaper, February 27, 1864

Image: Louis Pierre Gabriel Bernard Morel-Retz-Canal de Suez-route des Grandes Indes. jpg | Lithograph by Louis Morel-Retz, published22 November 1869

< center > Lithograph of Ferdinand Hérold by Louis Dupré, Paris, circa 1830

Lithograph by an unknown artist of the ballerina Carlotta Grisi in the tite role of Adam's Giselle, Paris, 1841.

Image: Jean Dauberval-circa 1790. JPG |< center > Lithograph of Jean Dauberval, Paris, circa 1790

Lithograph of Jean Dauberval, Paris, circa 1790

Image: Dh07. gif | Lithograph, Hamlet with Guildenstern ( Act III, Scene II ), 1835 – 43

< center > Lithograph by A. E. Chalon of Carlotta Grisi | Grisi ( left ), Marie Taglioni | Taglioni ( center ), Lucille Grahn | Grahn ( right back ), and Fanny Cerrito | Cerrito ( right front ) in Pas de Quatre, 1845

File: Kartoffelesser-F082 supF1661-L. jpg | Potato Eaters, Lithograph ( April 1885 ), reversed image, Museo Thyssen-Bornemisza, Madrid, Spain ( F082 )

Lithograph ( April 1885 ), reversed image, Museo Thyssen-Bornemisza, Madrid, Spain

< center > Lithograph by A. E. Chalon of Carlotta Grisi ( left ), Marie Taglioni ( center ), Lucille Grahn ( right back ), and Fanny Cerrito ( right front ) in the Perrot / Pugni Pas de Quatre, London, 1845

Lithograph of the President's House, Thornton Hall, Dartmouth Hall, and Wentworth Hall, circa 1834. Presidents Ernest Fox Nichols ( 1909 – 16 ) and Ernest Martin Hopkins ( 1916 – 45 ) continued Tucker's trend of modernization, further improving campus facilities and introducing selective admissions in the 1920s.

Lithograph by Pierre Roche Vigneron.

Solomon's Wealth and Wisdom, as in 1 Kings 3: 12-13, illustration from a Bible card published 1896 by the Providence Lithograph Company.

La Goulue, Lithograph poster by Toulouse-Lautrec.

lithography | Lithograph of Berlioz by August Prinzhofer, Vienna, 1845.

Lithograph by Mackwitz, St. Louis, 1884.

Lithograph by Pierre Roche Vigneron.

Lithograph, 1880.

Lithograph by Honoré Daumier, appearing in Le Boulevard, May 25, 1863.

Lithograph copies of the artwork were popularly sold for over a decade, extending the success that followed the scandal.

An 1848 Lithograph showing nomads in Afghanistan.

The ghost town of Lithograph City, about 2 miles southwest of Orchard, was founded in the early 1900s adjacent to quarries that produced lithographic limestone.

In 1915, Lithograph City had 15 houses, a hotel, a dance hall and a museum.

Image: Mephistopheles2. jpg | Lithograph, Mephistopheles flying over Wittenberg, 1828

Lithograph with watercolor.

Lithograph of Maistre, from a painting by Pierre Bouillon.

Lithograph of king Stefan Prvovenčani by Anastas Jovanović.

Lithograph by Kriehuber.

Image: Elisabetta e i figli. jpg | Lithograph by Kriehuber representing Sisi, Gisela and the newborn Crown Prince in 1858.

Lithograph " Club de Casino " by Friedrich Pecht, 1849.

Geoffroy's friend Robert Edmund Grant shared his views on unity of plan and corresponded with him while working on marine invertebrates in the late 1820s in Edinburgh ( assisted in 1826 and 1827 by his student Charles Darwin ) when Grant successfully identified the pancreas in molluscs.

He is noted for his influence on the young Charles Darwin, and his espousal of Geoffroy's ideas on evolution.

See Charles Collé, Journal ( 1868 ); the Memoirs of St Simon, Madame de Genlis, the duchesse d ' Abrantes and Mme de Levis ; G Strenger, " La Société de la marquise de Montesson ," in the Nouvelle revue ( 1902 ); J Turquan, Madame de Montesson douairière d ' Orléans ( Paris, 1904 ); and G. Capon and R Yves-Plessis, Les Théâtres clandestins du xviii ' siècle ( 1904 ).

Avec un discours sur la Nouvelle Allégorique, Paris, Charles de Sercy, 1659.

The French sense of arabesque: Savonnerie carpet after Charles Le Brun for the Grande Galerie of the Louvre

Savonnerie manufactory | Tapis de Savonnerie, under Louis XIV, after Charles Le Brun, made for the Grande Galerie in the Louvre

Robert Berger has demonstrated that the design of Marly was a full collaboration between Jules Hardouin-Mansart and the premier peintre Charles Le Brun, who were concurrently working on the Galerie des Glaces at Versailles.

The Galerie d ' Hercule, decorated by Charles Le Brun, in an engraving by Bernard Picart, ca.