His work influenced novelist Théophile Gautier's Mademoiselle de Maupin, which provided the first description of a physical type that became associated with lesbians: tall, wide-shouldered, slim-hipped, and athletically inclined.

* 1872: Dumas père Mademoiselle de Belle-Isle ( as Gabrielle )

* 1872: Sandeau's Mademoiselle de la Seiglière

Sophie Hélène Béatrice de France, Mademoiselle Sophie, by Élisabeth Vigée-Lebrun ( 1786 ).

After the completion of The Source, Ingres produced paintings of historical genre, such as two versions of Louis XIV and Molière, ( 1857 and 1860 ), as well as several religious works in which the figure of the Virgin from The Vow of Louis XIII is reprised: The Virgin of the Adoption of 1858 ( painted for Mademoiselle Roland-Gosselin ) was followed by The Virgin Crowned ( painted for Madame la Baronne de Larinthie ) and The Virgin with Child.

His portraits of women range from the warmly sensuous Madame de Senonnes ( 1814 ) to the realistic Mademoiselle Jeanne Gonin ( 1821 ), the Junoesque Marie-Clothilde-Inés de Foucauld, Madame Moitessier ( portrayed standing and seated, 1851 and 1856 ), and the chilly Joséphine-Eléonore-Marie-Pauline de Galard de Brassac de Béarn, Princesse de Broglie ( 1853 ).

In secret marriage, Louis XIV wed his second wife, Madame de Maintenon, in 1683 ; Louis the Grand Dauphin wed Marie Émilie de Joly de Choin in 1695 ; Anne Marie d ' Orléans ( La Grande Mademoiselle ) wed Antoine, Duke of Lauzun in 1682 ; and Louis Philippe I, Duke of Orléans wed the Marquise de Montesson in 1773.

* Mademoiselle de Maupin ( 1835 ) In September 1833, Gautier was solicited to write a historical romance based on the life of French opera star Mlle Maupin, who was a first-rate swordswoman and often went about disguised as a man.

* 1835-6: Mademoiselle de Maupin

* L ' Enlèvement de Mademoiselle Biffin ( 1909 )

Mademoiselle Deluzy-Desportes once was governess to the four children of the Duc de Praslin ( Charles Boyer ) and his wife, the Duchesse de Praslin ( Barbara O ' Neil ) in the last years of the Orleans monarchy in Paris.

* Sermon pour la Profession de Mademoiselle de La Vallière ( 1675 )

** Marie Anne d ' Orléans, ( 1652 – 1656 ), Mademoiselle de Chartres

Constant wars with many of the major powers in Europe rendered a significant marriage with a foreign princess unlikely, or so Louis XIV told his brother, Monsieur, when persuading him to accept the king's legitimised daughter, Françoise Marie de Bourbon ( known as Mademoiselle de Blois ), as wife for Philippe.

** Anne Marie Louise d ' Orléans ( 1627 – 1693 ), la Grande Mademoiselle,

* Mademoiselle de la Seiglière ( 1848 ), a successful picture of society under Louis Philippe, dramatized in 1851

During the Commonwealth he visited England, and in 1662 he was exiled from Paris for paying court to Mademoiselle de la Mothe-Houdancourt, one of the king's mistresses.

* Marie de Bourbon, Duchess of Montpensier ( 1605 – 1627 ), first wife of Gaston d ' Orléans ( Monsieur ) and mother of la Grande Mademoiselle ( 1627 – 1693 ).

After 1662, Anne Marie Louise d ' Orléans, Duchess of Montpensier, who was originally called Mademoiselle as the eldest daughter of Gaston duc d ' Orléans, became known as la Grande Mademoiselle at court, in order to distinguish her from her younger cousin, Marie Louise d ' Orléans, now also called Mademoiselle, as the daughter of Anne's first cousin, the new Monsieur.

: In spite of the close relationship of the Wittelsbach to France it is the second smallest section with works for example of Claude Lorrain (" The Expulsion of Hagar "), Nicolas Poussin (" Midas and Bacchus "), François Boucher (" Madame de Pompadour ") (" Reclining Girl "), Nicolas Lancret (" The Bird Cage "), Jean-Baptiste-Siméon Chardin (" Woman Cleaning Turnips "), Maurice-Quentin de la Tour (" Mademoiselle Ferrand Meditating on Newton "), Claude Joseph Vernet (" Eastern Harbour at Dawn ") and Jean-Honoré Fragonard (" Girl with Dog ").

* Mutual Aid ( Mademoiselle de la Mole Press, 1985 )

In France, Viénot's paintings were regularly selected by the jury of the Paris Salon between 1831 and 1870, and included Portrait du lieutenant-colonele baron S ... and Portrait de Mademoiselle Delille, artiste de l ' Opéra Comique, dans le 2me acte des Diamants de la Couronne ( both at the Paris Salon 1846 ); Étude de Femme ; Portrait de Monsieur S ... and Portrait de Madame S ... ( all at the Paris Salon 1857 ); Miss P. N. J ...; étude ( Paris Salon 1859 ); Portrait de Mademoiselle Jeanne Tordeus, du théâtre impérial de l ' Odéon ( Paris Salon 1861 ); Portrait de Madame A. Musard ( Paris Salon 1863 ); Portrait de Madame ... ( Paris Salon 1864 ); Portrait de Mademoiselle Guerra du Théâtre-Italien and Portrait de Monsieur Saint-Germain du théâtre du Vaudeville ( both at the Paris Salon 1865 ); Portrait de Mademoiselle B. de C ... ( Paris Salon 1866 ); Portrait de Madame L. D. R ... and Portrait de Monsieur A. L ... ( both at the Paris Salon 1870 ).

* Anne Marie Louise d ' Orléans ( 1627 – 1693 ), la Grande Mademoiselle

At the end of the 17th century, two important sovereign princes, Anne-Marie Louise of Orléans, Duchess of Montpensier known as " la Grande Mademoiselle ", and her successor Louis-Auguste of Bourbon, duke of Maine, raised two monuments which are still notable in the landscape-the Montpensier hospital and the Palace of the Dombes Parliament.

When Mademoiselle Henriette Deluzy-Desportes ( Bette Davis ), a French woman, starts teaching at an American girls school, she is confronted with tales and gossip about her, which have become common knowledge among her pupils.

In the episode " The Circus Comes to Town " ( 5 / 28 / 40 ), it is revealed that she met the wealthy Mr. Uppington when she was a circus bareback rider known as Mademoiselle Tootsie Latour.

In Haitian Vodou, Mademoiselle Charlotte is a loa of European descent, who manifests with the commonly-perceived personality traits of a white woman.

Mademoiselle Charlotte is served in a manner similar to that of Erzulie.

The film's other main character, Mademoiselle Lise Lundi, is inspired by the schoolteacher Yvette Lundy, who used to work in Gionges, La Marne.

He is said to have collaborated with the elder Dumas in Mademoiselle de Belle-Isle, and a comedy of his, L ' Ecole du monde, was produced at the Theâtre Français in 1840.

Splashed with water in a narrow Paris street, Napoleon is noticed by Joséphine de Beauharnais ( Gina Manès ) and Paul Barras ( Max Maxudian ) as they step from a carriage on their way into the house of Mademoiselle Lenormand ( Carrie Carvalho ), the fortune teller.

Sometimes rendered as an acronym M. A. S. O. N. N. A., standing for either Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé ( French for " Miss Bloody Anne, Or Our Aureoled Nymphomania "; the proper spelling is Auréolée.

Louis Philippe is said to have rejected the idea of his son marrying Mademoiselle de Penthièvre due to her bastard race ; this is an irony in itself due to Louis Philippe and the Duke of Penthièvre were both descended from two daughters of Louis XIV and Madame de Montespan.

Some letters of hers are preserved, especially a curious correspondence with Anne, Duchess of Montpensier " La Grande Mademoiselle " on marriage, but her chief work is her Mémoires, which are in effect a history of Anne of Austria, written briefly till the date of Mme de Motteville's return to court, and then with fullness.

" Das Fräulein von Scuderi " ( Mademoiselle de Scudery ) is still widely read today, and is the origin of the " Cardillac syndrome " in psychology.

Madame de Montespan, is said to be the blonde woman at the center of the coach which would have also held the king's sister-in-law Madame, his first cousin La Grande Mademoiselle, the Queen and Madame de Montespan's older sister, the marquise de Thianges.

Edna seeks out Mademoiselle Reisz for advice and because the lady is in communication with Robert Lebrun while he is in Mexico.

The other person to whom Edna reaches out during this time is Mademoiselle Reisz, a gifted recitalist whose playing is renowned throughout New Orleans but who maintains a generally hermetic existence.

At a party earlier in the novel, Edna is profoundly moved by Mademoiselle Reisz's playing.

Mademoiselle Reisz is in contact with Robert while he is in Mexico, receiving letters from him regularly.

The actress Marguerite-Joséphine Wiemer, known as " Mademoiselle George ", was indeed Napoleon's mistress, but there is no evidence that the duc d ' Enghien had anything to do with her, or that the story preserved to posterity by Tolstoy's masterpiece was anything more than one of the pieces of gossip and conspiracy theories current around Europe at the time.

In several languages the title for married women, such as Madame, Señora, Signora, or Frau, is the direct feminine equivalent of the title used for men ; the title for unmarried women is a diminutive: Mademoiselle, Señorita, Signorina, or Fräulein.