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Marinetti and launched
Aeropainting was launched in a manifesto of 1929, Perspectives of Flight, signed by Benedetta, Depero, Dottori, Fillìa, Marinetti, Prampolini, Somenzi and Tato ( Guglielmo Sansoni ).

Marinetti and movement
Futurism that was both an artistic-cultural movement and initially a political movement in Italy led by Filippo Tommaso Marinetti who founded the Futurist Manifesto ( 1908 ), that championed the causes of modernism, action, and political violence as necessary elements of politics while denouncing liberalism and parliamentary politics.
In 1919, Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti created The Manifesto of the Italian Fasci of Combat ( a. k. a. the Fascist Manifesto ).
The Manifesto that was written by national syndicalist Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti.
It was not until 1917, after meeting with Giacomo Balla in Rome, and with Filippo Tommaso Marinetti in Naples ( who later enthusiastically praised Conti's book Imbottigliature which was about to be printed ) that Conti became part of the Futurist movement.
Key figures of the movement include the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Gino Severini, Giacomo Balla, Antonio Sant ' Elia, Tullio Crali and Luigi Russolo, and the Russians Natalia Goncharova, Velimir Khlebnikov, and Vladimir Mayakovsky, as well as the Portuguese Almada Negreiros.
After the war, Marinetti revived the movement.
Francesco Balilla Pratella joined the Futurist movement in 1910 and wrote a Manifesto of Futurist Musicians in which he appealed to the young ( as had Marinetti ), because only they could understand what he had to say.
Other composers offered more melodic variants of Futurist music, notably Franco Casavola, who was active with the movement at the invitation of Marinetti between 1924 and 1927, and Arthur-Vincent Lourié, the first Russian Futurist musician, and a signatory of the St Petersburg Futurist Manifesto in 1914.
Futurism as a coherent and organized artistic movement is now regarded as extinct, having died out in 1944 with the death of its leader Marinetti, and Futurism was, like science fiction, in part overtaken by ' the future '.
Though the Cabaret was to be the birthplace of the Dadaist movement, it featured artists from every sector of the avant-garde, including Futurism's Marinetti.
When Filippo Tommaso Marinetti issued his Futurist Manifesto in 1909, he chose to contrast his movement with the supposedly defunct artistic sentiments of the Winged Victory: "... a race-automobile which seems to rush over exploding powder is more beautiful than the ' Victory of Samothrace '.
Influenced by Filippo Tommaso Marinetti, Giacomo Balla adopted the Futurism style, creating a pictorial depiction of light, movement and speed.
Another immediate source of inspiration for his attitude on life was provided by Futurism, an anti-establishment movement created in Italy by poet Filippo Tommaso Marinetti and his artists ' circle.
" These developments created a definitive split in Romania's avant-garde movement, and contributed to Contimporanuls eventual fall: the Surrealists and socialists at unu condemned Vinea and the rest for having established, through Marinetti, a connection with the Italian fascists.
By July, the magazine had a name, a movement to support, and a typographic style, and it had forged a distinctly English identity, confident enough to praise Kandinsky, question Picasso, and openly mock Marinetti.
He was invited by Filippo Tommaso Marinetti and Boccioni to join the Futurist movement and was a co-signatory, with Balla, Boccioni, Carlo Carrà, and Luigi Russolo, of the Manifesto of the Futurist Painters in February 1910 and the Technical Manifesto of Futurist Painting in April the same year.
* Filippo Tommaso Marinetti ( 1876-1944 ), poet and main founder of the futurist movement
It was on a 1913 trip to Florence that he discovered a copy of the paper Lacerba and an article by one of the founders of the futurism movement, Filippo Tommaso Marinetti.
And also Filippo Tommaso Marinetti who was the main theoretical of the movement called Futurism.

Marinetti and Futurist
Filippo Tommaso Marinetti, author of the Futurist Manifesto ( 1908 ) and later the co-author of the Fascist Manifesto ( 1919 ).
Marinetti rejected conventional democracy for based on majority rule and egalitarianism while promoting a new form of democracy, that he described in his work " The Futurist Conception of Democracy " as the following: " We are therefore able to give the directions to create and to dismantle to numbers, to quantity, to the mass, for with us number, quantity and mass will never be — as they are in Germany and Russia — the number, quantity and mass of mediocre men, incapable and indecisive ".
The gap between the Imagist and Futurist groups was defined partly by Aldington's critical disapproval of the poetry of Filippo Marinetti.
Russolo and Marinetti gave the first concert of Futurist music, complete with intonarumori, in 1914.
Marinetti founded the Futurist Political Party ( Partito Politico Futurista ) in early 1918, which was absorbed into Benito Mussolini's Fasci di combattimento in 1919, making Marinetti one of the first members of the National Fascist Party.
Filippo Tommaso Marinetti, author of the Futurist Manifesto.
The Futurist Manifesto, written by the Italian poet Filippo Tommaso Marinetti, was published in the Italian newspaper Gazzetta dell ' Emilia in Bologna on 5 February 1909, then in French as " Manifeste du futurisme " in the newspaper Le Figaro on 20 February 1909.
* The Futurist Manifesto-F. T. Marinetti
Janco attended the 1930 reunion organized by Contimporanul in honor of the visiting Futurist Filippo Tommaso Marinetti, and gave a welcoming speech.
Marinetti visited in 1914, proselytizing on behalf of Futurist principles of speed, danger and cacophony.
The publication of the English Futurist manifesto Vital English Art, in June 1914 edition of The Observer, co-written by Marinetti and the " last remaining English Futurist " C. R. W. Nevinson, Lewis found his name, among others, had been added as a signatory at the end of the article without permission, in an attempt to assimilate the English avant-garde for Marinetti's own ends.
The sentiment of Futurists was most vocally expressed by Filippo Marinetti in the Futurist Manifesto, where he called for a rejection of the past, a rejection of all imitation — of other artists or of the outside world — and praised the virtue of originality and triumph of technology.

Marinetti and Manifesto
The 1916 Manifesto of Futuristic Cinematography was signed by Filippo Marinetti, Armando Ginna, Bruno Corra, Giacomo Balla and others.
* Filippo Tommaso Marinetti: The Foundation and Manifesto of Futurism
In 1918, Loy penned her polemical Feminist Manifesto, at least partly in response to the misogyny of Futurism's founder, F. T. Marinetti.
He also wrote the Manifesto of the Fascist Intellectuals, signed by many writers and intellectuals, including Luigi Pirandello, Gabriele D ' Annunzio, Filippo Tommaso Marinetti and Giuseppe Ungaretti.
In 1910 he signed, along with Umberto Boccioni, Luigi Russolo and Filippo Tommaso Marinetti the Manifesto of Futurist Painters, and began a phase of painting that became his most popular and influential.

Marinetti and which
Born into an upper-middle class family, Gómez de la Serna refused to follow his father into law or politics and soon adopted the marginal lifestyle of a bohemian bourgeois artist, finding his literary feet in the journal Prometeo, which, funded by his indulgent father between 1908 and 1912, introduced into Spain a whiff of scandal from the likes of Oscar Wilde, Remy de Gourmont and Marinetti.
F. T. Marinetti was very active in Fascist politics until he withdrew in protest of the " Roman Grandeur " which had come to dominate Fascist aesthetics.
When the Italian futurist Filippo Tommaso Marinetti visited London in 1910, as part of a series of well-publicised lectures aimed at galvanizing support across Europe for the new Italian avant-garde, his presentation at the Lyceum Club, in which he addressed his audience as " victims of .... traditionalism and its medieval trappings ," electrified the assembled avant-garde.
" masterpiece of Words-in-freedom and of Marinetti ’ s literary career was the novel ‘ Zang Tumb Tuuum ’... the story of the siege by the Bulgarians of Turkish Adrianople in the Balkan War, which Marinetti had witnessed as a war reporter.
Audiences in London, Berlin and Rome alike were bowled over by the tongue-twisting vitality with which Marinetti declaimed ‘ Zang Tumb Tuuum .’ As an extended sound poem it stands as one of the monuments of experimental literature, its telegraphic barrage of nouns, colours, exclamations and directions pouring out in the screeching of trains, the rat-a-tat-tat of gunfire, and the clatter of telegraphic messages " Caroline Tisdall & Angelo Bozzola
According to Marinetti, futurism was born as a direct consequence of a 1908 car crash in which, attempting to avoid two cyclists, he crashed his Bugatti and went flying head over heels into a ditch.
In a slightly later manifesto, contemporaneous with Zang Tumb Tuuum, Marinetti sets out a vision of modern book design which would provide the template for what would become known as the artist's book, in direct contrast to the French tradition of Livre d ' Artiste.
In 1918 he formed the Partito Politico Futurista ( Futurist Political Party ) which, despite being ' anti-clerical, anti-monarchist, nationalist and ... left-wing ' was quickly absorbed into Mussolini's Fasci di combattimento, making Marinetti one of the first members of the nascent Fascist Party.

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