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Mary and Wollstonecraft
Vindication: A Life of Mary Wollstonecraft.
" On the Reception of Mary Wollstonecraft ’ s A Vindication of the Rights of Woman ".
The Cambridge Companion to Mary Wollstonecraft.
" Mary Wollstonecraft ’ s reception and legacies ".
The Cambridge Companion to Mary Wollstonecraft.
Revolutionary Feminism: The Mind and Career of Mary Wollstonecraft.
The Cambridge Companion to Mary Wollstonecraft.
The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen.
A Vindication of Political Virtue: The Political Theory of Mary Wollstonecraft.
* Sunstein, Emily W. A Different Face: The Life of Mary Wollstonecraft.
Mary Wollstonecraft and the Feminist Imagination.
* Wardle, Ralph M. Mary Wollstonecraft: A Critical Biography.
* Mary Wollstonecraft: A ' Speculative and Dissenting Spirit ' by Janet Todd at www. bbc. co. uk
Category: Books by Mary Wollstonecraft
Feminists, beginning in the late 18th century with Mary Wollstonecraft in 1792 have criticized Rousseau for his confinement of women to the domestic sphere — unless women were domesticated and constrained by modesty and shame, he feared " men would be tyrannized by women ... For, given the ease with which women arouse men's senses ... men would finally be their victims ...." His contemporaries saw it differently because Rousseau thought that mothers should breastfeed their children.
As a young woman, writer and philosopher Mary Wollstonecraft was attached to a woman named Fanny Blood.
Feminist pioneer Mary Wollstonecraft was influenced by the radical thinker Thomas Paine.
The people featured as cards in the set are: René Descartes, Jean-Jacques Rousseau, Voltaire, Mary Wollstonecraft, Wilhelm von Humboldt, Pierre Joseph Proudhon, Sojourner Truth, Karl Marx, Sitting Bull, Rosa Luxemburg, Peter Kropotkin, Emma Goldman, Gandhi, Martin Luther King, Jr., Bertrand Russell, Michel Foucault, and Avram Noam Chomsky.
ast: Mary Wollstonecraft ( feminismu )
bs: Mary Wollstonecraft
ca: Mary Wollstonecraft
cs: Mary Wollstonecraft
da: Mary Wollstonecraft
de: Mary Wollstonecraft

Mary and Shelley
A scant half mile away Shelley and Mary were doubtless sitting on their diminutive terrace, the air about them scented with stock, and listening to the nightingale who had nested in the big lime tree at the foot of the garden.
In 1816 Byron, Percy Bysshe Shelley and his wife Mary Shelley visited Geneva and all three were inspired by the scenery in their writings.
During these visits Shelley wrote the poem " Mont Blanc ", Byron wrote " The Prisoner of Chillon " and the dramatic poem Manfred, and Mary Shelley, who found the scenery overwhelming, conceived the idea for the novel Frankenstein in her villa on the shores of Lake Geneva in the midst of a thunderstorm.
* 1797 – Mary Shelley, English author ( d. 1851 )
Mary Shelley employs the epistolary form in her novel Frankenstein ( 1818 ).
One of the first writers of science fiction was Mary Shelley, whose novel Frankenstein ( 1818 ) dealt with the asexual creation of new life, a re-telling of the Adam and Eve story.
Byron was also the host of the celebrated ghost-story competition involving himself, Percy Bysshe Shelley, Mary Shelley, and John William Polidori at the Villa Diodati on the banks of Lake Geneva in the summer of 1816.
Guided by the works of authors such as Ann Radcliffe, Mary Shelley and Charlotte Brontë, the Female Gothic permitted the introduction of feminine societal and sexual desires into Gothic texts.
* 1816 – Lord Byron reads Fantasmagoriana to his four house guests at the Villa Diodati, Percy Shelley, Mary Shelley, Claire Clairmont, and John Polidori, and inspires his challenge that each guest write a ghost story, which culminated in Mary Shelley writing the novel Frankenstein, John Polidori writing the short story The Vampyre, and Byron writing the poem Darkness.
This is usually justified as a second hand account of events as told to credited authors Bram Stoker and Mary Shelley although the general public continues to believe them as fictional.
Wells or the Gothic romances of Mary Shelley, were set in a world that is recognizably that of the author and introduced only a single fantastic element — or at most a fantastic milieu within the author's world, as with Lovecraft or Howard.
In particular, he was regarded in the Romantic era as embodying the lone genius whose efforts to improve human existence could also result in tragedy: Mary Shelley, for instance, gave The Modern Prometheus as the subtitle to her novel Frankenstein ( 1818 ).
Mary Shelley wrote a number of science fiction novels including Frankenstein, and is treated as a major Romantic writer.
Wells, and Mary Shelley.
Frankenstein by Mary Shelley is a seminal text in 19th century discourse about the undead.

Mary and Writing
Writing of the beauty of the Hebrew women there, he records them saying St. Mary was a relative of theirs, and notes that, " The house of St. Mary is a basilica.
Nicholas Meyer won the Saturn Award for Best Writing, Mary Steenburgen won the Saturn Award for Best Actress, and Miklós Rózsa won the Saturn Award for Best Music.
* Lady Mary Wortley Montagu-The Dean's Provocation for Writing the Lady's Dressing-Room ( on Swift's " The Lady's Dressing Room ")
Writing in the Dictionary of National Biography, the philosopher Mary Warnock opined, " Even if her campaigning did not succeed in ‘ cleaning up TV ’, still less in making it more fit to watch in other ways, she was of serious intent, and was an influence for good at a crucial stage in the development both of the BBC and of ITV.
" Against the Limits of Language: The Geometries of Anne-Marie Albiach and Susan Howe ", in Moving Borders: Three Decades of Innovative Writing By Women, Mary Margaret Sloan, ed.
* Berg, Mary G. " Writing for her Life: The Essays of Clorinda Matto de Turner ", in Reinterpreting the Spanish American Essay: Women Writers of the 19th and 20th Centuries.
* Mary Ellen Guffey, " Organizing and Writing Business Messages ," Business Communication: Process and Product, p. 160-161.
For his work on Mary Poppins, he shared Academy Award nominations for Best Picture with Walt Disney, and for Best Writing, Screenplay Based on Material from Another Medium with Don DaGradi.
* Carol Brightman, Writing Dangerously: Mary McCarthy And Her World, ( 1992 ), Harvest Books, ISBN 0-15-600067-9
Among the most important, pre-1995 monographs are: Abroad ( 1980 ) by Paul Fussell, an exploration of British interwar travel writing as escapism ; Gone Primitive: Modern Intellects, Savage Minds ( 1990 ) by Marianna Torgovnick, an inquiry into the primitivist presentation of foreign cultures ; Haunted Journeys: Desire and Transgression in European Travel Writing ( 1991 ) by Dennis Porter, a close look at the psychological correlatives of travel ; Discourses of Difference: An Analysis of Women ’ s Travel Writing by Sara Mills, an inquiry into the intersection of gender and colonialism during the 19th century ; Imperial Eyes: Travel Writing and Transculturation ( 1992 ), Mary Louise Pratt's influential study of Victorian travel writing ’ s dissemination of a colonial mind-set ; and Belated Travelers ( 1994 ), an analysis of colonial anxiety by Ali Behdad.
* Anne C. Fogarty: " The Ear of the Other: Dissident Voices in Kate O ' Brien's As Music and Splendor and Mary Dorcey's A Noise From the Woodshed " in Éibhear Walshe ( editor ): Sex, Nation and Dissent in Irish Writing ( 1997 )
* Spalding, Romalda B., The Writing Road to Reading, North, Mary E. Ed.
* Lines in the Sand: New Writing on War and Peace by Mary Hoffman ( 2003 )
* The Last AW Writing Team: Leah Laiman ( Head Writer, Jean Passanante ( co-Head Writer ), Stephen Demorest, Melissa Salmons, Laura Maria Censabella, Judy Tate, Tom Wiggin, Tom King, Maura Penders, Richard Culliton, Shelly Altman, Carolyn Culliton, Richard J. Allen, Sofia Landon Geier, Lynn Martin, Gillian Spencer, Mary Sue Price, Edwin Klein, Gordon Rayfield, Courtney Simon, Eleanor Labine
" Writing and Re-Writing Incest in Mary Shelley's Mathilda ".

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