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Monteux's SFSO studio recordings were mainly made in the cavernous acoustic of War Memorial Opera House ( without an audience ) with the music transmitted over telephone wires to a Los Angeles studio and recorded on film there.
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Monteux's and SFSO
Among guest conductors with the SFSO during Monteux's years were John Barbirolli, Beecham, Otto Klemperer, Stokowski and Stravinsky.
Monteux's and recordings
Monteux's recordings were made for RCA Victor in the War Memorial Opera House from 1941 to 1952, initially using a sound film process and then magnetic tape ; there was also a stereo session for RCA with Monteux in January 1960.
Monteux's first recordings as a conductor were with the OSP.
In Monteux's lifetime it was rare for record companies to issue recordings of live concerts, although he would much have preferred it, he said, " if one could record in one take in normal concert-hall conditions ".
Monteux's and were
Among Monteux's brothers were Henri, who became a well-known actor, and Paul, who became a conductor of light music under the name Paul Monteux-Brisac.
Monteux's performances were well received, but, though he later returned to the Met as a guest, opera did not loom large in his career.
Monteux's later London performances were not only with the LSO.
Monteux's and made
He trained the orchestra to a high standard ; according to the critic Neville Cardus, Monteux's musicianship " made the Boston Symphony Orchestra the most refined and musical in the world.
Monteux's and audience
In Berlin the audience could not contain its applause until the end of the Symphonie fantastique, and in Monteux's words " went wild " after the slow movement, the " Scène aux champs ".
Monteux's and with
Now in his 17th season with the SF Symphony, equaling Pierre Monteux's 17 years as music director.
Monteux's first major recording with the orchestra was of the Symphony in D Minor by César Franck ; his last was of Siegfried Idyll by Richard Wagner and Death and Transfiguration by Richard Strauss.
" Announcing Monteux's appointment, Fleischmann added that the LSO would also work frequently with Antal Doráti and the young Colin Davis.
Another is that the primmer members of Boston society disapproved of Monteux's morals: he and his second wife had gradually drifted apart and by 1924 he was living with Doris Hodgkins, an American divorcée, and her two children.
Monteux's successor with the Boston Symphony Orchestra, Serge Koussevitsky, invited many guest conductors during his twenty-five years in charge ; Monteux was never among them, probably, in Canarina's view, because of Koussevitsky's jealousy.
On fidelity to composers ' scores, Monteux's biographer John Canarina ranks him with Klemperer and above even Toscanini, whose reputation for strict adherence to the score was, in Canarina's view, less justified than Monteux's.
Record producer Erik Smith recalled Monteux's rehearsals with the Vienna Philharmonic for Beethoven's Pastoral Symphony and Brahms's Second, " although he could not speak to the orchestra in German, he transformed their playing from one take to the next ...".
Monteux's and music
Other Monteux students included John Canarina, whose 2003 biography was the first full-length study of the conductor in English, and Charles Bruck, one of Monteux's first pupils in Paris, who became music director of the school in Hancock after Monteux's death.
" Monteux's self-effacing approach to scores led to occasional adverse comment ; the music critic of The Nation, B. H. Haggin, while admitting that Monteux was generally regarded as one of the giants of conducting, wrote of his " repeatedly demonstrated musical mediocrity ".
Monteux's and on
A substantial selection of Monteux's live broadcasts on the The Standard Hour have been released by the Music & Arts label.
The Times said of Monteux's time in San Francisco that it had " incalculable effect on American musical culture ", and gave him " the opportunity to expand his already substantial repertory, and by gradual, natural processes to deepen his understanding of his art.
Monteux's and .
The school in Hancock has continued since Monteux's death.
Monteux's first high profile conducting experience came in 1895.
Monteux's musical career was interrupted in 1896, when he was called up for military service.
Stravinsky wrote " The image of Monteux's back is more vivid in my mind today than the picture of the stage.
Monteux's best-known undertaking as a teacher was the Pierre Monteux School for conductors and orchestral musicians, held each summer at his home in Hancock, Maine from 1943 onwards.
The production had what Canarina calls " a stellar cast " headed by Jussi Björling, Victoria de los Ángeles, Nicola Rossi-Lemeni and Robert Merrill, but the critics, including Virgil Thomson and Irving Kolodin, reserved their highest praise for Monteux's conducting.
Monteux's favourite brother, Henri, a successful actor, died in Buchenwald concentration camp in 1944.
SFSO and were
Almost all the members of the SFSO were in the audience, and joined in the ovation given to Monteux.
SFSO and with
The SFSO concert season was never longer than five months a year, which enabled him to continue working with the OSP, and allowed him to conduct the inaugural concert of the NBC Symphony Orchestra on 13 November 1937.
SFSO and .
Monteux first conducted the San Francisco Symphony Orchestra ( SFSO ) in 1931, and in 1935 at the age of 60 he was offered the chief conductorship.
Like most orchestras the SFSO had been badly hit financially by the depression, and it suffered the further difficulty that many of its former players had left for better-paid jobs in Hollywood studios.
For some time Monteux had felt he should leave the SFSO.
He resigned from the SFSO at the end of the 1952 season.
studio and recordings
In addition to the original Broadway and London cast recordings, and the motion picture soundtrack ( no longer available ), there are recordings of the 1990 studio cast, the 1995 Royal National Theatre revival ( starring Judi Dench ), and the 2001 Barcelona cast recording sung in Catalan.
Nonetheless, he recorded so prolifically that Coral Records was able to release brand-new albums and singles for 10 years after his death, although the technical quality was very mixed, some being studio quality and others home recordings.
The demand for unissued Holly material was so great that Norman Petty resorted to overdubbing whatever he could find: alternate takes of studio recordings, originally rejected masters, " Crying, Waiting, Hoping " and the other five 1959 tracks ( adding new surf-guitar arrangements ), and even Holly's amateur demos from 1954 ( where the low-fidelity vocals are often muffled behind the new orchestrations ).
Unfortunately, Paramount Records ' studio techniques and quality were bad, and the resulting recordings sound no better than if they had been recorded in a hotel room.
Also during this time, Moonglows founder Harvey Fuqua who sang background on many of Diddley's home studio recordings was introduced to Gaye, and asked him to join the Moonglows.
In 1997, the band released a compilation album, My Body, The Hand Grenade, which featured material from the band's earliest recordings in 1989 up until 1995, and, in September 1998, released their third studio album, Celebrity Skin, which featured a stark power pop sound as opposed to the group's earlier punk rock influences.
Such musical acts as Echo and the Bunnymen, The Smiths, Neil Young, Patti Smith, Swans, The Germs, and Joy Division have been mentioned by Love, including songs by several of them being covered by Hole in live performances and, in some cases, studio recordings.
The sound of the recordings improved significantly, and the studio achieved a string of successes.
Performance jobs include playing as a freelancer in small groups, large ensembles, or performing solo music, either live onstage or as a session player for radio or TV broadcasts or for recordings ; and working as the employee of an orchestra, big band, or recording studio ( as the studio's house bassist ).
In 1992, previously unreleased songs became available on Favorites and Rarities while Don McLean Classics featured new studio recordings of " Vincent " and " American Pie ".
He created a large body of pioneering recordings using early tape recorders, studio technologies and the sounds of the manipulated human voice.
Most often this was played by Los Angeles studio harpist Gayle Levant, who has played on hundreds of recordings.
Producers use many different sound-sources for bass sounds in house, from continuous, repeating electronically generated lines sequenced on a synthesizer, such as a Korg M1, Roland SH-101, or TB-303, to studio recordings or samples of live electric bassists, or simply filtered-down samples from whole stereo recordings of classic funk tracks or any other songs.
The concept of creating studio recordings that lack the lead vocal has been around for nearly as long as recording itself.
Kenny Olson went on to perform with several other bands, and has appeared on other studio recordings such as the song " I Love You More Than You'll Ever Know " from the Les Paul & Friends CD as well as a version of " Little Wing " with Chaka Khan on " The Power of Soul: A Tribute to Jimi Hendrix ".
Page had begun using heroin during the recording of Presence, which may have affected later live shows and studio recordings of the band, although this has been denied by Page.
Led Zeppelin Boxed Set 2 was released in 1993 ; the two box sets together containing all known studio recordings, as well as some rare live tracks.
The reason for the confusion is that existing live recordings of the song ( included in the Monty Python Live at the Hollywood Bowl film and on the albums Live at Drury Lane and Live at City Center ) have the " Schopenhauer and Hegel " version, while the studio recording on Matching Tie and Handkerchief features the " Wilhelm Friedrich Hegel " version.
Unlike previous recordings, the band had little time to practice beforehand, and Black Francis wrote much of the album in the studio.
His successor Mick Taylor also displayed his own slide guitar skills while with the band, using a bottleneck on studio recordings and during live performances.
Robertson is credited as writer or co-writer for the majority of The Band's songs, but sang lead vocals on only three of their studio recordings (" To Kingdom Come ", " Knockin ' Lost John " and " Out Of The Blue ").
The studio was at the time much sought after for its highly reverberant " live " drum room, and it was greatly favoured by their producer Steve Lillywhite and his engineer Hugh Padgham, who were at that time also creating influential recordings with Peter Gabriel and Genesis.
In December 1986 they recorded their first demo as a four-piece, including the first studio recordings of " Sugar Spun Sister " and " Elephant Stone ".
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