Most of the Museum's galleries are traditionally decorated with walls of various colors, rather than the stark white cubes of contemporary galleries.

Most of the company's records and builder's drawings are now housed in the California State Railroad Museum's library in Sacramento, California.

Most of the subway cars in the Transit Museum's fleet are operable, and museum cars are frequently used for subway excursions run by the Museum and New York City Transit on various parts of the system.

Most notably, the Annex is the site of the Transit Museum's annual " Holiday Train Show ," where an operating model train layout is displayed for the public.

# 10 August 2006-The Museum's Most Precious Object

Most recently, in 1995, a four-storey block was inaugurated as a part of the Museum's 125th Anniversary, it contains an Exhibitions Court.

Most parts of Greenwich Village comprise mid-rise apartments, 19th-century row houses and the occasional one-family walk-up, a sharp contrast to the hi-rise landscape in Mid-and Downtown Manhattan.

Most theories see the nation state as a 19th-century European phenomenon, facilitated by developments such as mass literacy and the early mass media.

Most 19th-century signatures were written with indelible ink, while in the 20th century they were often embroidered.

Most notable are the Gothic town hall ( rebuilt in a slightly less grandiose style after the war ) and the 19th-century cathedral.

* Most Thai were shocked by the portrayal of their revered 19th-century king in this film and in the musical The King and I.

Most railroads in 19th-century United States rostered at least one Rogers-built locomotive.

Most seriously, Green accused Kennedy of concealing the existence of a collaborator, referred to as " John Brown " ( a pseudonym probably chosen in honor of the 19th-century abolitionist John Brown ), whom Green alleged was in fact responsible for the most daring of Kennedy's undercover revelations.

Most of the 19th-century Victorian houses around Gorton were demolished during the 1960s, and many people were moved to new overspill housing estates in other parts of the city.

Most 19th-century and some 20th-century approaches aimed to provide models for the evolution of humankind as a whole, arguing that different societies are at different stages of social development.

Most 19th-century and some 20th-century approaches aimed to provide models for the evolution of humankind as a single entity.

Most players will note that the series also makes reference to another ' creator ', Paul Hieronymus Chada, who is presented as a 19th-century Smithsonian sociologist / historian similar to that of Sigmund Freud or Karl Marx.

Most historians now believe these unsteerable hobby-horses probably never existed, but were made up by Louis Baudry de Saunier, a 19th-century French bicycle historian.

Most of his work has been on the economic, demographic, and social history of the Chesapeake region during the early colonial period, but his research interests include the origins of plantation slavery in British America, the economic development of the Lower South in the 18th century, and late 19th-century U. S. social history.

Most original Cuyp paintings were signed by him, and in the script manner in which his name was inscribed.

Most of his claims are found in his paintings, many of which are Lettrist Abstractions.

Most of Noland's paintings fall into one of four groups: circles, or targets ( see Beginning illustrated ), chevrons, ( see infobox ), stripes, and shaped canvases.

Most writers attach a more profound significance to his paintings than had previously been supposed, and attempt to interpret it in terms of a late medieval morality.

Most impressively, miniatures and matte paintings could be used to depict worlds that never existed.

Most of these paintings depict strong light and fair weather ; he showed little interest in snow or rain scenes, or in seasonal color changes.

Most of Hopper's figure paintings focus on the subtle interaction of human beings with their environment — carried out with solo figures, couples, or groups.

Most pieces came from the Guggenheim's permanent collection, but the museum also acquired paintings by Willem de Kooning, Mark Rothko and Clyfford Still and commissioned new works by Francesco Clemente, Anselm Kiefer, Jenny Holzer and Richard Serra.

Most of them were made as preparatory studies for his paintings, but he also drew landscapes, genre subjects, and caricatures for his own enjoyment.

Most of the paintings in the Prado come from the former royal collection and almost all were acquired in the 18th century.

Most famous of all are the hundreds of paintings and prints that make up the series Homage to the Square.

Most of Russell's portrayals of white women are shown as " pure " and non-sexual, other than those paintings specifically depicting prostitutes.

Most of his early paintings was lost during the war time.

Most of the sliding doors and paintings were put into storage as World War II started reaching the Japanese mainland.

Most Neo-Grec paintings were also done in a horizontal layout as in a frieze decoration or Greek vases, with the composition simplified.

Most tablahs are beautifully decorated, some with wood, tile or bone inlay, etched metal, or paintings in designs typical of the Near East.

Most of his paintings step outside those recommended in Mustard Seed Garden, an accumulated one and a half million years of exile.

Most of Sage ’ s paintings focus on free-standing architectural structures, including walls, towers, and latticework, which could represent buildings either under construction or ruined and decaying.

Most of the paintings have the nude models standing or crouching on the beach facing out to sea, so only the back view is displayed.

Most are thick porcelain table ware with blue cobalt paintings.

Most of the evidence comes from only a few vase paintings of the 5th century BC, such as one showing a mask of the god suspended from a tree with decorated robe hanging below it and dancing and the Pronomos vase, which depicts actors preparing for a Satyr play.

Most paintings depict scenes of pastoral life, religious ceremonies, and festivals.

Most of the rest of the paintings are narratives, but most of the work has been partially or fully lost, and those that remain are not in good condition.

Most of these paintings seem to go back to an original by John Cleveley the Younger, painted in 1784, although other versions, like that of John Webber, stood model for later copies too.