These singles were collected on Singles Going Steady, described by critic Ned Raggett as a " punk masterpiece ".

Shiny Beast ( Bat Chain Puller ) was described by Ned Raggett of Allmusic to be "... manna from heaven for those feeling Beefheart had lost his way on his two Mercury albums ".

Writing for Allmusic, critic Ned Raggett said " With their former band's generally gloomier shadows left behind, what Ash and Haskins draw from their time with Bauhaus is that group's melange of styles — their most underappreciated strength.

" Ned Raggett of Allmusic describes it as surf-inspired power pop with a New Wave edge: " Not quite Devo if they grew up on the coast, but there's something to that comparison.

" Ned Raggett of Allmusic in his review of Milo Goes To College cited that " an unpretentious, catchy winner.

These " fine set of performances " ( Ned Raggett, AllMusic ) would later be unofficially released as the vinyl album Taking Drugs to Make Music to Take Drugs To on the Father Yod label in 1990 ( albeit described incorrectly as “ rehearsals in Rugby ”).

It was " a full on, fuzzed up drone of relentless guitar pounding " ( Ian Edmond, Record Collector ), with a " rough garage energy " and " minimal, bluntly entrancing riffs " ( Ned Raggett, Allmusic ).

However, it represented Kember and Pierce ’ s " collaborative zenith " ( Erik Morse ), and the album " is practically a best-of in all but name " ( Ned Raggett, AllMusic ).

The title track was a powerful, anthemic " mind-melting crunch " ( Ned Raggett, AllMusic ).

The band " created glazed, liquid songs with subtle arrangements and sheer reveling in aural joys ... With Fire is a feast of sound " ( Ned Raggett, AllMusic ).

" Hordes of bands would rank Playing with Fire 3's third studio album as the equal ( or better ) of psychedelia's ' 60s /' 70s forebears " ( Ned Raggett, AllMusic ).

OMD, whose hit singles regularly eschewed the verse-chorus form and 4 / 4 time signature synonymous with pop music, were retrospectively described by AllMusic's Ned Raggett as having been " in the enviable position of at once being creative innovators and radio-friendly pop giants.

The song was highly acclaimed in a retrospective review by Allmusic journalist Ned Raggett, who wrote that it " ranks as one of the best, most realistic portrayals of urban life recorded.

Allmusic reviewer Ned Raggett writes that " part of her appeal is how she can make hard-to-interpret lyrics so emotionally gripping.

Allmusic's reviewer, Ned Raggett felt their early work had been " as goth as it gets ", while this album saw them " plunging into a wider range of music and style ".

It was considered the band's strongest work since Treasure by Allmusic reviewer Ned Raggett, who described it as " simply fantastic " and successful in creating " more accessibility ".

Reviewing the album for Allmusic, Ned Raggett describes the album as " not only demonstrating Primus ' undeniable live flair for art / prog rock / funk of its own devising, but capturing an already rabid fan base getting off on it big-time ", with " its tempo-shifting riffing and Funkadelic-meets-Rush rhythm explosions benefiting from a fairly crisp recording.

Ned Raggett of Allmusic called it " a record that sounded caught somewhere between grunge mania and metal / corp rock folly.

The music in the album has been described by reviewer Ned Raggett as having production values that switched around from the " usual domination via guitar " with an emphasis on the drums, while the work of guitarist Michael Hampton has been compared with John McGeoch's work with post-punk bands Magazine and Siouxsie and the Banshees.

Critic Ned Raggett describes Over the Edge as " the longest-running block of free-form radio in the history of radio ... essentially live performance art.

Reviewing the album for Allmusic, Ned Raggett notes that " it's pretty easy to see in retrospect how much of a melange went into the group's work.

Reviewers include Greg Adams, Mark Allender, Jason Ankeny, Roxanne Blanford, Marisa Brown, John Bush, Al Campbell, Nate Cavalieri, Eugene Chadbourne, Matt Collar, Sean Cooper, Ken Dryden, Bruce Eder, Jason Elias, Stephen Thomas Erlewine, Katherine Fulton, Jo-Anne Greene, Steve Huey, David Jeffries, Thom Jurek, Andy Kellman, Rudyard Kennedy, Don Kline, the late Cub Koda, Andrew Leahey, Steve Leggett, Jason Lymangrover, Scott McClintock, Greg McIntosh, Opal Louis Nations, Wilson Neate, Heather Phares, Greg Prato, Ned Raggett, Margaret Reges, Eduardo Rivadavia, John Phillip Roberts, William Ruhlmann, Tim Sendra, Michael Sutton, Jeff Tamarkin, Rob Theakston, Richie Unterberger, Sean Westergaard, and Scott Yanow.

Allmusic editor Ned Raggett noted that the album " showed the band in fierce and fine fettle once more ", describing Cave's lyrics as " a series of striking, compelling lyrics again exploring love, lust and death " and said the songs " showcase the Seeds ' peerless abilities at fusing older styles with noisy aggression and tension.

" Allmusic's Ned Raggett also commented on the emo connection in his review of Yank Crime: " Perhaps even more than the debut, Yank Crime solidified Drive Like Jehu's reputation as kings of emo.

Ned Raggett argues that McMillen's appearance " Given how Cop Shoot Cop had evolved its own unique sound out of the basses, drums, and samplers from the original members, becoming more of a straight-ahead rock group inevitably made the band a little less special.

Ned Raggett, writing for Allmusic, identified a continuing David Bowie influence, but stated that the album " shows Murphy fully coming into his own as a performer ".

Ned Raggett of Allmusic called it " a record that sounded caught somewhere between grunge mania and metal / corp rock folly.

Ned Raggett of Allmusic gave the album 4½ stars out of 5, calling it " an unpretentious, catchy winner.

" Ned Raggett of Allmusic gave the EP three stars out of five, calling it " quick, immediate, goofy, fun " and " a hyperspeed trashing of modern youth Kultur circa 1981 ".

Ned Raggett of Allmusic commented on the song's ability to " alternate between calmer, almost Cure-like sections and the louder crunches, Corgan's soon-to-be-trademark guitar style taking My Bloody Valentine's own hypnotic riffing to more accessible results.

Ned Raggett of Allmusic called the song an " at-once storming but catchy smash single ".

" Ned Raggett of Allmusic wrote " The band's third full album is a firecracker, showing their at once passionate and sly approach to music — take in everything, put it back out, and give it its own particular sheen and spin — is in no danger of letting up.

Ned Raggett of Allmusic gave the album two and a half out of five stars, and noted that it " isn't really necessary except for the hardest of hardcore fans.

Ned Raggett of Allmusic would positively call the album " a last entertaining blast of wigginess from one of the few truly independent artists in late 20th century pop music, with humor, skill, and style all still intact ", with The Magic Band " turning out more choppy rhythms, unexpected guitar lines, and outré arrangements, Captain Beefheart lets everything run wild as always, with successful results ".

Ned Raggett of Allmusic called the song " two and a half minutes of pure heavy metal rampage " and " a masterpiece of arrangement and production.

Ned Raggett of Allmusic said that the song " shows Alice in Chains in woozy, murkily descending riff mode, taking its time to grind down into the ground " and added, " The near-constant theme on Dirt about drugs, specifically heroin, doesn't disappear here: ' Used to be curious, now the shit's sustenance '.

Ned Raggett of Allmusic called their collaboration " essentially nothing more or less than Foetus at his most industrial and clattering with Almond at his most theatrically pained and howling ".

In its final form, brought out by Foreman's own Ned Ludd Books ( suitably named after the nineteenth-century British worker who destroyed supposedly labor-saving machinery ), Ecodefense: A Field Guide To Monkeywrenching gave practical, detailed instructions on how to decommission bulldozers, pull out survey stakes, spike trees, and generally harass and delay resource industry plans.

* 22 June-Matthew Gibney, priest, in 1880 in Australia, tended the seemingly seriously wounded Ned Kelly, heard his confession and gave him the last rites ( born 1835 ).

Allmusic's employee Ned Raggett gave the album a two and a half star rating, noting that " Live Undead isn't really necessary except for the hardest of hardcore fans in the end, especially in comparison to Decade of Aggression ," and saying that " Evil Has No Boundaries " was the best performance of the seven songs.

However, Ned Tanen, a young executive at Universal Pictures gave Hellman $ 850, 000 to make the film and gave him control of the final cut.

Moira Petty, writing in The Stage, said, "" Director Ned Chaillet elicited from his cast ... a smart, gag-telling pace, which gave it a sensational period flavour.

His taped show was replayed and locally sponsored, in part by station owner Earl Holder, who gave Ned both a taping facility and recording studio time for a moderate rate to fill in local programming.

Nearly one year after Eileen's passing, on November 6, 1893, Carrie gave birth to their only son Edward Jr, known as Ned.

Later in 1998 the UPN television network gave him the starring role of family patriarch Ned Logan in the post-Civil War drama Legacy, which lasted 18 episodes before cancellation.

* Many Wounds ( Eric Schweig )-An Apache Indian who gave Colton to Ned when he was only a baby.

An American vocalist who was staying in England at the time, Ned Christie ( real name Robert Stoddard ), was brought into the project and he gave the band the name The Dogs D ' Amour, and co-wrote many early songs with Tyla.