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Page "The Book of the City of Ladies" ¶ 12
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New and York
Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.
After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.
Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.
He ended his public career as a two-term governor of New York.
Talleyrand passed his New York law office one night on the way to a party.
No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.
But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.
Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.
In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.
At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.
While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.
Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.
The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.
In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.
`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --
`` It wasn't necessarily all here in New York.
When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.
the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.
City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.
The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.
Hearst took a brief respite to hurry home to New York to become a father.
Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.

New and Norton
New York: W. W. Norton & Company, 2000.
The 21st chapter was omitted from the editions published in the United States prior to 1986 .< ref > Burgess, Anthony ( 1986 ) A Clockwork Orange Resucked in < u > A Clockwork Orange </ u >, W. W. Norton & Company, New York .</ ref > In the introduction to the updated American text ( these newer editions include the missing 21st chapter ), Burgess explains that when he first brought the book to an American publisher, he was told that U. S. audiences would never go for the final chapter, in which Alex sees the error of his ways, decides he has lost all energy for and thrill from violence and resolves to turn his life around ( a slow-ripening but classic moment of metanoia — the moment at which one's protagonist realises that everything he thought he knew was wrong ).
New York: W. W. Norton & Company, 2000.
( Reprinted: New York: Norton, 1969.
* Eat, Memory: Great Writers at the Table, a Collection of Essays from the New York Times ( W. W. Norton & Company, 2009 ) 26 previously published essays
* The Essential New York Times Cookbook: Classic Recipes for a New Century ( W. W. Norton & Company, 2010 )
A. Richards & Christine Gibson, Learning Basic English: A Practical Handbook for English-Speaking People, New York: W. W. Norton & Co. ( 1945 )
* The Analects of Confucius ( New York: W. W. Norton, 1997 ).
New York: W. W. Norton.
New York: W. W. Norton & Company, 2009.
New York: Norton, 1971.
New York: Norton.
New York: Norton, 1991.
New York: W. W. Norton & Company, Inc. 2007.
New York: W. W. Norton & Company, Inc. ( 1978 ).
New York: W. W. Norton & Company, 1993.
W. W. Norton & Co., New York, 1965.
W. W. Norton & Co., New York, 1954.
New York: Norton.
New York: W. W. Norton & Co. ISBN 0-393-05057-2.
New York: W. W. Norton, 2000, 320 pages.
New York: W. W. Norton, 1990 ( ISBN 0-393-02881-X ).
New York: Norton.
New York: W. W. Norton.

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