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Nii ’ s “ Friends and Mentors ” belong to an established circle of the international art world, and include Jack Lenor Larsen ( Textile Designer ), Isamu Noguchi ( Sculptor ), Toshiko Takaezu ( Ceramist ), Ansei Uchima ( Print Maker and Painter ), Toshiko Uchima ( Collagist and Box Assemblage Artist ), Esteban Vicente ( Painter and Collagist ), Siah Armajani ( Conceptual Artist ), Hillary Harris ( Film Maker ), Max Newhouse ( New Media Artist ), Kenneth Noland ( Painter ), Max Roach ( Jazz Percussionist ), Leon Kirchner ( Composer ) and many more.
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Nii and ’
" WAH Center founder and Artistic Director Yuko Nii personally received a letter from the Equerry of The Prince of Wales and The Duchess of Cornwall, Major Will Mackinlay, who stated that that their Royal Highnesses were “ grateful ” for Yuko ’ s “ thinking of them ” in inviting them to the ball, and passed on their well wishes for the success of the event.
In 1998, Howard Golden, then Brooklyn Borough President named Nii Brooklyn ’ s “ Women of the Year ” for her “ unparalleled devotion to her art and commitment to the artist community of Williamsburg / Greenpoint .” And he said that the WAH Center ’ s activities have resulted in “ tremendous cultural & economic activity throughout the northern Brooklyn area, “ an area recently designated as an “ historic district ” and “ economic development zone .”
Nii and “
In 2001, Governor George Pataki named Nii one of New York State's " women of the year " and called her a “ Woman of Excellence with Vision and Courage .” He also congratulated Nii on turning the historic Kings County Savings Bank into a multipurpose art center that serves the needs of artists and art aficionados of diverse backgrounds.
Nii and international
Terrance Lindall is a builder of institutions such as the Greenwood Museum and the Upperville Meeting House in New York State, and has worked with Yuko Nii in developing the Williamsburg Art & Historical Center, which has achieved international recognition.
Nii and art
Currently the building houses the Williamsburg Art & Historical Center, a not-for profit art organization founded by artist Yuko Nii in October 1996.
Nii and ),
Meanwhile, the villains, two unlikely confidants, Gyokumen Koushou ( Gyumaoh's concubine, a demon ) and a mad scientist, Dr. Nii Jianyi ( a human ), continue their attempts to restore the long-dead king.
From this site, the Council maintained relations with fellow Anishinaabeg nations, the Ozaagii ( Sac ), Odagaamii ( Meskwaki ), Omanoominii ( Menominee ), Wiinibiigoo ( Ho-Chunk ), Naadawe ( Iroquois Confederacy ), Nii ' inaawi-Naadawe ( Wyandot ), Naadawensiw ( Sioux ), Wemitigoozhi ( France ), Zhaaganaashi ( England ) and the Gichi-mookomaan ( the United States ).
* Nii Parkes ( born 1974 ), British-born Ghanaian poet
Oxford University's major exhibit " Citizen Milton " at the Bodleian Library ( to which Milton himself personally donated copies of many of his works ), honoring Milton's 400th birthday, used one of Lindall's artworks for Paradise Lost from the Nii Foundation collection.
Others close allies included the Noos ( Abenaki ), Miijimaag, Nii ' inaa-naadawe ( Wendat ), Omanoominiig, Wiinibiigoog and Zhaawanoog.
The Council maintained relations with fellow Anishinaabeg nations: the Ozaagii ( Sac ), Odagaamii ( Meskwaki ), Omanoominii ( Menominee ), Wiinibiigoo ( Ho-Chunk ), Naadawe ( Iroquois Confederacy ), Nii ' inaa-Naadawe ( Wyandot ), Naadawensiw ( Sioux ), Wemitigoozhi ( France ), Zhaaganaashi ( England ) and the Gichi-mookomaan ( the United States ).
Nii and New
Nii was an advisory panelist for the 1978 CAPS Grants under the Cultural Council Foundation of New York City and JPMorgan Chase 2007 Regrant Program.
In 1996, Nii founded the not for profit Williamsburg Art & Historical Center ( WAH Center ) in Williamsburg, Brooklyn, New York which is housed in the Kings County Savings Bank Building, which is in the National Register of Historic Places and a New York City Landmark.
Yuko Nii with then Governor Pataki of New York.
In New Guinea, some of the Chimbu languages such as Melpa, Middle Wahgi, and Nii, have a voiceless velar lateral fricative, which they write with a double-bar el ().
Nii and .
In June 2008, the Assembly of the Authority elected by acclamation Nii Allotey Odunton of Ghana, Deputy to the Secretary-General since 1996, for a four-year term as Secretary-General beginning 1 January 2009.
There were two railway stations named Nii and Aokura, and two roadside stations named Asago and Flesh Asago.
The Ollenu committee of inquiry was headed by Justice Nii Amaa Ollennu with Sir Tsibu Darki IX, Nana Atakora Amaniampong II and Togbe Adja Tekpor VI as members.
Lindall is currently president of the Yuko Nii Foundation and a member of the Milton Project at the Townsend Humanities Lab, University of California, Berkeley.
Completed December 8, 2009, the scroll is now in the Milton collection at the Yuko Nii Foundation.
Yuko Nii at the Williamsburg Art & Historical Center.
Yuko Nii ( born 1942 ) is an artist and philanthropist.
In 2003, Borough President Marty Markowitz gave Nii the Betty Smith Arts Award for her outstanding achievements and contributions to the arts in Brooklyn.
Much of the credit must be placed on the doorstep of the director of the Williamsburg Art & Historical Center, Yuko Nii.
In 2009 ownership of the building was transferred to the Yuko Nii Foundation.
Although known as Cab Kaye, his full name was Nii Lante Augustus Kwamlah Quaye and he was a Chief of the GA tribe centralized in Jamestown, Accra.
* Nii, H. P. Blackboard Systems.
’ and s
The AMPAS was originally conceived by Metro-Goldwyn-Mayer studio boss Louis B. Mayer as a professional honorary organization to help improve the film industry ’ s image and help mediate labor disputes.
The International Encyclopedia of the Social Sciences defines psychological altruism as " a motivational state with the goal of increasing another ’ s welfare ".
Psychological altruism is contrasted with psychological egoism, which refers to the motivation to increase one ’ s own welfare.
One way is a sincere expression of Christian love, " motivated by a powerful feeling of security, strength, and inner salvation, of the invincible fullness of one ’ s own life and existence ".
Another way is merely " one of the many modern substitutes for love, ... nothing but the urge to turn away from oneself and to lose oneself in other people ’ s business.
* David Firestone-When Romney ’ s Reach Exceeds His Grasp-Mitt Romney quotes the song
" Swift extends the metaphor to get in a few jibes at England ’ s mistreatment of Ireland, noting that " For this kind of commodity will not bear exportation, and flesh being of too tender a consistence, to admit a long continuance in salt, although perhaps I could name a country, which would be glad to eat up our whole nation without it.
George Wittkowsky argued that Swift ’ s main target in A Modest Proposal was not the conditions in Ireland, but rather the can-do spirit of the times that led people to devise a number of illogical schemes that would purportedly solve social and economic ills.
In response, Swift ’ s Modest Proposal was " a burlesque of projects concerning the poor ", that were in vogue during the early 18th century.
Critics differ about Swift ’ s intentions in using this faux-mathematical philosophy.
Charles K. Smith argues that Swift ’ s rhetorical style persuades the reader to detest the speaker and pity the Irish.
Swift ’ s specific strategy is twofold, using a " trap " to create sympathy for the Irish and a dislike of the narrator who, in the span of one sentence, " details vividly and with rhetorical emphasis the grinding poverty " but feels emotion solely for members of his own class.
Swift ’ s use of gripping details of poverty and his narrator ’ s cool approach towards them create " two opposing points of view " that " alienate the reader, perhaps unconsciously, from a narrator who can view with ' melancholy ' detachment a subject that Swift has directed us, rhetorically, to see in a much less detached way.
Once the children have been commodified, Swift ’ s rhetoric can easily turn " people into animals, then meat, and from meat, logically, into tonnage worth a price per pound ".
Swift uses the proposer ’ s serious tone to highlight the absurdity of his proposal.
In making his argument, the speaker uses the conventional, text book approved order of argument from Swift ’ s time ( which was derived from the Latin rhetorician Quintilian ).
James Johnson argued that A Modest Proposal was largely influenced and inspired by Tertullian ’ s Apology: a satirical attack against early Roman persecution of Christianity.
Johnson notes Swift ’ s obvious affinity for Tertullian and the bold stylistic and structural similarities between the works A Modest Proposal and Apology.
He reminds readers that " there is a gap between the narrator ’ s meaning and the text ’ s, and that a moral-political argument is being carried out by means of parody ".
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