Operatic modernism truly began in the operas of two Viennese composers, Arnold Schoenberg and his student Alban Berg, both composers and advocates of atonality and its later development ( as worked out by Schoenberg ), dodecaphony.
Operatic modernism truly began in the operas of two composers of the so-called Second Viennese School, Arnold Schoenberg and his acolyte Alban Berg, both advocates of atonality and its later development ( as worked out by Schoenberg ), dodecaphony.
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