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Oxford and Music
In The Oxford Companion to Music, Percy Scholes devotes about four pages to this subject, pointing out the similarities to an early plainsong melody, although the rhythm is very distinctly that of a galliard, and he gives examples of several such dance tunes that bear a striking resemblance to " God Save the King / Queen ".
Oxford Music Online, http :// 0-www. oxfordmusiconline. com. catalogue. ulrls. lon. ac. uk / subscriber / article / grove / music / 00421 ( accessed 7 March 2010 ).
< http :// www. oxfordreference. com > 27 October 2011 </ ref > Clement Greenberg sees modernism ending in the 1930s, with the exception of the visual and performing arts, but with regard to music, Paul Griffiths notes that, while modernism " seemed to be a spent force " by the late 1920s, after World War II, " a new generation of composers-Boulez, Barraqué, Babbitt, Nono, Stockhausen, Xenakis " revived modernism .< ref > Paul Griffiths " modernism " The Oxford Companion to Music.
* S. Lyons, " Music in the Odes of Horace ", 2010, Oxford, Aris and Phillips ( ISBN 978-0-85668-844-7 ).
* Manning, Peter ( 1985 ) Electronic and Computer Music, Oxford: Clarendon Press ; New York: Oxford University Press.
The Oxford Dictionary of Music states that while pop's " earlier meaning meant concerts appealing to a wide audience ... since the late 1950s, however, pop has had the special meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc.
* Starr, Larry & Waterman, Christopher, ( 2002 ) American Popular Music: From Minstrelsy to MTV, Oxford University Press.
The Grove Dictionary of Music and Musicians ( Oxford University Press ) identifies this quite clearly:
The series plan was expanded by adding the similarly inexpensive but high quality " Oxford Church Music " and " Tudor Church Music " ( taken over from the Carnagie UK Trust ); all these series continue today.
Scholes's continuing work for OUP, designed to match the growth of broadcast and recorded music, plus his other work in journalistic music criticism, would be later comprehensively organized and summarized in the Oxford Companion to Music.
* Duncan Hinnells, An Extraordinary Performance: Hubert Foss and the Early Years of Music Publishing at the Oxford University Press, ( Oxford: OUP 978-0-19-323200-6, 1998 ).
* Oxford University Press Music Department, Oxford Music: The First Fifty Years ' 23 −' 73, ( London: OUP, 1973 ).
Oxford and Online
According to the Oxford English Dictionary Online, the first known recorded usage of the word diaspora in the English language was in 1876 referring " extensive diaspora work ( as it is termed ) of evangelizing among the National Protestant Churches on the continent ".
The Online Oxford English Dictionary indicates use of the phrase in a March 1964 New Statesman article.
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