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Page "Dolly Parton" ¶ 39
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Parton's and recorded
A duet with Ricky Van Shelton, " Rockin ' Years " ( 1991 ) reached number one but Parton's greatest commercial fortune of the decade came when Whitney Houston recorded " I Will Always Love You " for the soundtrack of the feature film The Bodyguard ( 1992 ); both the single and the album were massively successful.
Tangerine Dream's album Logos was recorded there in 1982, and contains a tune called " Dominion " in tribute, and Dolly Parton's 1983 concert at the Dominion was filmed and released as a television special, Dolly in London.
After she recorded the track in December 1983, " Downtown " appeared on Parton's album of covers of hits from the 1950s and 1960s, The Great Pretender.
The album was recorded at Parton's parents ' house and co-produced and mixed by Ian's brother Gareth Parton at The Fortress Studios, London.
Though most of the show's episodes were taped in ABC's studios in Los Angeles, a numbers of " special " episodes were recorded on location, including one in Hawaii, one in New Orleans, one in Nashville ( featuring most of the cast of the Grand Ole Opry ), and a Thanksgiving episode in Parton's hometown of Sevierville, Tennessee, featuring most of her extended family.

Parton's and during
Parton's commercial success continued to grow during 1980, with three number-one hits in a row: the Donna Summer-written " Starting Over Again ", " Old Flames Can't Hold a Candle to You ", and " 9 to 5 ", which topped the country and pop charts in early 1981.
Other chart hits during this period included Parton's chart-topping cover of the 1969 First Edition hit " But You Know I Love You " and " The House of the Rising Sun " ( both 1981 ), " Single Women ", " Heartbreak Express " and " Hard Candy Christmas " ( 1982 ) and 1983's " Potential New Boyfriend ", which was accompanied by one of Parton's first music videos, and which also reached the U. S. dance charts.
* Many of entertainer Dolly Parton's hairstyles during the 1970s and 1980s ( many of which were wigs ) were beehive styles.

Parton's and remained
( One original member of Gypsy Fever, backing vocalist Richard Dennison, has remained with Parton's organization through the early 2010s, serving as a supporting vocalist, as well as the vocal arranger for Parton's band.

Parton's and though
Parton's soundtrack album from her own 1992 film, Straight Talk, however was less successful, though her 1993 album Slow Dancing with the Moon won critical acclaim, and did well on the charts, reaching No. 4 on the country albums charts, and No. 16 on the Billboard 200 albums charts.

Parton's and somewhat
The album strongly revitalized Parton's somewhat stagnant music career, spending five weeks at number one on Billboard's Country Albums chart, selling several million copies and producing four Top 10 country hits including Phil Spector's " To Know Him Is to Love Him ", which went to number one.

Parton's and .
Parton's first solo single for RCA, " Just Because I'm a Woman ", was released in the summer of 1968 and was a moderate chart hit, reaching number seventeen.
The duo was named Vocal Group of the Year in 1968 by the Country Music Association, but Parton's solo records were continually ignored.
Released in late 1973, the song topped the singles chart in February 1974, and reached the lower regions of Billboard's Hot 100 ( it eventually also charted in the UK, reaching No. 7 in 1976, representing Parton's first UK success ).
Her first entirely self-produced effort, 1977's New Harvest ... First Gathering, highlighted Parton's pop sensibilities, both in terms of choice of songs-the album contained covers of the pop and R & B classics " My Girl " and " Higher and Higher " – and the album's production.
The result, 1977's Here You Come Again, became her first million-seller, topping the country albums chart and reaching No. 20 on the pop albums chart ; the Barry Mann-Cynthia Weil-penned title track topped the country singles chart, and became Parton's first top-ten single on the pop charts ( reaching number three ).
For the remainder of the 1970s and into the early 1980s, many of Parton's subsequent singles charted on both pop and country charts, simultaneously.
During this period, Parton's visibility continued to increase, with television appearances in 1977, 1978 and 1979.
Parton's singles continued to appear consistently in the country Top 10: between 1981 and 1985, she had 12 Top 10 hits ; half of those were number-one singles.
Although it looked like Parton's career had been revived, it was actually just a brief revival before contemporary country music came in the early 1990s and moved all veteran artists out of the charts.
A live acoustic album, Heartsongs, featuring stripped down versions of some of Parton's hits, as well as a number of traditional songs, was released in late 1994.
Parton's recording of Stevens ' " Peace Train " was later remixed and released as a dance single, reaching Billboard's dance singles chart.

recorded and output
" In his essay on Parsons for Rolling Stone magazine's " 100 Greatest Artist " list, Keith Richards notes that Parsons ' recorded music output was " pretty minimal.
Santa Dog is considered by The Residents themselves and their fans to be the " official " start of the band's recorded output.
In the decades after his death in Naples in 1870, his output was largely forgotten, but it has been occasionally revived and recorded since World War II, although it has yet to achieve anything like the present-day popularity of the most famous compositions by his slightly younger contemporaries Donizetti and Bellini.
Haley, who was fluent in Spanish, recorded a number of songs in the language, but the vast majority of the band's output during these years were instrumental recordings, many utilizing local session musicians playing trumpet.
Their recorded studio output since 1982 is composed of seventeen albums generally regarded in two distinct eras, delineated by the departure of original frontman Fish in late 1988, and the subsequent arrival of replacement Steve Hogarth in early 1989.
Fantasy eventually released a 9-CD box set containing all of Dolphy's recorded output for Prestige.
On some high end consumer equipment, Dolby calibration control is included: for recording, a reference tone at Dolby level may be recorded for accurate playback level calibration on another transport ; at playback, the same recorded tone should produce the identical output, as indicated by a Dolby logo marking at + 3 VU on the VU meter ( s ).
The archive of networked programmes made by Southern Television, for example, is now owned by the Australian media company Southern Star Group ( no connection ) – but Southern's regional output is in the hands of ITV plc, whilst the few surviving tapes of Associated-Rediffusion belong to many different organisations ( the majority of Associated-Rediffusion's tapes were recorded in monochrome and therefore deemed of no use upon the arrival of colour broadcasting ; as such they were disposed of by their successor Thames Television ), although in recent years there have been occasional discoveries such as a 1959 episode of Double Your Money and the remaining missing episode of Around the World with Orson Welles, found by Ray Langstone in 2011.
According to the Guinness Book of World Records, Nusrat Fateh Ali Khan holds the world record for the largest recorded output by a Qawwali artist — a total of 125 albums as of 2001.
1999 saw the release of the 4-disc PiL compilation Plastic Box ; it offered a more comprehensive retrospective of PiL's recorded output than the 1-disc The Greatest Hits, So Far.
Nancarrow's entire output for player piano has been recorded and released on the German Wergo label in 1989 – 1991.
Holden's association with Blue Cheer was quite brief ; his only recorded output with the band is three tracks on New!
The final output of this arrangement was then recorded.
After achieving early underground fame in UK, the band had their commercial breakthrough in mid-1980s and sustained it until the early 1990s, when they stopped releasing new recorded output in protest against their record company.
By December 1970 Burke formed eight of his children, including Kyrell " Connie " Burke Groves ; Eleanor A. Burke, who was named after his grandmother who raised him ; Melanie Burke ( born March 1960 ); Gemini Curtis Burke ( born June 3, 1961 ), Solomon Vincent Burke, Jr. ( born 15 October 1961 ); Carolyn Burke ; and John Fitzgerald Kennedy " JFK " Burke into a " kiddie-soul " group, the Sons and Daughters of Solomon, whose entire output consisted of " Think of the Children " ( later known as " Save the Children ") ( K14354 ), recorded on December 10, 1971 ; " Don't Leave Me Now " ( K14233 ) and " A Piece of Clay " ( K14354 ), recorded on 21 December 1970 ; MGM single, " Everybody's Got Fingers " ( written by Solomon Burke, and Melanie Burke and JFK Burke ), recorded on January 16, 1971 ; b / w " Don't Leave Me Now " ( MGM K14233 ), a single " Save the Children " ( 1972 ), and a 1973 album " Kid Power " ( PRD0010, MGS 2994 ), the soundtrack to Kid Power, a cartoon adaptation of Morrie Turner's Wee Pals comic strip that was part of ABC Television's Saturday morning lineup during the 1972 – 73 season, on MGM's Lion subsidiary.
Mark Goodson-Bill Todman Productions, the producers of such TV game shows as What's My Line ?, had a significant portion of their output recorded on both videotape and kinescopes.
A set of small group sides recorded in 1950 with Miles Davis and Bennie Green are among the best of her career, but they were atypical of her Columbia output.
While Vaughan retained a following large and loyal enough to maintain her performing career, the quality and quantity of her recorded output dwindled even as her voice darkened and her skill remained undiminished.
After changing their name to Manfred Mann at the behest of their label's producer John Burgess, the group signed with His Master's Voice in March 1963 and began their recorded output that July with the slow, bluesy instrumental single " Why Should We Not ?".
Much of his vast recorded output was released in Europe, where he was regarded by early jazz critics as the equal, if not the superior of Louis Armstrong and Bix Beiderbecke.
Although the GSO has a broad repertoire, it has a special affinity for the works of the Nordic Late Romantic composers, such as Jean Sibelius and Edvard Grieg, which has comprised the bulk of its recorded output, as well as Neeme Järvi's specialty, Prokofiev.

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