The film was admired by Jean-Luc Godard, who featured a clip in his mammoth Histoire ( s ) du cinéma, and Pauline Kael who championed both The Fury and De Palma.

Critics that frequently admire De Palma's work include Pauline Kael, Roger Ebert and Armond White, among others.

"< ref name = KaelBO > Kael, Pauline ( July 27, 1981 ).

" The critic Pauline Kael called De Mille " a sanctimonious manipulator-used to satisfy the voyeuristic needs of the God-abiding by showing them what they were missing by being good and then soothe them by showing them the terrible punishments they escaped by being good.

Although several reviews were critical of the film – Pauline Kael said it " staggers along " and Stanley Kauffmann thought Cukor's direction was like " a rich gravy poured over everything, not remotely as delicately rich as in the Asquith-Howard 1937 Pygmalion " — the film was a box office hit which won him the Academy Award for Best Director, the Golden Globe Award for Best Director, and the Directors Guild of America Award after having been nominated for each several times.

Pauline Kael was among the most enthusiastic critics: she called it " a true original, and a triumph of personal filmmaking " and " dizzyingly sensual ".

According to film critic Pauline Kael, " Brando represented a reaction against the post-war mania for security.

*" A Glorious High " by Pauline Kael at austinchronicle. com

" Pauline Kael, he notes, was willing to acknowledge this critical ennui and thus appreciate how a film such as Akira Kurosawa's Yojimbo ( 1961 ) " could exploit Western conventions while debunking its morality.

Pauline Kael called the film " one of the most gruesomely terrifying movies ever made – and when you leave the theatre you may wish you could forget the whole horrible experience.

Discussing the subsequent film version, Pauline Kael wrote that Leigh and Marlon Brando gave " two of the greatest performances ever put on film " and that Leigh's was " one of those rare performances that can truly be said to evoke both fear and pity.

* June 19 – Pauline Kael, American film critic ( d. 2001 )

Eastwood's longtime nemesis Pauline Kael called it " a tale varnished with foul language and garnished with violence ".

Despite receiving some negative reviews and a mixed, but complimentary review from the New York Times and one from Pauline Kael, the film was nominated for ten Academy Awards and won the award for best costumes.

Pauline Kael lost it at the movies ; I lost it at Mad magazine.

Brook's film starkly divided the critics: Pauline Kael said " I didn't just dislike this production, I hated it!

One critic dubbed it a masterpiece ; Pauline Kael wrote that he " may be the most natural and least self-conscious screen actor that has ever lived ".

Pauline Kael wrote that Colbert was widely admired by American audiences from the time of mid-1930s.

* Kael, Pauline ( 1984 ).

Pauline Kael wrote that much of Mankiewicz's vision of " the theater " was " nonsense " but commended Davis, writing " film is saved by one performance that is the real thing: Bette Davis is at her most instinctive and assured.

While lauded for her achievements, Davis and her films were sometimes derided ; Pauline Kael described Now, Voyager ( 1942 ) as a " shlock classic ", and by the mid-1940s her sometimes mannered and histrionic performances had become the subject of caricature.

Film critic Pauline Kael adopts a more neutral stance, while Time magazine film critic Richard Schickel writes " The nostalgia surrounding Rogers-Astaire tends to bleach out other partners.

As critic Pauline Kael later wrote, he " seems an unlikely choice for the ghetto-born lawyer ... but this is one of the few screen roles that reveal his measure as an actor.

This 2009 documentary film chronicles what occurred as a result: the New York Times fired Bosley Crowther because his negative review seemed so out of touch with the public, and Pauline Kael, who wrote a lengthy freelance essay in The New Yorker in praise of the film, became the magazine's new staff critic.

* Pauline Kael analysis

Following in the Pauline tradition, in the 5th century Saint Augustine viewed Christ as the mediator of the New Covenant between God and man and as the conqueror over sin.

Guest was born in New York City, the son of Peter Haden-Guest, a British United Nations diplomat who later became The 4th Baron Haden-Guest, and his second wife, Jean Pauline Hindes, a former vice president of casting at CBS.

As it is usually pointed out by the same authors who note the differences in language and style, the number of words foreign to the New Testament and Paul is no greater in Colossians than in the undisputed Pauline letters ( Galatians, of similar length, has 35 hapax legomena ).

' Not only that, but it has been universally noted that Colossians has indisputably Pauline stylistic characteristics, found nowhere else in the New Testament.

Advocates of Pauline authorship also point out that the differences between Colossians and the rest of the New Testament is not as great as it is purported to be.

* 1954 – In Christchurch ( New Zealand ) Pauline Parker and Juliet Hulme murder Pauline's mother because they think she is in the way of their close friendship ( movie Heavenly Creatures by Peter Jackson in 1994 ).

* 1938 – Pauline Parker, New Zealand murderer

No Old Syriac manuscripts of other portions of the New Testament survive, though Old Syriac readings, e. g. from the Pauline Epistles, can be discerned in citations made by Eastern fathers and in later Syriac versions.

The writings ascribed to him by the church ( the Pauline epistles ) form a considerable portion of the New Testament.

A late 9th-century drawing of St. Paul lecturing an agitated crowd of Jews and gentiles, part of a copy of a Pauline epistles produced at and still held by the monastery, was included in a medieval-drawing show at the Metropolitan Museum of Art in New York the summer of 2009.

It was frequently performed in New York, the role of Marie being a favorite with Jenny Lind, Henriette Sontag, Pauline Lucca, Anna Thillon and Adelina Patti.

He appeared as a child actor in silent films, beginning with The Perils of Pauline, filmed in Fort Lee, New Jersey.

The second reading is from the New Testament, typically from one of the Pauline epistles.

While this precise terminology —" by faith alone "— does not appear in English Bible translations other than in where it has been claimed that the author seems to reject the notion that a person is justified by God solely on account of faith, other Catholic authorities also used " alone " in their translation of Romans 3: 28 or exegesis of salvation by faith passages, and it is claimed to summarize the teaching of the New Testament, and especially the Pauline epistles such as, which systematically reject the proposition that justification before God is obtained due to the merit of one's obedience to the Law of Moses ( see also Biblical law in Christianity ), or Abraham's circumcision and works.

The story was first published in the Christmas edition of Redbook magazine, New York on # 23 November 1967 but without the illustrations by Pauline Baynes that appeared in the published book.

Pauline Kael in The New Yorker described it as " heaven – alive in a way that movies rarely are.

When it was first released, the film received a mixed response and garnered exceptionally harsh reviews from New York critics — Stanley Kauffmann (" the film bloats into sogginess ", The New Republic ); Pauline Kael (" amateurishly crude ", The New Yorker ); and Andrew Sarris — partly because of its directorial style and broad ethnic humor.

* Several Pauline epistles, books of the New Testament of the Bible:

The extant New Testament of the Vaticanus contains the Gospels, Acts, the General Epistles, the Pauline Epistles, and the Epistle to the Hebrews ( up to Hebrews 9: 14, καθα

Not all reviews were positive: Pauline Kael in The New Yorker, in a review subtitled " Hot Air ", criticized the film's abundance of long, preachy speeches ; Chayefsky's self-righteous contempt for not only television itself but also television viewers ; and the fact that almost everyone in the movie, particularly Robert Duvall, has a screaming rant: " The cast of this messianic farce takes turns yelling at us soulless masses.