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Pauline and Kael
The film was admired by Jean-Luc Godard, who featured a clip in his mammoth Histoire ( s ) du cinéma, and Pauline Kael who championed both The Fury and De Palma.
Critics that frequently admire De Palma's work include Pauline Kael, Roger Ebert and Armond White, among others.
"< ref name = KaelBO > Kael, Pauline ( July 27, 1981 ).
" The critic Pauline Kael called De Mille " a sanctimonious manipulator-used to satisfy the voyeuristic needs of the God-abiding by showing them what they were missing by being good and then soothe them by showing them the terrible punishments they escaped by being good.
Although several reviews were critical of the film – Pauline Kael said it " staggers along " and Stanley Kauffmann thought Cukor's direction was like " a rich gravy poured over everything, not remotely as delicately rich as in the Asquith-Howard 1937 Pygmalion " — the film was a box office hit which won him the Academy Award for Best Director, the Golden Globe Award for Best Director, and the Directors Guild of America Award after having been nominated for each several times.
Pauline Kael was among the most enthusiastic critics: she called it " a true original, and a triumph of personal filmmaking " and " dizzyingly sensual ".
According to film critic Pauline Kael, " Brando represented a reaction against the post-war mania for security.
*" A Glorious High " by Pauline Kael at austinchronicle. com
" Pauline Kael, he notes, was willing to acknowledge this critical ennui and thus appreciate how a film such as Akira Kurosawa's Yojimbo ( 1961 ) " could exploit Western conventions while debunking its morality.
Pauline Kael called the film " one of the most gruesomely terrifying movies ever made – and when you leave the theatre you may wish you could forget the whole horrible experience.
Discussing the subsequent film version, Pauline Kael wrote that Leigh and Marlon Brando gave " two of the greatest performances ever put on film " and that Leigh's was " one of those rare performances that can truly be said to evoke both fear and pity.
* June 19 – Pauline Kael, American film critic ( d. 2001 )
Eastwood's longtime nemesis Pauline Kael called it " a tale varnished with foul language and garnished with violence ".
Despite receiving some negative reviews and a mixed, but complimentary review from the New York Times and one from Pauline Kael, the film was nominated for ten Academy Awards and won the award for best costumes.
Pauline Kael lost it at the movies ; I lost it at Mad magazine.
Brook's film starkly divided the critics: Pauline Kael said " I didn't just dislike this production, I hated it!
One critic dubbed it a masterpiece ; Pauline Kael wrote that he " may be the most natural and least self-conscious screen actor that has ever lived ".
Pauline Kael wrote that Colbert was widely admired by American audiences from the time of mid-1930s.
* Kael, Pauline ( 1984 ).
Pauline Kael wrote that much of Mankiewicz's vision of " the theater " was " nonsense " but commended Davis, writing " film is saved by one performance that is the real thing: Bette Davis is at her most instinctive and assured.
While lauded for her achievements, Davis and her films were sometimes derided ; Pauline Kael described Now, Voyager ( 1942 ) as a " shlock classic ", and by the mid-1940s her sometimes mannered and histrionic performances had become the subject of caricature.
Film critic Pauline Kael adopts a more neutral stance, while Time magazine film critic Richard Schickel writes " The nostalgia surrounding Rogers-Astaire tends to bleach out other partners.
As critic Pauline Kael later wrote, he " seems an unlikely choice for the ghetto-born lawyer ... but this is one of the few screen roles that reveal his measure as an actor.
This 2009 documentary film chronicles what occurred as a result: the New York Times fired Bosley Crowther because his negative review seemed so out of touch with the public, and Pauline Kael, who wrote a lengthy freelance essay in The New Yorker in praise of the film, became the magazine's new staff critic.
* Pauline Kael analysis

Pauline and wrote
Tertullian ( c. a. d. 160 – 225 ) wrote that when it was discovered that a church elder had composed a pseudonymous work, The Acts of Paul ( which included a purported Pauline letter, 3 Corinthians ), the offending elder “ was removed from his office ” ( On Baptism 17 ).
He wrote biblical commentaries on the Diatessaron ( the single gospel harmony of the early Syriac church ), on Genesis and Exodus, and on the Acts of the Apostles and Pauline Epistles.
A feminist, in 1881, using the nom de plume " Pauline Orrel ," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne.
For instance he divided the Pauline epistles ( including the Epistle to the Hebrews ) into a series of texts on their theological points and wrote an introduction to each section.
After meeting and marrying in Paris in the late 1920s, Ernest and Pauline made frequent and lengthy visits to her parent's home in Piggott, where Ernest wrote portions of A Farewell to Arms, and other works.
That same year acclaimed mezzo-soprano Pauline Viardot, for whom Saint-Saëns wrote the role of Dalila, organized and performed in a private performance of act 2 at a friend's home in Croissy, with the composer at the piano.
Film critic Pauline Kael wrote, " I didn't find it hard to accept the uninflected, deadpan tone, and to enjoy Buckaroo Banzai for its inventiveness and the gags that bounce off other adventure movies, other comedies.
Time magazine wrote, " In London, the first night of Eugene O ' Neill's Anna Christie, with Pauline Lord in the title role, received a tremendous ovation.
Renée Vivien, born Pauline Mary Tarn ( 11 June 1877 – 18 November 1909 ) was a British poet who wrote in the French language.
Here he wrote his Geschichte des Volkes Israel ( 1869 – 1870 ), in two parts, extending respectively to the end of the Persian domination and to the fall of Masada, 72 AD, as well as a work on the Pauline epistles, Zur Kritik Paulinischer Briefe ( 1870 ), on the Moabite Stone, Die Inschrift des Mescha ( 1870 ), and on Assyrian, Sprache und Sprachen Assyriens ( 1871 ), besides revising the commentary on Job by Ludwig Hirzel, first published in 1839.
The film critic Pauline Kael wrote of her performance as writer Joan Wilder, " Turner knows how to use her dimples amusingly and how to dance like a woman who didn ’ t know she could ; her star performance is exhilarating.
For instance he divided the Pauline epistles ( including the Epistle to the Hebrews ) into a series of texts on their theological points and wrote an introduction to each section.
" Pauline Kael wrote in The New Yorker: " Peters is mysteriously right in every nuance.
" In her review, Pauline Kael noted that " the decisive change in the characters ' lives which the story hinges on takes place suddenly and hardly makes sense ..." She was not the only critic to question the gap in the plot ; of the scene in the hospital shortly after Katie gives birth and they part indefinitely, critic Molly Haskell wrote, " She seems to know all about it, but it came as a complete shock to me ".
He is most famous for his operettas – the most successful of which is The Merry Widow ( Die lustige Witwe ) – but he also wrote sonatas, symphonic poems, marches, and a number of waltzes ( the most popular being Gold und Silber, composed for Princess Pauline von Metternich's " Gold and Silver " Ball, January 1902 ), some of which were drawn from his famous operettas.
Writing for The New Yorker, Pauline Kael wrote that " Raising Arizona is no big deal, but it has a rambunctious charm.
In 1997 historian Pauline Maier wrote:
It also featured such colorful columnists as Pauline Phillips, who wrote under the name " Dear Abby ," " Count Marco " ( Marc Spinelli ), Stanton Delaplane, Terence O ' Flaherty, Lucius Beebe, Art Hoppe, Charles McCabe, and Herb Caen.

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