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Peel's Radio 1 shows were notable for the regular " Peel sessions ", which usually consisted of four songs recorded by an artist live in the BBC's studios, and which often provided the first major national coverage to bands that later would achieve great fame.
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Peel's and Radio
The song received crucial airplay on BBC Radio 1 and DJ John Peel's evening show, and Bauhaus was subsequently asked to record a session for Peel's show, which was broadcast on January 3, 1980.
In July 2002, after featuring several times on John Peel's programme on the UK's BBC Radio 1 and being hailed as " the future of rock " by the British music press, the band signed with the V2 record label.
In 2004, Smith stood in as one of three guest presenters for John Peel on BBC Radio 1, a week before Peel's death.
The band recorded two sessions for John Peel's BBC Radio 1 show in 1990, and their popularity with the show's listeners saw them with three tracks in the Festive Fifty that year, with " Dreams Burn Down " and " Like a Daydream " at numbers 3 and 4 respectively, and " Taste " at number 25.
The band recorded a live session for John Peel's BBC Radio 1 show in 1990 and contributed a cover version of " Chirpy Chirpy Cheep Cheep " to the anti-poll tax album Alvin Lives ( in Leeds ).
* " Anoint "/" Sundial "/" Fresh Surroundings "/" By Degrees " ( Recorded 1 / 04 / 1990 and originally broadcast on John Peel's radio programme, 23 / 04 / 1990 on BBC Radio 1 )
However during this time they made successful appearances on The Old Grey Whistle Test with Lowe on guitar and vocals, Gomm on bass and Schwarz on piano alongside Andrews on keyboard and recorded sessions for John Peel's BBC Radio 1 show.
* The Peel Sessions Volume 2 ( 1987 ) – 1979 live-in-studio recording for John Peel's BBC Radio 1 show released as EP
Galaxie 500 recorded two sessions for John Peel's BBC Radio 1 programme, these later released on the Peel Sessions album.
In 1977, it was recorded for John Peel's show on BBC Radio 1.
The band recorded two sessions for John Peel's BBC Radio 1 show, the first in February 1981 featuring a cover version of Heaven 17's "( We Don't Need This ) Fascist Groove Thing ", and a second in November that year.
Their exposure on John Peel's Perfumed Garden radio show on the pirate ship Radio London, and later on BBC's Top Gear, made them favourites with the emerging UK underground audience.
An appearance on BBC Radio 1 John Peel's evening show brought further attention to the group, and they were signed to MCA Records.
The song was first aired on John Peel's BBC Radio 1 show on April 7, 1999 and quickly became one of the most requested songs on his show, surpassing even " God Save the Queen " by the Sex Pistols.
The Motors ' debut live performance was at the Marquee Club in March 1977, and they recorded three songs for John Peel's weekly BBC Radio 1 show the same month ( 22 March 1977 ).
This Is Cinerama was released just weeks after Disco Volante and they were a frequent guest on John Peel's BBC Radio 1 program.
This Is Cinerama was released just weeks after Disco Volante and they were a frequent guest on John Peel's BBC Radio 1 program.
They achieved success after being aired on John Peel's Radio 1 show with sample-heavy dance tracks and cut-ups and were responsible for the hit single " Cognoscenti Vs. Intelligentsia " which was released through EMI.
After becoming popular on the local music scene in Glasgow and having demo material played on popular DJ John Peel's show on BBC Radio 1, the band broke through in 1984 when they were signed by Chrysalis Records, who released their eponymous début album in 1985.
With their debut album nearing completion, in early 2004 Sluts of Trust travelled to the BBC's Maida Vale Studios in London to record a live session for John Peel's show on BBC Radio 1.
" Skank Bloc Bologna " picked up airplay on John Peel's BBC Radio 1 show, and the band were signed to Rough Trade under Geoff Travis in 1979, making them labelmates with the other Cardiff avant-garde band, Young Marble Giants.
He joined BBC Radio 1 at the end of 1978 and was soon presenting the night time programme before John Peel's show, where he championed new groups and featured live sessions.
That same year the band recorded a session on John Peel's BBC Radio 1 programme.
Peel's and shows
That year, they released the limited edition album ISDN, which featured live broadcasts they had made over ISDN lines to various radio stations worldwide to promote Lifeforms, including The Kitchen, an avant-garde performance space in New York and several appearances on the late John Peel's celebrated BBC radio Sessions shows.
Cutler's work on Peel's shows would introduce him to successive generations of fans, and in the early 1990s, Cutler said, " Thanks to Peel, I gained a whole new audience, to the amazement of my older fans, who find themselves among 16-to-35s in theatres, and wonder where they came from.
Peel's and were
That subsidies were actually given was very much out of character for the political times ; Peel's successor, Lord John Russell, received more criticism than Peel on Irish policy.
Versions of the newly composed songs were recorded during several sessions for John Peel's radio show in 1988, while a live recording of " Hey " appeared on a free EP circulated with a 1988 edition of Sounds.
*" Monheim " and " Chart # 3 " were broadcast on 19 January 1999, on John Peel's radio show before the release of Skinny Fists as the first two movements of a piece called " Hung Over as the Queen in Maida Vale ".
The words were written by Peel's friend John Woodcock Graves, 1795 – 1886, in Cumbrian dialect.
" In the resulting debate, where Peel's remarks were denounced by Enoch Powell, it was emphasized that Britain needed to accord the same standards of human rights to all continents.
Dandelion and the sister publishing company Biscuit were named after Peel's hamsters at the suggestion of his then flatmate Marc Bolan.
Also in January 1968 they were invited to put down some tracks for John Peel's radio show.
The rivalry is believed to have begun as many of Peel's players were fishermen.
Steveless were identified as John Peel's last great love ' and were mentioned in his autobiography Margrave of the Marshes.
The tracks have not worn well over time, but they were popular enough at the time for all three to be voted by listeners into John Peel's end of year Festive 50 ( see www. cocteautwins. com ).
Peel's and notable
The most notable act of Peel's second ministry, however, was the one that would bring it down.
Peel's and for
In both cases, the exact relationship between the partners was left ambiguous, although they seemed to have carte blanche to visit each other's homes whenever they pleased and it was not uncommon for scenes to suggest Steed had spent the night at Gale's or Peel's home, or vice-versa.
Alun Hughes, who had designed clothing for Diana Rigg's personal wardrobe, was suggested by the actress to design Emma Peel's " softer " new wardrobe. Pierre Cardin was brought in to design a new wardrobe for Macnee.
In order to improve relations with Irish Catholics, Peel's government proposed increasing the annual grant paid to the Seminary for training Catholic priests.
Peel's failure to win a House of Commons majority in the resulting general election ( January 1835 ) made it impossible for him to govern, and the Whigs returned to power under Melbourne in April 1835.
His sponsor for the election ( besides his father ) was the Chief Secretary for Ireland, Sir Arthur Wellesley, the future Duke of Wellington, with whom Peel's political career would be entwined for the next 25 years.
Peel's protégé Gladstone later emulated Peel by serving as MP for Oxford University from 1847 to 1865, before himself being defeated for his willingness to disestablish the Irish Church.
Peel was selected as Prime Minister but was in Italy at the time, so Wellington acted as a caretaker for the three weeks until Peel's return.
In 1843 Peel was the target of a failed assassination attempt ; a criminally-insane Scottish woodsman named Daniel M ' Naghten stalked him for several days before accidentally killing Peel's personal secretary Edward Drummond instead.
Peel's support for free trade could already be seen in his 1842 and 1845 budgets ; in late 1842 Graham wrote to Peel that " the next change in the Corn Laws must be to an open trade " while arguing that the government should not tackle the issue.
More successful was his cooperation with Patrick Colquhoun in tackling the corruption in the pool of London which led to the Thames Police Bill of 1798 which was eventually passed in 1800, leading to the formation of the Thames River Police, which was the first preventive police force in the country and was a precedent for Robert Peel's reforms 30 years later.
After returning to Germany for a few days, the group was permitted to re-enter the UK, when they recorded material for John Peel's radio show and appeared at the Middle Earth venue, introduced by Peel on Saturday 20 January.
However, he eventually approved of Peel's scheme for granting relief to Catholics in 1829.
The first album by The Nice was recorded throughout the autumn of 1967, and in October of that year they recorded their first session for John Peel's Top Gear.
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