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Picasso and met
This was the period in which he met the poet Guillaume Apollinaire, artists Pablo Picasso and Amedeo Modigliani, and numerous other writers and artists with whom he later collaborated.
Around 1906, Picasso met Matisse through Gertrude Stein, at a time when both artists had recently acquired an interest in primitivism, Iberian sculpture, African art and African tribal masks.
That same year, he made his first visit to Paris, where he met Pablo Picasso, whom the young Dalí revered.
Around April 1906 he met Pablo Picasso, who was 12 years younger than Matisse.
When Tsuguharu Foujita arrived from Japan in 1913 not knowing a soul, he met Soutine, Modigliani, Pascin and Leger virtually the same night and within a week became friends with Juan Gris, Pablo Picasso and Henri Matisse.
When he arrived there, knowing nobody, he met Amedeo Modigliani, Pascin, Chaim Soutine, and Fernand Léger and became friends with Juan Gris, Pablo Picasso and Henri Matisse.
Foujita claimed in his memoir that he met Picasso less than a week after his arrival, but a recent biographer, relying on letters Foujita sent to his first wife in Japan, clearly shows that it was several months until he met Picasso.
According to Gauguin biographer David Sweetman, Picasso as early as 1902 became a fan of Gauguin's work when he met and befriended the expatriate Spanish sculptor and ceramist Paco Durrio ( 1875 – 1940 ), in Paris.
After they met, Durrio introduced Picasso to Gauguin's stoneware, helped Picasso make some ceramic pieces and gave Picasso a first La Plume edition of Noa Noa: The Tahiti Journal of Paul Gauguin.
In 1934, he married Nusch ( Maria Benz ), a model who was considered somewhat of a mascot of the surrealist movement, whom Éluard had met through his friends Man Ray and Pablo Picasso.
While in Europe he met Pablo Picasso, who suggested he continue his studies in Barcelona.
On visits to Paris he met Mondrian, whose work in the neoplastic style was to influence him in an abstract direction, and Picasso, whose cubism would also find its way into his work.
Huidobro met and mixed with most of the Parisian avant garde of this period: Pablo Picasso, Juan Gris, Jacques Lipchitz, Francis Picabia, Joan Miró, Max Ernst, Paul Éluard and Blaise Cendrars.
During her years in Paris she met many of the leading artistic personalities of her time, including Matisse, Picasso, Brâncuşi, and Rainer Maria Rilke.
During his time with the Times, he met and photographed the famous and the infamous, such as artists Pablo Picasso and Pablo Casals, as well as Spanish dictator Generalissimo Francisco Franco.
During his European travels, he met artists and intellectuals, such as Pablo Picasso, Miró, Calder, Jean-Paul Sartre, Simone de Beauvoir, Julio Cortázar and many others.
In 1951 Edward Quinn met and photographed Pablo Picasso for the first time.
In the fall of that year, though the intermediary of Apollinaire, he met Pablo Picasso for the first time and joined the Puteaux Group which held meetings in the studio of Jacques Villon ( Gaston Duchamp ) and also included Villon's brothers, Raymond Duchamp-Villon and Marcel Duchamp, amongst others.
In 1921, Jean Lurçat met Louis Marcoussis, he discovered Picasso and Max Jacob, and created decoration and costumes for Le spectacle de la Compagnie Pitoeff: " He who receives slaps ", and then spent the autumn near the Baltic sea.

Picasso and Fernande
Pablo Picasso, Woman's Head, Head of a Woman ( Fernande ), fall 1909.
During the autumn of 1909 Picasso sculpted Head of a Woman ( Fernande ) with positive features depicted by negative space and vice versa.
In 1906, the couple moved to the Bateau Lavoir at 13 rue Ravignan, where they were friends with the circle surrounding Pablo Picasso and his girlfriend Fernande Olivier.
Picasso found his subjects in local livestock and people of Gósol, as well as Fernande Olivier, his partner.
She discusses Picasso and his mistress Fernande.
Set in the 1930s, it depicts the two women meeting Picasso and his lover Fernande Olivier ( played by Bernadette Lafont ), as well as the authors Ernest Hemingway ( Bruce McGill ), and Guillaume Apollinaire ( Jacques Boudet ).
Picasso was happy in his relationship with Fernande Olivier whom he had met in 1904 and this has been suggested as one of the possible reasons he changed his style of painting.

Picasso and Olivier
Picasso's grandson Olivier Widmaier Picasso told the Chicago Sun-Times in 2004 that Sylvette was also the subject of the monumental Chicago Picasso, the subject of which had been a subject of curiosity since it was unveiled.

Picasso and model
The subversive imaginative element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet, Picasso and Francis Bacon.
" The works exhibited by these Cubists at the 1911 and 1912 Salons extended beyond the conventional Cézanne-like subjects — the posed model, still-life and landscape — favored by Picasso and Braque to include large-scale modern-life subjects.
This was wholly masterminded by Barr, a Picasso enthusiast, and the exhibition lionized Picasso as the greatest artist of the time, setting the model for all the museum's retrospectives that were to follow.
The panoramic windscreen is similar to that on the larger C4 Picasso and Vauxhall / Opel Astra Sport Hatch and is available on all bar the entry model VT.
Dominguín was also a socialite having friends like Pablo Picasso and who had a tempestuous romance with the American actress Ava Gardner and the fashion model China Machado.
People photographed by Pierre et Gilles include: musicians Amanda Lear ( the cover of her 1980 album Diamonds for Breakfast, one of their first assignments ), Lio, Khaled, Étienne Daho, Marie France, Mikado, Marc Almond, Marilyn Manson, Madonna, Kylie Minogue, Erasure, Deee-Lite, The Creatures, Nina Hagen and CocoRosie ( the cover of their 2007 album The Adventures of Ghosthorse and Stillborn ); model Naomi Campbell, actresses Tilda Swinton and Catherine Deneuve, actors Jérémie Renier and Layke Anderson and also designers Jean-Paul Gaultier and Paloma Picasso.
After much repositioning of the model, Picasso decided to go with the boy sitting down.
Marie-Thérèse Walter ( 13 July 1909 – 20 October 1977 ) was the French mistress and model of Pablo Picasso from 1927 to about 1935, and the mother of his daughter, Maya Widmaier-Picasso.
The museum houses Swedish and international modern and contemporary art, including pieces by Picasso and Salvador Dalí and a model of the Tatlin Tower.
In 1998 Barron's published " Picasso and the Girl With a Ponytail ", by Laurence Anholt-a children's book in which a shy teenager named Sylvette meets Picasso in Vallauris and becomes Picasso's model.

Picasso and for
In the end, Picasso and Braque plumped for the representational, and it would seem they did so deliberately.
But even before that, Picasso had glimpsed and entered, for a moment, a certain revolutionary path in which no one had preceded him.
The fireplace had tiles made for Mrs. Monmouth by Picasso himself.
Algeria has always been a source of inspiration for different painters who tried to immortalize the prodigious diversity of the sites it offers and the profusion of the facets that passes its population, which offers for Orientalists between the 19 < sup > th </ sup > century and the 20 < sup > th </ sup > century, a striking inspiration for a very rich artistic creation like Eugène Delacroix with his famous painting women of Algiers in their apartment or Etienne Dinet or other painters of world fame like Pablo Picasso with his painting women of Algiers, or painters issued from the Algiers school.
Elliot also authored several off-Broadway plays, including A Nickel for Picasso ( 1981 ), which was based on and dedicated to his mother and his famous brother.
Unlike her predecessor Mary Cassatt, who had arrived near the beginning of the Impressionist movement 15 years earlier and who had absorbed it, Beaux's artistic temperament, precise and true to observation, would not align with Impressionism and she remained a realist painter for the rest of her career, even as Cézanne, Matisse, Gauguin, and Picasso were beginning to take art into new directions.
Chicago is well known for its wealth of public art, including works by such artistic heavyweights as Chagall, Picasso, Miro and Abakanowicz that are all to be found outdoors.
( Pronounced: loomp ; German for " Rascal ") Picasso & Lump: A Dachshund's Odyssey tells the story of Picasso and Lump.
Picasso, Henri Matisse and Marcel Duchamp are commonly regarded as the three artists who most defined the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting, sculpture, printmaking and ceramics.
Added to these were Ruiz and Picasso, for his father and mother, respectively, as per Spanish law.
Picasso showed a passion and a skill for drawing from an early age.
His exposure to the work of Rossetti, Steinlen, Toulouse-Lautrec and Edvard Munch, combined with his admiration for favorite old masters such as El Greco, led Picasso to a personal version of modernism in his works of this period.
The harlequin, a comedic character usually depicted in checkered patterned clothing, became a personal symbol for Picasso.
He was commissioned to make a maquette for a huge-high public sculpture to be built in Chicago, known usually as the Chicago Picasso.
Picasso refused to be paid $ 100, 000 for it, donating it to the people of the city.
The U. S. copyright representative for the Picasso Administration is the Artists Rights Society.
ULAN Full Record Display for Pablo Picasso.
Nevertheless, the Demoiselles is the logical picture to take as the starting point for Cubism, because it marks the birth of a new pictorial idiom, because in it Picasso violently overturned established conventions and because all that followed grew out of it.
Prior to 1914, Picasso, Braque, Gris and Léger ( to a lesser extent ) gained the support of a single committed art dealer in Paris, Daniel-Henry Kahnweiler, who guaranteed them an annual income for the exclusive right to buy their works.
Juan Gris, a new addition to the Salon scene, exhibited his Portrait of Picasso ( Art Institute of Chicago ), while Metzinger's two showings included La Femme au Cheval ( The Rider, Woman with a horse ) 1911-1912 ( Statens Museum for Kunst, National Gallery of Denmark ).

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