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Pictorialist and photographers
Originally marketed as an inexpensive novelty gift item, the Diana was later used by professional photographers to take soft focus, impressionistic photographs somewhat reminiscent of the Pictorialist Period of artistic photography, but using contemporary themes and concepts.

Pictorialist and work
In the U. S. Library of Congress's huge collection of American Pictorialist photographer Arnold Genthe's work, 384 of his Autochrome plates were among the holdings as of 1955.
Her early work was in the Pictorialist style, but by the 1930s she had moved away from the soft-focus look of that style.

Pictorialist and by
Not only did the need for diascopes and projectors make them extremely difficult to publicly exhibit, they allowed little in the way of the manipulation much loved by aficionados of the then-popular Pictorialist approach.
The book also inspired the Pictorialist album by the band Static-X, a song by the Bethel, Maine-based thrash metal band Theory of Negativity off of their 1994 self-titled album, and an opera entitled Black River ( composed 1975, revised 1981 ) by Conrad Susa.
" Pictorialist photography was dazzled by the spectacle of Western painting and attempted, to some extent, to imitate it in acts of pure composition.

Pictorialist and .
A cousin, Constant Puyo, was a well-known Pictorialist photographer.
In part, they formed in opposition to the Pictorialist photographic style that had dominated much of the early 20th century, but moreover they wanted to promote a new Modernist aesthetic that was based on precisely exposed images of natural forms and found objects.
His Army disability pension gave him leeway to make art, and he worked during the 1920s in the romantic Pictorialist style.

photographers and whose
Besides the painters and sculptors of the period the New York School of Abstract expressionism also generated a number of supportive poets, like Frank O ' Hara and photographers like Aaron Siskind and Fred McDarrah, ( whose book The Artist's World in Pictures documented the New York School during the 1950s ), and filmmakers — notably Robert Frank — as well.
By selecting photographers whose vision was aligned with his, including Gertrude Käsebier, Eva Watson-Schütze, Alvin Langdon Coburn, Edward Steichen, and Joseph Keiley, Stieglitz built a circle of friends who had enormous individual and collective influence over the movement to have photography accepted as art.
They were increasingly attracted to the work of such photographers as Ansel Adams, whose strikingly detailed photographs of the American West were seen as " pictorial testimony … of inspiration and redemptive power.
At that time, the Journal also was home to three photographers, whose work was noted throughout Gannett and the newspaper industry.
A number of well known New Zealand musicians, artists, writers and potters currently live or have lived in the area, including singer / songwriter Tim Finn ( who wrote the song " I Hope I Never " there ), actress Alma Evans-Freake, author Maurice Shadbolt, painters Colin McCahon ( whose house is preserved as a museum ) and Bibi Asgher, photographers Brian Brake and Peter Evans, poet John Caselberg and potter Len Castle.
Other important artists working with abjection include New York photographers, Joel Peter Witkin, whose book Love and Redemption is made up entirely of photos of corpses and body parts, and Andres Serrano whose piece entitled Piss Christ caused a scandal in 1989 when it received $ 15, 000 dollars of public funding.
During 1942 and 1943, the OWI contained two photographic units whose photographers documented the country's mobilization during the early years of the war, concentrating on such topics as aircraft factories and women in the workforce
As one would expect, a number of artists and bands feature members who are, in their own right, accomplished illustrators, designers and photographers and whose talents are exhibited in the artwork they produced for their own recordings.
Along with Ansel Adams, Harry Callahan, Aaron Siskind, and Frederick Sommer, he became part of the founding group of photographers whose archives established the Center for Creative Photography at the University of Arizona in 1975.
One of the most notable was the photographer-critic Allan Sekula, whose ideas and the accompanying bodies of pictures he produced, influenced a generation of " new new documentary " photographers, whose work was philosophically more rigorous, often more stridently leftist in its politics.
Notable among this generation are the photographers Fred Lonidier, whose ' Health and Safety Game " of 1976 became a model of post-documentary, and Martha Rosler, whose " The Bowery in Two Inadequate Descriptive Systems " of 1974-75 served as a milestone in the critique of classical humanistic documentary as the work of privileged elites imposing their visions and values on the dis-empowered.
) Several famous Hollywood portrait photographers whose style and works are referenced include George Hurrell, Eugene Robert Richee, Don English, Whitey Schafer, Ernest Bachrach, Scotty Welbourne, Laszlo Willinger, and Clarence Sinclair Bull.
Among the photographers whose work appeared in Viva was Helmut Newton, who was lured there by Anna Wintour, the magazine's fashion editor.

photographers and work
Art models are models who pose for photographers, painters, sculptors, and other artists as part of their work of art.
The calendar also features the work of many of the most respected fashion photographers in the world, including Herb Ritz, Richard Avedon, Mert & Marcus, Peter Lindbergh, Annie Leibovitz, and Patrick Demarchelier.
Although her style was not widely appreciated in her own day, her work has had an impact on modern photographers, especially her closely cropped portraits.
The collection includes the work of many photographers from Fox Talbot, Julia Margaret Cameron, Clementina Maude, Gustave Le Gray, Benjamin Brecknell Turner, Frederick Hollyer, Samuel Bourne, Roger Fenton, Man Ray, Henri Cartier-Bresson, Ilse Bing, Bill Brandt, Cecil Beaton ( there are over 8000 of his negatives ), Don McCullin, David Bailey, Jim Lee and Helen Chadwick to the present day.
*: It has rewarded young filmproducers like Carole Scotta founder of Haut et Court movie company, scriptwriters like Phil Ox who became producer in France and England, novelwriters including Agnes Desarthe, photographers like Emily Buzin and Tiane Doan Na Champassak and also journalists as Stephane Edelson that by 1993 wrote about the economist and banker Muhammad Yunus and the influence of his work on the empowerment of women.
Magnum Photos had been given exclusive rights to photograph the making of the movie, and Morath and Cartier-Bresson were the first of nine photographers to work on location outside Reno, Nevada during the process.
The Curry Arts Journal publishes " the work of student writers, artists and photographers ".
The collection includes the official British photographic record of the two world wars ; the First World War collection includes the work of photographers such as Ernest Brooks and John Warwick Brooke.
The Second World War collection includes the work of photographers such as Bill Brandt, Cecil Beaton and Bert Hardy.
Although collodion was normally used in this wet form, the material could also be used in humid (" preserved ") or dry form, but at the cost of greatly increased exposure time, making these forms unsuitable for the usual work of most professional photographers — portraiture.
Many fine art photographers also use the process and its handcrafted individuality for gallery showings and personal work.
Photography collector Michael Wilson observed " Thousands of commercial photographers and a hundred times as many amateurs were producing millions of photographs annually … The decline in the quality of professional work and the deluge of snapshots ( a term borrowed from hunting, meaning to get off a quick shot without taking the time to aim ) resulted in a world awash with technically good but aesthetically indifferent photographs.
de Young Memorial Museum in San Francisco, and because of the public's interest in that show the photographers who gathered at Van Dyke's home decided to put together a group exhibition of their work.
: From time to time various other photographers will be asked to display their work with Group f. 64.
This led to a further re-flowering-in the Depression and war years between 1930 and 1955-and this can be seen in the work of: artists such as John Piper ; John Tunnard, David Jones ; Graham Sutherland ; John Craxton ; John Minton ; Stanley Spencer ; Eric Ravilious ; Robin Tanner ; Bettina Shaw-Lawrence ; writers such as John Cowper Powys ; J. R. R. Tolkien ; Mervyn Peake ; C. S. Lewis ; Arthur Machen ; T. H. White ; Dylan Thomas ; Geoffrey Grigson ; and Herbert Read ; film-makers such as Humphrey Jennings ; Powell and Pressburger ( e. g.: A Canterbury Tale, 1944 and Gone to Earth, 1950 ); and photographers such as Edwin Smith ; Roger Mayne ; and John Deakin.
Many visual-art photographers use black-and-white in their work.
Besides Stieglitz and Steichen, photographers such as Alvin Langdon Coburn, Jessie Tarbox Beals, painters of the Ashcan School like John Sloan, Everett Shinn and Ernest Lawson, as well as Paul Cornoyer and Childe Hassam, lithographer Joseph Pennell, illustrator John Edward Jackson as well the French Cubist Albert Gleizes all took the Flatiron as the subject of their work.
The staff serve a support role for the photographers who retain all copyrights to their own work.
A special photographic section, headed by Roy Stryker, was intended merely to provide public relations for its programs, but instead produced what some consider one of the greatest collections of documentary photographs ever created in the U. S. Whether this effort can be called " photojournalism " is debatable, since the FSA photographers had more time and resources to create their work than most photojournalists usually have.
Despite competition from photographers such as Irving Penn, Kertész regained commissioned work.
During his stay in America, he was cited as being an intimate artist, bringing the viewer into his work, even when the picture was that of subjects such as the intimidating New York City Even other photographers cite Kertész and his photographs as being inspirational ; Henri Cartier-Bresson once said of him in the early 1930s, " We all owe him a great deal ".
Travels to the banks of the Inambari to work in the gold mines, meets photographers working at the Santo Domingo Mine owned by the Inca Mining Co.
Throughout the years, his photographic work, publications and slide shows to other scientists and photographers in Russia, Germany and France earned him praise, and, in 1906, he was elected the president of the IRTS photography section and editor of Russia's main photography journal, the Fotograf-Liubitel.

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