Further sculptures attributed to Polykleitos are the Discophoros (" Discus-bearer "), Diadumenos (" Youth tying a headband ") and a Hermes at one time placed, according to Pliny, in Lysimachia ( Thrace ).

Polykleitos ' school lasted for at least three generations, but it seems to have been most active in the late 4th century and early 3rd century BCE.

A renowned sculptor, Polykleitos the Younger was architect of the Theatre and Tholos at Epidaurus.

The marble sculpture and a bronze head that had been retrieved at Herculaneum were published in Le Antichità di Ercolano, ( 1767 ) but were not identified as representing Polykleitos ' Doryphorus until 1863.

Finally, this is the germ from which the art of Polykleitos was to grow two or three generations later.

The architectural design of the building was credited in antiquity to the sculptor Polykleitos the Younger, son of the Classical Greek sculptor Polykleitos the Elder.

He was a contemporary, but a somewhat older contemporary, of Pheidias and Polykleitos.

Polykleitos ( or Polyklitos, Polycleitus, Polyclitus ; Greek Πολύκλειτος ); called the Elder, was a Greek sculptor in bronze of the fifth and the early 4th century BCE.

Polykleitos consciously created a new approach to sculpture ; he wrote a treatise ( Kanon ) and designed a male nude ( also known as Kanon ) exemplifying his aesthetic theories of the mathematical bases of artistic perfection, which motivated Kenneth Clark to place him among " the great puritans of art ": His Kanon " got its name because it had a precise commensurability ( symmetria ) of all the parts to one another " " His general aim was clarity, balance, and completeness ; his sole medium of communication the naked body of an athlete, standing poised between movement and repose " Kenneth Clark observed.

The theater was designed by Polykleitos the Younger in the 4th century BC.

Polykleitos the Younger () ( circa 4th century BC ) was an ancient Greek sculptor of athletes.

He was the son of the Classical Greek sculptor Polykleitos, the Elder.

Lysippos was successor in contemporary repute to the famous sculptor Polykleitos.

According to his findings, the altar was erected between 166 and 156 BC as a general victory monument commemorating the triumphs of the Pergamenes, and especially of Eumenes II, over the Macedonians, the Galatians and the Seleucids, and was designed by Phyromachos, the seventh and last of the greatest Greek sculptors, who included Myron, Phidias, Polykleitos, Scopas, Praxiteles and Lysippos.

In classical Greece the emphasis is not given to the illusive imaginative reality represented by the ideal forms, but to the analogies and the interaction of the members in the whole, a method created by Polykleitos.

The type is represented by neo-Attic Imperial Roman copies of the late 1st or early 2nd century, modelled upon a supposed Greek bronze original made in the second quarter of the 5th century BCE, in a style similar to works of Polykleitos but more archaic.

The signature echoes one used by the ancient Greek artists, Apelles and Polykleitos.

Ageladas ' fame is enhanced by his having been the instructor of the three great masters, Phidias, Myron, and Polykleitos.

By this Polykleitos meant that a statue should be composed of clearly definable parts, all related to one another through a system of ideal mathematical proportions and balance, no doubt expressed in terms of the ratios established by Pythagoras for the perfect intervals of the musical scale: 1: 2 ( octave ), 2: 3 ( harmonic fifth ), and 3: 4 ( harmonic fourth ).

The Roman writers Pliny and Pausanias noted the names of about twenty sculptors in Polykleitos ' school, defined by their adherence to his principles of balance and definition.

Commentators noted his grace and elegance, and the symmetria or coherent balance of his figures, which were leaner than the ideal represented by Polykleitos and with proportionately smaller heads, giving them the impression of greater height.

In this enclosure were found the bronze herma of Doryphorus, a replica of Polykleitos ' athlete, and the herma of an Amazon made by Apollonios son of Archias of Athens.

The objects included a Greek red-figure kylix from the 5th-century BC, signed by the painter Onesimos and the potter Euphronios as potter, looted from the Etruscan site of Cerveteri ; a torso of the god Mithra from the 2nd-century AD, and the head of a youth by the Greek sculptor Polykleitos.

The canonic proportions of the male torso established by Polykleitos ossified in Hellenistic and Roman times in the heroic cuirass exemplified by the Augustus of Prima Porta, who wears ceremonial dress armor modelled in relief over an idealized muscular torso which is ostensibly modelled on the Doryphoros.

* Polykleitos of Argos develops a set of rules ( The Canon ) for constructing the ideal human figure ( approximate date ).

Marble Roman copy after a 5th-century BC Greek original attributed to Polykleitos.

Polykleitos in his Canon wrote that beauty consists in the proportion not of the elements ( materials ), but of the parts, that is the interrelation of parts with one another and with the whole.

According to the canon of the Classical Greek Sculptor Polykleitos in the 4th century BC, it is one of the most important characteristics of his figurative works and those of his successors, Lysippos, Skopas, etc.

* Andrew Stewart, One Hundred Greek Sculptors: Their Careers and Extant Works Polykleitos of Argos, 16. 72

* Polykleitos, The J. Paul Getty Museum ( link broken )

* Polykleitos starts making the bronze statue Achilles ( also known as The Spear Bearer or Doryphoros ), which he finishes about ten years later.

On the other hand Pliny says that Ageladas, with Polykleitos, Phradmon, and Myron, flourished in the 87th Olympiad.

Polykleitos ' Doryphoros ( Spear-Bearer ), an early example of classical contrapposto.

Polykleitos, along with Phidias, created the Classical Greek style.

Polykleitos and Phidias were of the first generation of Greek sculptors to have a schools of followers.

Skopas and Lysippus are the best-known successors of Polykleitos.

His son, Polykleitos the Younger, worked in the 4th century BCE.

Ackerman saw his first " imagi-movie " in 1922 ( One Glorious Day ), purchased his first science fiction magazine, Amazing Stories, in 1926, created The Boys ' Scientifiction Club in 1930 (" girl-fans were as rare as unicorn's horns in those days ").

Boys served as apprentices in the Pimpfen (" cubs ") beginning at the age of six, and at age 10, entered the Deutsches Jungvolk (" Young German Boys ") and served there until entering the Hitler Youth proper at age 14.

Boys remained there until age 18, at which time they entered into the Arbeitsdienst (" Labor Service ") and the armed forces ( Wehrmacht ).

* Entourage (" Busey and the Beach ", Season 1, Episode 6 ; " The Boys Are Back In Town ", Season 2, Episode 1 ; " Gary's Desk ", Season 4, Episode 8 ) ( 2004, 2005, 2007 ) ( as himself )

(" The Boys of Quebec from the Government Inspector by Gogol ")

* Hoši od Bobří řeky (" Boys from the Beavers ' river ")

Others artists who have recorded with the instrument include Buddy Holly (" Everyday "), The Beatles (" Baby It's You "), The Beach Boys (" Girl Don't Tell Me "), The Velvet Underground (" Sunday Morning "), Nick Drake (" Northern Sky "), The Stooges (" Penetration ") and Pink Floyd (" The Gnome " and the re-recorded version of " Mother ", used in the movie The Wall.

A prelude to the forthcoming summer gigs in London, Prince played a relaxed set of classic hits (" Kiss ", changing the lyric from " You don't have to watch Dynasty " to Desperate Housewives, " Girls & Boys ", and " Nothing Compares 2 U ") alongside more recent tracks, plus a well-received cover version of Gnarls Barkley's " Crazy ".

The Spitfire Boys were the first Liverpool punk band to release a single (" British Refugee " c / w " Mein Kampf ").

His books on this subjects include: Das Verfehmte Geschlecht ( in German, 1970 ), Sex en Straf (" Sex and Punishment ", 1972 ), Over pedofielen en kinderlokkers (" On Pedophiles and Child Molesters ", 1975 ), and his last work is his magnum opus and entitled Loving Boys ( two volumes, 1988 – 1990 ).

* 1990-Best Rock Performance by a Duo or Group with Vocal ( nominated ) (" Glamour Boys ")

Others involve punk metafiction (" So What "), surrealism (" Accuracy "), straightforward rock / pop (" Boys Don't Cry ", " I'm Cold "), and poetic mood pieces (" Another Day " and " Fire in Cairo ").