Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness.

" Pugin's biographer, Rosemary Hill, wrote: " The drawings were all calculatedly unfair.

Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

At the end of Pugin's life, in February 1852, Barry visited him in Ramsgate and Pugin supplied a detailed design for the clock tower.

In 1867, after the deaths of both Pugin and Barry, Pugin's son Edward published a pamphlet, Who Was the Art Architect of the Houses of Parliament, a statement of facts, in which he asserted that his father was the " true " architect of the building, and not Barry.

The later church was designed by Pugin's son, E. W.

In 1932, St Chad's was extended by the addition of St Edward's Chapel, designed by Pugin's grandson, Sebastian Pugin Powell, and built in memory of Archbishop Edward Ilsley and his patron St Edward the Confessor.

The interior of Allerton was designed on a vast scale, with late-Gothic decoration in the style of Pugin's work on the Palace of Westminster.

The cathedral is crowned by a spire of 280 ft. Pugin's work was eminently suited to Ireland, a convert to Roman catholicism, be believed gothic architecture to be the only style suitable for religious worship, he attacked the earlier neoclassical architecture as pagan and almost blasphemous.

Right across Australia, from outback towns with tiny churches made out of corrugated iron with a little pointed door and pointed windows, to our very greatest cathedrals, you have buildings which are directly related to Pugin's ideas .< ref >

Pugin's office designing Gothic details, struck out on his own with a lithographed album Architecture of the Middle Ages: Drawn from Nature and on Stone in 1838.

Its " fairly open landscape of soft lawns dotted with trees and set with lightly-wooded, sinuous shrubberies " are best illustrated in Augustus Charles Pugin's watercolor view c. 1822 of the west front of the Pavilion, reproduced in Nash's publication.

Known as " Pugin's Gem ", it is considered to be the most complete expression of Pugin's beliefs about what a church ought to be, with everything in it having a practical and symbolic purpose.

Probably foremost among the buildings of this period is J. J. McCarthy's Church of the Holy Trinity on Chapel Street which is one of McCarthy's earliest commissions in which the influence of AWN Pugin's St. Giles ' in Cheadle can be ascertained.

Pugin later dismissed the building saying ' All Grecian, Sir, Tudor details on a classic body ', the essentially symmetrical plan and river front being offensive to Pugin's taste for medieval gothic buildings.

The wallpaper was based on one of Pugin's designs for the Houses of Parliament and the ceiling has recently been repainted in the original colours.

Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

" Contrasted Residences for the Poor " from Pugin's Contrasts

Pugin's notion was that Gothic was Christian and Christian was Gothic ,...

In attacking the Gothic, he " insisted that ' Stonehenge is really more scientifically constructed than York Minster '... to Pugin's comment that in their temples ' the Greeks erected their columns like the uprights of Stonehenge '.

His work in the Gothic style was lighter and more delicate than that of Alfred Waterhouse, and equal in detail to Augustus Pugin's.

It is in Pugin's characteristic Gothic Revival style and was opened in 1844.

Pugin's contribution can be seen in the gothic detail, the vanes and spires.

At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848.

The tower was Pugin's last design before descending into madness.

In 1859 James Quinn was appointed Bishop of Brisbane, Brisbane becoming a diocese, and Pugin's small church became a cathedral.

) was not renewed until June 1844 and continued until Pugin's mental break down in 1852.

St. Mary's Catholic Church in Balance Street was Augustus Welby Northmore Pugin's first church design.

After attending Merchant Taylors ' School, Crosby, he was articled as the architect Augustus Charles Pugin's apprentice.

He was the father of Newman's biographer, Wilfrid Philip Ward ; a grandfather of Father Leo Ward, a missioner in Japan and co-founder of Sheed & Ward, and of Leo's sister, the writer and publisher, Maisie Ward ; and a great-grandfather of the translator, Rosemary Sheed, and of Rosemary's brother, the novelist, Wilfrid Sheed.

He married biographer Rosemary Hill in 1985.

Near the end of his life, Hill played what a recent biographer, Albro Martin, called his " last and greatest role.

According to Terry Southern's biographer, Lee Hill, the part of George Hanson had been written for Southern's friend, actor Rip Torn.

The part of lawyer George Hanson in the Peter Fonda – Dennis Hopper road movie Easy Rider was written for Torn by Terry Southern ( who was a close friend ), but according to Southern's biographer Lee Hill, Torn withdrew from the project after he and co-director Dennis Hopper got into a bitter argument in a New York restaurant.

In the words of biographer Lee Hill, Southern spent the next six years in " an Olympian realm of glamour, money, constant motion and excitement ", mixing and working with the biggest literary, film, music, and TV stars in the world.

His biographer Lee Hill suggests that Southern was, at worst, a functioning alcoholic and that his image was largely based on his occasional public appearances in New York, partying and socialising.

One of these is identified by Hill biographer John E. Tuhy, writing in 1983, only as a " son who lives in British Columbia ".

Hill's biographer John E. Tuhy ( Sam Hill: The Prince of Castle Nowhere, 1983 ) occasionally questions aspects of Hill's own account of his life and doings or finds contradictions in anecdotes told at various times.

The creative side of the label was managed by David Hill, one time Ballistic Brother and founder of Nuphonic, and David Katz, the official biographer to Lee " Scratch " Perry and author of ' Solid Foundation-An Oral History of Jamaican Music '.

The suite shows what Albéniz biographer Walter Aaron Clark describes as the “ first flowering of his unique creative genius ”, and the beginnings of compositional exploration that became the hallmark of his later works.

Foujita claimed in his memoir that he met Picasso less than a week after his arrival, but a recent biographer, relying on letters Foujita sent to his first wife in Japan, clearly shows that it was several months until he met Picasso.

Of the same years is the Crucifixion in the Royal Museum of Antwerp: his early works shows a marked Flemish influence, which it is now understood he derived from his master Colantonio and from works by Rogier van der Weyden and Jan van Eyck that belonged to Colantonio's patron, Alfonso V of Aragon ; his biographer Vasari remarked that Antonello saw at Naples an oil painting by Jan Van Eyck ( the " Lomellini Tryptych ") belonging to King Alfonso V of Aragon ; Vasari's further narrative, that being struck by the new method, set out for the Netherlands to acquire a knowledge of the process from Van Eyck's disciples is discredited today.

According to Smetana's biographer Brian Large, this process was prolonged and untidy ; the manuscript shows amendments and additions in Smetana's own hand, and some pages apparently written by Smetana's wife Bettina ( who may have been receiving dictation ).