" In Time magazine, Richard Corliss wrote, " John Carpenter is offering this summer's moviegoers a rare opportunity: to escape from the air-conditioned torpor of ordinary entertainment into the hothouse humidity of their own paranoia.

" Richard Corliss of TIME gave the film a mixed review, praising Ehrenreich's performance, but claiming Coppola " has made a movie in which plenty happens but nothing rings true.

Time magazine writer Richard Corliss was less scathing, but agreed that it was forgettable, saying that people would " forget all about movie by the time they leave the multiplex ," even joking at the end of his review that he had forgotten the film's name.

Richard Corliss of TIME likened Footloose to the James Dean classic Rebel Without a Cause and the old Mickey Rooney / Judy Garland musicals, commenting that the film includes " motifs on book burning, mid-life crisis, AWOL parents, fatal car crashes, drug enforcement, and Bible Belt vigilantism.

* 1944 – Richard Corliss, American film critic

The film, notes critic Richard Corliss, while a serious gangster film, also " manages both to congratulate journalism for its importance and to chastise it for its chicanery, by underlining the newspapers ' complicity in promoting the underworld image.

* Awake in the Dark: The Best of Roger Ebert ( ISBN 0-226-18200-2 ) – a collection of essays from his 40 years as a film critic, featuring interviews, profiles, essays, his initial reviews upon a film's release, as well as critical exchanges between the film critics Richard Corliss and Andrew Sarris

" Due to the film's animation, Richard Corliss of TIME claimed that it was "... the year's most inventive comedy.

Time critic Richard Corliss called it a " noir with a touch so light, the film seems to float on the breeze like the Frisbee of a fedora sailing through the forest.

Time magazine's Richard Corliss wrote, " This time he works up a salty sweat to end up nowhere, like a triathlete on a treadmill.

Pfeiffer received positive reviews for her supporting turn ; Richard Corliss of Time Magazine wrote, " most of the large cast is fine: Michelle Pfeiffer is better ..." while Dominick Dunne, in an article for Vanity Fair titled " Blonde Ambition ", wrote, " he is on the verge of stardom.

Weaver was a contributor to the early Mad, as described by Times Richard Corliss:

* Time Magazine archive: Astaire essay by Richard Corliss

* 3rd – Richard Corliss, TIME magazine

* " That Old Feeling: Sweet Smells " by Richard Corliss, Time, March 21, 2002.

Time magazine's Richard Corliss named it one of the Top 10 DVDs of the year, ranking it at # 5.

" Time magazine's Richard Corliss wrote, " The gag works for a while, as Martin weaves his own plot-web into the 18 old movies, but pretty soon he's traveling on old good will and flop sweat ".

In his review for Time, Richard Corliss praised William Hurt's performance: " Hurt is neat too, never standing safely outside his character, always allowing Tom to find the humor in his too-rapid success, locating a dimness behind his eyes when Tom is asked a tough question -- and for Tom, poor soulless sensation-to-be, all questions are tough ones ".

In his review for Time, Richard Corliss wrote, " Kevin Wade shows this in his smart screenplay, which is full of the atmospheric pressures that allow stars to collide.

" Richard Corliss in Time wrote that the film was " Eastwood's meditation on age, repute, courage, heroism – on all those burdens he has been carrying with such grace for decades.

Richard Corliss, in his review for Time, wrote, " its creators, Earl Mac Rauch and W. D.

Richard Corliss wrote:

Richard Corliss noted that the film appeared to have been influenced by The Wizard of Oz and the works of Maurice Sendak, writing that " Labyrinth lures a modern Dorothy Gale out of the drab Kansas of real life into a land where the wild things are.

*" Black Cinema: Micheaux Must Go On ," an article about Micheaux by Time film critic Richard Corliss

* Skeptical About The Skeptical Environmentalist, Richard M. Fisher's review of The Skeptical Environmentalist, in " The Skeptical Inquirer ".

" Richard Harrington of the Washington Post wrapped up his review stating that " the acting is straight out of ' 50s B movies.

In his review for Artforum, critic Richard Hennessy described a " shocking fun-house atmosphere " and " aura of ancient Roman patronage ".

Following his performance of Richard III on May 12, the Boston Transcript < nowiki >' s </ nowiki > review the next day called Booth " the most promising young actor on the American stage ".

In a review of Full House, Richard Dawkins approved of Gould's general argument, but suggested that he saw evidence of a " tendency for lineages to improve cumulatively their adaptive fit to their particular way of life, by increasing the numbers of features which combine together in adaptive complexes.

* Shanahan, M .; Compton, S. G .; So, Samson & Corlett, Richard ( 2001 ): Fig-eating by vertebrate frugivores: a global review.

* Richard R. Horton review

*" The Dawkins Confusion ", Plantinga's review of Richard Dawkins's The God Delusion from Books and Culture magazine

* Alexander Rehding, review of Christian Thorau, Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners in Opera Quarterly vol.

Another reviewer, Lawrence Gilman, a Richard Wagner specialist who later wrote a famously devastating review of Gershwin's Porgy and Bess, commenting on the Rhapsody in the New York Tribune on February 13, 1924, said:

In his review, Time magazine's Richard Schickel wrote, " Absence of Malice does not invalidate All the President's Men.

In his November 10, 1933, review in The New York Herald Tribune, Richard Watts, Jr. wrote that Sullavan " plays the tragic and lovelorn heroine of this shrewdly sentimental orgy with such forthright sympathy, wise reticence and honest feeling that she establishes herself with some definiteness as one of the cinema people to be watched ".

Lindzen recalls his discovery of the mechanism underlying the QBO in the semi-autobiographical review article, On the development of the theory of the QBO .< ref > His interest in the phenomenon began in 1961 when his Ph. D. advisor, Richard M. Goody, speculated that the 26 month relaxation time for stratospheric ozone at in the tropics might somehow be related to the 26 month period of the QBO, and suggested investigation of this idea as a thesis topic.

Although never formally confirmed, it is widely accepted that Jandek's real name is Sterling Richard Smith ( probably born October 26, 1945 ); a review of Ready for the House in OP magazine, the first ever national press given to Jandek, refers to the artist as Sterling Smith ,< ref >

This review contains several other essays by him, including those on Richard François Brunck's Aristophanes, Stephen Weston's Hermesianax, and Huntingford's Apology for the Monostrophics.

*" An End to Evil " by David Frum and Richard Perle, Gary Kamiya salon. com, book review, January 30, 2004

In his review for TIME, Richard Schickel praised the three lead actors: " Of the ghost wranglers, the pair played by Writers Aykroyd and Ramis are sweetly earnest about their calling, and gracious about giving the picture to their co-star Bill Murray.

* Richard Gaskin, Experience and the World's Own Language: A Critique of John McDowell's Empiricism, Oxford University Press, 2006 ( See review essay by Jason Bridges at http :// ndpr. nd. edu / review. cfm? id = 8743 )