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Robert and Christgau
* 1942 – Robert Christgau, American journalist and critic
In a glowing review for his " Consumer Guide " column published by The Village Voice, Robert Christgau wrote: " Before minstrelsy scholar Eric Lott gets too excited about having his title stolen.
In January 1979, rock critic Robert Christgau argued that homophobia, and most likely racism, were reasons behind the backlash, a conclusion seconded by John Rockwell.
Robert Christgau and Jim Testa have said that there were legitimate artistic reasons for being critical of disco.
Though not a commercial success, Gilded was measured by rock critic Robert Christgau as " an ominous, obsessive, tongue-in-cheek country-rock synthesis, absorbing rural and urban, traditional and contemporary, at point of impact.
* " We Have to Deal With It: Punk England Report ", by Robert Christgau, Village Voice, January 9, 1978
* Robert Christgau
Hootenanny was played on over two hundred radio stations across the country, with critics acclaiming the album ; The Village Voice < nowiki >'</ nowiki > s Robert Christgau deemed it " the most critically independent album of 1983 ".
Robert Christgau gave the album an A +, and Seattle Rocket critic Bruce Pavitt called Let It Be " mature diverse rock that could well shoot these regional boys into the national mainstream ".
During this time, Hickman released a first solo recording, " Palmhenge ", which received " Voices Choice " accolades in The Village Voice by the rock critic Robert Christgau and a positive review in Blender magazine.
E-L-P ." Robert Christgau said of the band " these guys are as stupid as their most pretentious fans ".
Critic Robert Christgau gave the album a B +, saying that " I find it impossible to give this record an A because it is just too weird.
" Robert Christgau gave the album an A -, commenting that " Beefheart's famous five-octave range and covert totalitarian structures have taken on a playful undertone, repulsive and engrossing and slapstick funny ".
Nonetheless, Love You reached # 53 on the Billboard chart and was lauded as an artistic watershed by many critics, including Robert Christgau of The Village Voice.
* Not So Misterioso: Robert Christgau on Monk
Robert Christgau, writing in Creem, praised the album, saying " This boy has a lot more of the Dylan spirit than John Prine.
" Robert Christgau described it as " more lyrical and ironic than you could have dreamed.
NME gave the album a 6 / 10 rating, and Robert Christgau rated it an " A -", saying, " Thing is, I can use some new punk rage in my life, and unless you're a fan of Goldman Sachs and BP Petroleum, so can you.
* Robert Christgau, " The Tough Love of Etta James ", Salon. com, February 25, 2012.
Music critic Robert Christgau called it " a roadhouse album with gargantuan sonic imagination ".
Noted rock critic Robert Christgau listed it as one of The 40 Essential Albums of 1967.
Rock critic Robert Christgau has dubbed him as " R & B Jesus ".
12 Songs was also critically acclaimed ( 6th best album of the seventies according to Rolling Stone critic Robert Christgau ), but again found little commercial success, though Three Dog Night made a huge hit of his " Mama Told Me Not to Come.
" Robert Christgau gave the album an A −; he wrote, " this A is an imaginative, imitative variation on a pop staple: sadness made pretty.

Robert and rated
The Liberty ship SS Robert E. Peary, the destroyer USS Peary ( DD-226 ) the cargo ship USNS Robert E. Peary ( T-AKE-5 ), Knox-class frigate USS Robert E. Peary ( FF 1073 ) and ice rated, US-flagged tanker Maersk Peary were named for him.
* On 14 October 1994, ( recorded in August 1994 ), the long awaited reunion between Jimmy Page and Robert Plant occurred on a 90 minute " UnLedded " MTV project, recorded in Morocco, Wales, and London, which rated highly on network television.
At 5: 16 p. m. Eastern Time a small surge of power coming from the Robert Moses generating plant in Lewiston, New York caused the improperly set relay to trip at far below the line's rated capacity, disabling a main power line heading into Southern Ontario.
Robert Christgau rated the album an A -, signifying " a very good record.
Razuvaev limited his opponent, the much higher rated Robert Hübner, to four straight draws.
Robert Christgau of the Village Voice rated Slay Tracks an A -, and selected it as his fourth favorite EP of 1990.
However, Robert Christgau, editor of The Village Voices Pazz and Jop section, rated the album a C and said " if this is your idea of great writing, you may be ripe for his cult.
Music critic Robert Christgau rated the album a B −, saying that the " jazziness " of the album projected a " certain cerebral majesty " but criticized Peter Sinfield's lyrics, qualifying them as " overwrought ".
The Queen's principal secretary, Sir Robert Cecil, rated this defeat ( and the simultaneous defeat of Harrington in Wicklow ) as the two heaviest blows ever suffered by the English in Ireland.
" Robert Christgau rated the album an A -, stating that Zevon was " at his best in the fictional-mythic mode that prevails ".
Drayneflete rated an entry in Robert Cowan's Dictionary of Urbanism.
" Robert Christgau rated it a B +, explaining that " George's warm, well-meaning, slightly clumsy croon signifies most effectively when it has the least to say – when it's most purely a medium for his warm, well-meaning, slightly clumsy self.
" Robert Christgau rated it a B -, stating that he " never would have figured this theatre type to come up with it " and calling " I'm Eighteen " " as archetypal a hard rock single as you're liable to hear in this flaccid year, or maybe ever.
TV Guide rated it 3½ out of four stars, calling it " a simple, frequently charming, and beautifully photographed film blessed with fine performances and great teamwork from Robert Mitchum and Marilyn Monroe " and " an enjoyable, engaging little Western that never fails to entertain.
Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode one star out of five, and noted that " there's nothing celebratory " about the entry.
Famed music critic Robert Christgau rated Naked a B +, signifying " a good record, at least one of whose sides can be played with lasting interest and the other of which includes at least one enjoyable cut.
" Robert Christgau, in The Village Voice, rated it a C, explaining that it has " its pseudo-decadent and-psychedelic charms, [...] only not as many ".
" Robert Christgau rated the album a B -, stating that " a taste for the base usages of hard rock rarely comes with a hit attached these days, much less " surreal ," " theatrical ," and let us not forget " transvestite " trappings ".
Robert Christgau rated it only a Band mostly dismissed it with: " The relaxed rhythms are just lax most of the time, the vocal surprises mild after St. Dominic's Preview, the lyrics dumbest when they're more than mood pieces, and the song construction offhand except on ' Warm Love '.

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