* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Roger Ebert gave the film two out of four stars and wrote, " The movie isn't as funny or entertaining as Evil Dead II, however, maybe because the comic approach seems recycled ".

Critics that frequently admire De Palma's work include Pauline Kael, Roger Ebert and Armond White, among others.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

In a review in the Chicago Sun-Times, Roger Ebert states: " Barrymore is the right actress for this role precisely because she approaches it with such grave calm.

Barrymore's role in the costume drama Ever After ( 1998 ) offered a modern take on the classic fairy tale of Cinderella and served as a reminder, according to Roger Ebert, of how well Drew Barrymore " can hold the screen and involve us in her characters ".

Summing up Barrymore's appeal, Roger Ebert, in his review of 50 First Dates, described Barrymore as having a " smiling, coy sincerity ," describing the film as " ingratiating and lovable.

Roger Ebert approves of the use of the label in unsuccessful films that had been tampered with by studio executives, such as Sergio Leone's original cut of Once Upon a Time in America, and the moderately successful theatrical version of Daredevil, which were altered by studio interference for their theatrical release.

Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.

Roger Ebert of the Chicago Sun-Times gave the film a three star rating ( out of four ) describing it as " a fairly sophisticated satire.

Roger Ebert considers it to be the finest film on the Vietnam war and included it on his list for the 2002 Sight and Sound poll for the greatest movie of all time.

Roger Ebert gave The Rainmaker three stars out of four, remarking: " I have enjoyed several of the movies based on Grisham novels ... but I've usually seen the storyteller's craft rather than the novelist's art being reflected.

Roger Ebert of the Chicago Sun-Times gave the film 3 stars, praising the film for being " boldly operatic, involving family drama, secrets, generations at war, melodrama, romance and violence ".

* An article by critic Roger Ebert describing his involvement with science fiction fanzines in the 1950s.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Roger Ebert, who gave the film a mere one star in the Chicago Sun-Times, wrote :" The filmmakers must have known that the original Godzilla ( 1956 ) had many loyal fans all over the world who treasured the absurd dialogue, the bad lip-synching, the unbelievable special effects, the phony profundity.

Roger Ebert praised the ability of the film to spoof the " illogic of the TV show ".

Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.

* 1942 – Roger Ebert, American journalist, critic, and screenwriter

Roger Ebert said of his performance: " For one thing, there's more of a human element in the movie, and it comes from Klaus Maria Brandauer, as Largo.

Roger Ebert commented that Dunst's creation of the child vampire Claudia was one of the " creepier " aspects of the film, and mentioned her ability to convey the impression of great age inside apparent youth.

One of Scorsese's most consistent supporters, Roger Ebert of the Chicago Sun-Times, wrote that " In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies.

Roger Ebert discussed it in a June 2000 article and praised Strange Company's machinima setting of Percy Bysshe Shelley's sonnet " Ozymandias ".

" Similarly, Roger Ebert, writing of his iconic performance in Last Tango in Paris, said: " This was the greatest movie actor of his time, the author of performances that do honor to the cinema.

* Ebert, Roger.

" Movie critic Roger Ebert compared the film with a later remake:

On May 12, Clemens broke a long silence to denounce an heavily-researched expose by four investigative reporters from the New York Daily News, called American Icon: The Fall of Roger Clemens and the Rise of Steroids in America's Pastime Clemens went on ESPN's Mike and Mike show to call the book " garbage ", but a review by Michiko Kakutani of The New York Times called the book " gripping " and compared it to the work of Bob Woodward.

Roger Ebert compared the nature and vulnerability of Eastwood's portrayal of Josey Wales with his Man with No Name character in the Dollars westerns and praised the film's atmosphere.

" Roger Ebert of the Chicago Sun-Times compared the film's innovative animation to Disney's Who Framed Roger Rabbit, saying " Both movies take apart the universe of cinematic visuals, and put it back together again, allowing us to see in a new way.

With these should be compared the Offendicula of Roger Bacon, contained in the Opus maius, pt.

These four fallacies are sometimes compared to a similar list in the first part of Roger Bacon's Opus Majus which, although it was much older, had not been printed in Bacon's time.

Roger Ebert compared the nature and vulnerability of Eastwood's portrayal of Josey Wales with his " Man with No Name " character in the Dollars Trilogy and praised the atmosphere of the film.

Kircher has been compared to fellow Jesuit Roger Boscovich and to Leonardo da Vinci for his enormous range of interests, and has been honoured with the title " master of a hundred arts ".

Roger Moore, now a film critic for The Orlando Sentinel, compared East Bend to Lake Wobegon, " It's a homey town with a lot of history and a few ' might-have-beens ,' " Moore wrote in The Winston-Salem Journal.

Film critic Roger Ebert compared the film to Federico Fellini's work, writing, " Fellini's films often involve adolescents inflamed by women who embody their carnal desires ( e. g. Amarcord and 8½ ).

" Roger Ebert said the film " works and it delivers just about what you expect when you buy your ticket " but felt that it " lacks the mordant humor of the Romero version " and the " plot flatlines compared to the 1979 version, which was trickier, wittier and smarter.

In a November 16, 2007 column, Bill Simmons, " the Sports Guy ," compared NFL Commissioner Roger Goodell to Pusser.

On the other hand, Roger Ebert compared the film's humour to that of Bob and Ray.

Jim Emerson, editor of the Roger Ebert website hosted by The Chicago Sun-Times, compared elements of the Xenu story and Revolt in the Stars to the 2005 film remake War of the Worlds starring Scientologist Tom Cruise.

Roger Ascham compared Sadler's appearance in terms of complexion, countenance and beard to Duke Maurice, although the Duke was taller.

Roger Ebert of Ebert and Roeper also awarded the film three out of four stars and compared the film to Birth, also released in 2004:

However, Roger Ebert gave the film three-and-a-half stars out of four and compared it to Rosemary's Baby saying, " Birth is less sensational and more ominous, and also more intriguing because instead of going for quick thrills, it explores what might really happen if a 10-year-old turned up and said what Sean says ".

Roger Ebert gave Purple Noon three stars ( compared to the four-star review he gave to the 1999 version of The Talented Mr. Ripley ), writing that " the best thing about the film is the way the plot devises a way for Ripley to create a perfect cover-up ," but criticized the " less than satisfactory ending ," feeling that " Purple Noon ends as it does only because Clement doesn't have Highsmith's iron nerve.

Roy was offered to have the second 4-6-0 ( which is now the " Roger Broggie ") named after him, so that the Walt Disney and Roy Disney engines would be alike, but he refused because he " didn't want to be compared to all the great things Walt had done.

Roger Ebert gave the film three out of four stars saying: " Any movie named " Psycho III " is going to be compared to the Hitchcock original, but Perkins isn't an imitator.

This was helped by the play George William Gordon by Roger Mais, which compared Gordon's death to the sacrifice of Jesus.

Roger Westcombe compared the film to classic Westerns: " Yet far from a typical Western's sense of freedom, Border Incident shares with Mann's previous film noir T-Men that film's inky, submerged visual quality.