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Roger and Ebert
* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.
Roger Ebert gave the film two out of four stars and wrote, " The movie isn't as funny or entertaining as Evil Dead II, however, maybe because the comic approach seems recycled ".
Critics that frequently admire De Palma's work include Pauline Kael, Roger Ebert and Armond White, among others.
Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".
In a review in the Chicago Sun-Times, Roger Ebert states: " Barrymore is the right actress for this role precisely because she approaches it with such grave calm.
Barrymore's role in the costume drama Ever After ( 1998 ) offered a modern take on the classic fairy tale of Cinderella and served as a reminder, according to Roger Ebert, of how well Drew Barrymore " can hold the screen and involve us in her characters ".
Summing up Barrymore's appeal, Roger Ebert, in his review of 50 First Dates, described Barrymore as having a " smiling, coy sincerity ," describing the film as " ingratiating and lovable.
Roger Ebert approves of the use of the label in unsuccessful films that had been tampered with by studio executives, such as Sergio Leone's original cut of Once Upon a Time in America, and the moderately successful theatrical version of Daredevil, which were altered by studio interference for their theatrical release.
Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.
Roger Ebert of the Chicago Sun-Times gave the film a three star rating ( out of four ) describing it as " a fairly sophisticated satire.
Roger Ebert considers it to be the finest film on the Vietnam war and included it on his list for the 2002 Sight and Sound poll for the greatest movie of all time.
Roger Ebert gave The Rainmaker three stars out of four, remarking: " I have enjoyed several of the movies based on Grisham novels ... but I've usually seen the storyteller's craft rather than the novelist's art being reflected.
Roger Ebert of the Chicago Sun-Times gave the film 3 stars, praising the film for being " boldly operatic, involving family drama, secrets, generations at war, melodrama, romance and violence ".
* An article by critic Roger Ebert describing his involvement with science fiction fanzines in the 1950s.
Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.
Roger Ebert, who gave the film a mere one star in the Chicago Sun-Times, wrote :" The filmmakers must have known that the original Godzilla ( 1956 ) had many loyal fans all over the world who treasured the absurd dialogue, the bad lip-synching, the unbelievable special effects, the phony profundity.
Roger Ebert praised the ability of the film to spoof the " illogic of the TV show ".
Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.
* 1942 – Roger Ebert, American journalist, critic, and screenwriter
Roger Ebert said of his performance: " For one thing, there's more of a human element in the movie, and it comes from Klaus Maria Brandauer, as Largo.
Roger Ebert commented that Dunst's creation of the child vampire Claudia was one of the " creepier " aspects of the film, and mentioned her ability to convey the impression of great age inside apparent youth.
One of Scorsese's most consistent supporters, Roger Ebert of the Chicago Sun-Times, wrote that " In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies.
Roger Ebert discussed it in a June 2000 article and praised Strange Company's machinima setting of Percy Bysshe Shelley's sonnet " Ozymandias ".
" Similarly, Roger Ebert, writing of his iconic performance in Last Tango in Paris, said: " This was the greatest movie actor of his time, the author of performances that do honor to the cinema.
* Ebert, Roger.

Roger and contrast
It is said that the rivalry was fueled in the 1970s due to the stark contrast of the teams: the Cowboys, being more of a " flashy " team with Roger Staubach's aerial attack and the " flex " Doomsday Defense ; while the Steelers were more of a " blue-collar " team with a strong running game and the 1970s-esque Steel Curtain defense, a contrast that still exists today.
In philosophy Bonaventure presents a marked contrast to his contemporaries, Roger Bacon and Thomas Aquinas.
Led by Roger Douglas, the Minister of Finance, Labour had adopted radical policies of economic liberalization, free trade, and privatization of state assets-sharply in contrast both with the party's background and its campaign promises.
Roger Davis, in contrast, did not debut until five years after his older brother.
The pirate utopia's motto was " for God and liberty ," and its flag was white, in contrast to a Jolly Roger.
His Pākehā father and his relatives, by contrast, were highly educated and sophisticated-one uncle, Roger Duff, was a well-known anthropologist ; his paternal grandfather was liberal magazine editor and literary patron Oliver Duff.
" University of York's Head of Sociology, Roger Burrows, said in The Independent that the show " makes a fantastic contribution to their understanding of contemporary urbanism ", and is " a contrast to dry, dull, hugely expensive studies that people carry out on the same issues ".
Roger Mason, a medieval cathedral builder is, in direct contrast to Jocelin, physically powerful and a rationalist.
Roger Ebert, however, gave the film " thumbs up " and " three stars " in contrast to his negative review of the original, praising John Moore for letting the strong story unfold itself rather than foregrounding visual effects, while the Washington Posts Stephen Hunter praised the film: " It's handsome in the way it's fast-moving: sleek, well-engineered, full of gooses and honks.
Roger Ebert, whose review of the film is primarily about the off-Broadway production he saw over a year earlier, was " astonished " to report that Oleanna was not a very good film, characterizing it as awkward and lacking in " fire and passion "; this is in contrast to what Ebert wrote about the performance of the play he saw at the Orpheum:

Roger and gave
" Roger Bate asserts, " many countries have been coming under pressure from international health and environment agencies to give up DDT or face losing aid grants: Belize and Bolivia are on record admitting they gave in to pressure on this issue from.
* The Viacom merger also gave Paramount the TV rights to the pre-1984 New World Pictures library, under license from Roger Corman, the company's founder ;
Roger Ebert gave it four stars out of four and called it " a powerful experience ".
" Roger Ebert gave the film three stars out of four, describing it as " weirdly engaging "
In an essay supporting the selection of The Rock, Roger Ebert, who was strongly critical of most of Bay's later films, gave the film a 3 1 / 2 out of four stars, calling it " an action picture that rises to the top of the genre because of a literate, witty screenplay and skilled craftsmanship in the direction and special effects.
Roger Ebert gave the film a four-star rating and described it as one that " involves us deeply in the story, and then it reveals that the story is really about something else altogether.
Film critic Roger Ebert gave the film four out of four stars, calling it " an amazingly entertaining thriller " and " one of the best films so far this year ", with a " wonderful " ending.
The film met with generally positive reviews ; Roger Ebert gave it three and a half stars and described it as a " very good film ... with moments evoking great emotion ", while Variety Todd McCarthy wrote, " Inspirational on the face of it, Clint Eastwood's film has a predictable trajectory, but every scene brims with surprising details that accumulate into a rich fabric of history, cultural impressions and emotion.
Roger Ebert gave the filmstars out of 4, writing: " It's not just an action picture.
Among those who gave Newton corrections for the Second Edition were: Firmin Abauzit, Roger Cotes and David Gregory.
" Film critic Roger Ebert gave Mulan three and a half stars out of four in his written review.
" Roger Ebert gave the theatrical version of the film a less than positive review, but later gave a positive review of the director's cut.
Roger Ebert gave the film three-and-a-half stars out of four and praised it for allowing " all the financial wheeling and dealing to seem complicated and convincing, and yet always have it make sense.
Roger Ebert, who reacted favorably to other films of Romero's Dead Series, gave Day of the Dead one and a half stars.
However, film critic Roger Ebert gave the film 3 stars out of a possible 4 and commented that " Some will say the movie breaks tradition by telling a medieval story with a soundtrack of classic rock.
The victory gave Sampras his 13th Grand Slam title, breaking the record of 12 by Roy Emerson and at that time giving Sampras the most Grand Slam titles in history, until his record was eclipsed by Roger Federer following the 2009 Wimbledon final.
Roger Ebert of the Chicago Sun-Times gave the film a three-star rating in his review, while Peter Rainer of the The Los Angeles Times wrote that " the action upstaged the actors.

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