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Roger and Ebert
* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.
Roger Ebert gave the film two out of four stars and wrote, " The movie isn't as funny or entertaining as Evil Dead II, however, maybe because the comic approach seems recycled ".
Critics that frequently admire De Palma's work include Pauline Kael, Roger Ebert and Armond White, among others.
Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".
In a review in the Chicago Sun-Times, Roger Ebert states: " Barrymore is the right actress for this role precisely because she approaches it with such grave calm.
Barrymore's role in the costume drama Ever After ( 1998 ) offered a modern take on the classic fairy tale of Cinderella and served as a reminder, according to Roger Ebert, of how well Drew Barrymore " can hold the screen and involve us in her characters ".
Summing up Barrymore's appeal, Roger Ebert, in his review of 50 First Dates, described Barrymore as having a " smiling, coy sincerity ," describing the film as " ingratiating and lovable.
Roger Ebert approves of the use of the label in unsuccessful films that had been tampered with by studio executives, such as Sergio Leone's original cut of Once Upon a Time in America, and the moderately successful theatrical version of Daredevil, which were altered by studio interference for their theatrical release.
Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.
Roger Ebert of the Chicago Sun-Times gave the film a three star rating ( out of four ) describing it as " a fairly sophisticated satire.
Roger Ebert considers it to be the finest film on the Vietnam war and included it on his list for the 2002 Sight and Sound poll for the greatest movie of all time.
Roger Ebert gave The Rainmaker three stars out of four, remarking: " I have enjoyed several of the movies based on Grisham novels ... but I've usually seen the storyteller's craft rather than the novelist's art being reflected.
Roger Ebert of the Chicago Sun-Times gave the film 3 stars, praising the film for being " boldly operatic, involving family drama, secrets, generations at war, melodrama, romance and violence ".
* An article by critic Roger Ebert describing his involvement with science fiction fanzines in the 1950s.
Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.
Roger Ebert, who gave the film a mere one star in the Chicago Sun-Times, wrote :" The filmmakers must have known that the original Godzilla ( 1956 ) had many loyal fans all over the world who treasured the absurd dialogue, the bad lip-synching, the unbelievable special effects, the phony profundity.
Roger Ebert praised the ability of the film to spoof the " illogic of the TV show ".
Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.
* 1942 – Roger Ebert, American journalist, critic, and screenwriter
Roger Ebert said of his performance: " For one thing, there's more of a human element in the movie, and it comes from Klaus Maria Brandauer, as Largo.
Roger Ebert commented that Dunst's creation of the child vampire Claudia was one of the " creepier " aspects of the film, and mentioned her ability to convey the impression of great age inside apparent youth.
One of Scorsese's most consistent supporters, Roger Ebert of the Chicago Sun-Times, wrote that " In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies.
Roger Ebert discussed it in a June 2000 article and praised Strange Company's machinima setting of Percy Bysshe Shelley's sonnet " Ozymandias ".
" Similarly, Roger Ebert, writing of his iconic performance in Last Tango in Paris, said: " This was the greatest movie actor of his time, the author of performances that do honor to the cinema.
* Ebert, Roger.

Roger and Chicago
In 1968 and 1969, members of the Chicago Imagists, such as Roger Brown, Leon Golub, Robert Lostutter, Jim Nutt, and Barbara Rossi produced bizarre representational paintings.
The acquisition of Roger Metzger from the Chicago Cubs in the off-season moved Menke to first base and Bob Watson to the outfield.
A group of students including Roger Brown, Gladys Nillson, Jim Nutt, and Barbara Rossi, and teachers at the School of the Art Institute of Chicago, including Ray Yoshida and Whitney Halstead, took an interest in promoting his work.
" Writing for the Chicago Sun-Times, film critic Roger Ebert wrote " film stars actors of considerable physical appeal, most particularly Penelope Cruz as Silvia.
They had a young star in the likes of Jack Clark, along with veteran first baseman Willie McCovey, second baseman Bill Madlock ( whom the Giants had acquired from the Chicago Cubs ,) shortstops Johnnie LeMaster and Roger Metzger, and third baseman Darrell Evans.
Roger Ebert of the Chicago Sun-Times said it was " as violent and gruesome and blood-soaked as the title promises ", yet praised its acting and technical execution.
Roger Ebert of the Chicago Sun-Times chided theater owners and parents who allowed children access to the film.
Famous athletes include Baseball Hall of Fame members Roger Bresnahan and Addie Joss, U. S. boxing Olympian Devin Vargas, 2012 Olympic silver medalist Erik Kynard ( Track & Field, high jump ), professional basketball player John Amaechi, retired NBA player Jim Jackson, and NBA Champions Chicago Bulls Dennis Hopson.
Chicago Sun Times film critic Roger Ebert put the film on his " Great Movies " list in 2007, calling it "... modern, lean, and honest.
Roger Ebert, of the Chicago Sun-Times, wrote, " What's nicest about the film is the way it treasures the good feelings people can have for one another ".
Chicago Sun-Times critic Roger Ebert ranked it as one of Allen's best.
Janet Maslin in The New York Times said Spacey was at his " wittiest and most agile " to date, and Roger Ebert of the Chicago Sun-Times singled Spacey out for successfully portraying a man who " does reckless and foolish things who doesn't deceive himself ".
" Roger Ebert of the Chicago Sun-Times observed the film " is not blindingly brilliant, and is not an example of the very best work of the director who made The Year of Living Dangerously or the actor who starred in Cyrano de Bergerac.
" Roger Ebert of the Chicago Sun-Times praised Tate as " a wonder to behold ", but after describing the dialogue in one scene as " the most offensive and appalling vulgarity ever thrown up by any civilization ", concluded that, " I will be unable to take her any more seriously as a sex symbol than Raquel Welch.
* 1975: Roger Ebert, Chicago Sun-Times, " for his film criticism during 1974.
* Roger Ebert, review, The Last Emperor, Chicago Sun-Times, December 9, 1987.
In his review in the Chicago Sun-Times, a disappointed Roger Ebert wrote, " The characters in this movie may look like adults, but they think like teenagers.
Ebert is known for his film review column ( appearing in the Chicago Sun-Times since 1967, and later online ) and for the television programs Sneak Previews, At the Movies with Gene Siskel and Roger Ebert, and Siskel and Ebert and The Movies, all of which he co-hosted for a combined 23 years with Gene Siskel.

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