[permalink] [id link]
Rossini's opera William Tell ( 1829 ) marked the onset of the Romantic Opera, using the central national myth unifying Switzerland ; and in Brussels, a riot ( August 1830 ) after an opera that set a doomed romance against a background of foreign oppression ( Auber's La Muette de Portici ) sparked the Belgian Revolution of 1830-1831, the first successful revolution in the model of Romantic nationalism.
from
Wikipedia
Some Related Sentences
Rossini's and opera
Adelaïde is the heroine of Gioacchino Rossini's 1817 opera, Adelaide di Borgogna.
* 1816 – Rossini's opera The Barber of Seville premieres at the Teatro Argentina in Rome.
Though it was Rossini's first opera, written when he was thirteen or fourteen, the work was not staged until the composer was twenty years old, premiering as his sixth official opera.
Rossini's most famous opera was produced on 20 February 1816, at the Teatro Argentina in Rome.
Much is made of how quickly Rossini's opera was written, scholarship generally agreeing upon two or three weeks.
However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage.
Rossini's opera is a pasticcio ( an opera in which the music for a new text is chosen from pre-existent music by one or more composers ).
* February 20 – Gioachino Rossini's opera Il Barbiere di Siviglia premieres at the Teatro Argentina in Rome.
Rossini's Barber has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all " opere buffe ".
Rossini's opera recounts the first of the plays from the Figaro trilogy, by French playwright Pierre Beaumarchais, while Mozart's opera Le nozze di Figaro, composed 30 years earlier in 1786, is based on the second part of the Beaumarchais trilogy.
However, many of the audience were supporters of one of Rossini's rivals, Giovanni Paisiello, who played on " mob mentality " to provoke the rest of the audience to dislike the opera.
Rossini's opera, now known as Il barbiere di Siviglia, is now acknowledged as Rossini's greatest work, while Paisiello's opera is only infrequently produced — a strange instance of poetical vengeance, since Paisiello himself had many years previously endeavoured to eclipse the fame of Giovanni Battista Pergolesi by resetting the libretto of his famous intermezzo, La serva padrona.
Examples are Beethoven's Pastoral Symphony ( the fourth movement ), Presto of the violin concerto RV 315 ( Summer ) from the Four Seasons by Vivaldi, and a scene in Act II of Rossini's opera The Barber of Seville.
He became a protégée of Rossini's, and at the close of 1827, he appeared as Figaro in The Barber of Seville at the Italian opera in Paris.
Balfe wrote another opera Un avvertimento ai gelosi at Pavia, and Enrico Quarto at Milan, where he had been engaged to sing in in Rossini's Otello with Malibran at La Scala in 1834.
Also in 2003, she went to the opera and voiced the role of Magpie, the eponymous thief in a recording of Gioachino Rossini's opera semi-seria in two acts, La gazza ladra ( The Thieving Magpie ) in which a servant girl is condemned to death for the theft of a silver spoon snatched by a magpie presumably decorating its nest to lure a mate.
Rossini's and William
He would often show his low opinion by referring to the Unix process I / O model by reciting " getta byte, getta byte, getta byte byte byte " to the rhythm of the " cavalry charge " finale of Rossini's William Tell Overture ( made popular as the theme music for the Lone Ranger TV series ).
Originally created by Rand MacIvor ( under Art Director John C. Galt ), who was inspired by Terry Gilliam's " gilliamations ", the opening animation sequence was a sequence of surreal images set to Rossini's William Tell Overture, performed in a Dixieland jazz arrangement by The National Press Club and Allied Workers Jazz Band.
One of Weaver's most enduringly popular recordings is the Spike Jones parody of Rossini's William Tell Overture.
In late-18th and early-19th-century Italy, where the instrument was often played by bassoonists instead of oboists, it was notated in the bass clef an octave below sounding pitch ( as found in Rossini's Overture to William Tell ).
* Gioachino Rossini's William Tell Overture ( 1829 )
On March 15, 1952, Toscanini conducted the Symphonic Interlude from Franck's Rédemption ; Sibelius's En Saga ; Debussy's " Nuages " and " Fetes " from Nocturnes ; and the overture of Rossini's William Tell.
** Tenor Antonio Paoli makes his début in Rossini's William Tell in Paris.
On the evening of 14 January 1858, as the Emperor and Empress were on their way to the theatre in the Rue Le Peletier, the precursor of the Opera Garnier, to see Rossini's William Tell, Orsini and his accomplices threw three bombs at the imperial carriage.
The opening credits scroll over an animated image of the character Bambi serenely grazing while the Call to the Dairy Cows from Rossini's political opera William Tell ( 1829 ) plays in the background.
* March 4-Charter of the French Opera House, New Orleans, which opens on December 1 of the same year with a gala performance of Rossini's William Tell.
They next begin Rossini's William Tell overture.
* There are at least two hommages paid to Stanley Kubrick ; the scene with the wedding cake is a direct reference to the famous bone scene from 2001: A Space Odyssey, with Denis mentioning it as such ; also, the scene when Alex and his friend set up his mother's bedroom is a reference to the sex scene in A Clockwork Orange, with Rossini's William Tell Overture being played on both occasions.
A particular triumph was the role of Arnold in that theatre's first mounting of Rossini's William Tell ( 1840 ).
The first recording made by the Sinfonia was a floppy 45rpm disc of Rossini's William Tell Overture, which was sent out as the invitation for the degree show that year.
On April 26, 1899, he made his debut in Gioacchino Rossini's opera William Tell in Paris, France.
With the first notes of Rossini's " William Tell Overture " and actor Gerald Mohr's " Return with us now to those thrilling days of yesteryear ... ," Moore and co-star Jay Silverheels, in the role of Tonto, made television history as the stars of the first Western written specifically for that medium.
Subsequent productions included a new production of Wagner's Lohengrin, also conducted by Conlon and starring Ben Heppner, Soile Isokoski and Dolora Zajick ; a production of Rossini's Il Turco in Italia starring Nino Machaidze, Simone Alberghini, Paolo Gavanelli and Thomas Allen ,, and a production of Benjamin Britten's The Turn of the Screw starring Patricia Racette, William Burden and Ann Murray, conducted by Conlon.
* China Philharmonic Orchestra plays Rossini's William Tell Overture 1 / 2
* China Philharmonic Orchestra plays Rossini's William Tell Overture 2 / 2
William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement, although he continued to compose cantatas, sacred music and secular vocal music.
" Rossini's Overture to ' William Tell '", Music & Letters, Vol.
* Matilde in Rossini's William Tell with Teatro alla Scala, conductor Riccardo Muti, live performance in Italian in 1988, reased on DVD in 1998, also available as an audio recording.
Rossini's and Tell
Rossini's Guillaume Tell helped found the new genre of Grand Opera, a form whose most famous exponent was another foreigner, Giacomo Meyerbeer.
Bizet's first orchestral piece was an overture written in 1855 in the manner of Rossini's Guillaume Tell.
Its revised characterisation as a ' grand opera ' placed it in succession to Auber's La muette de Portici ( 1828 ) and Rossini's Guillaume Tell ( 1829 ) in this new genre.
Produced in Paris in 1828, it rapidly became a European favorite, and the foundation work of a new genre, grand opera, that was consolidated by Rossini's Guillaume Tell the following year.
Also, there was Rossini's Guillaume Tell and Verdi's I Vespri Siciliani which followed.
Gedda's recordings span a wide variety of styles and several of the roles may be considered amongst the most challenging in the entire operatic repertoire, notably Arnold in Rossini's Guillaume Tell and Arturo in I puritani, both requiring stratospheric high notes and an easy legato line.
* Rossini's Guillaume Tell: Tell's son Jemmy is sung by a soprano
In 1829 this was followed by Rossini's swan-song Guillaume Tell.
0.733 seconds.