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Page "Musique concrète" ¶ 7
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Schaeffer and when
It's too bad I didn't call you, and it's too bad I let Schaeffer use Accacia when he could have had a boy who'd be glad to learn something of Homicide procedure.
In 1942 the French composer and theoretician Pierre Schaeffer, began his exploration of radiophony when he joined Jacques Copeau and his pupils in the foundation of the Studio d ' Essai de la Radiodiffusion Nationale.
The history of the turntable being used as a musical instrument has its roots dating back to the 1930s, 1940s and 1950s when musique concrète and other experimental composers ( such as John Cage, Halim El-Dabh, and Pierre Schaeffer ), used them in a manner similar to that of today's producers and DJs, by essentially sampling and creating music that was entirely produced by the turntable.
( Schaeffer Beer is the best when you drink more than one !!).
Simpson murder case, her most high-profile prosecution was in 1991, when she prosecuted Robert John Bardo for the murder of television star Rebecca Schaeffer.
The sitcom tells the story of a San Francisco photographer named Sam Russell ( Pam Dawber ), whose life is disrupted when her teenage sister Patti ( Rebecca Schaeffer ) comes to live with her.
Bardo also carried around a copy of The Catcher in the Rye with him when he murdered Schaeffer.
Use of the Evette and Evette & Schaeffer brands ended about 1985, when the company began using the Buffet name on all its clarinets.
The prospect of a large screen presentation perhaps removed peoples fears of being lost, as when hearing or reading Schaeffer undiluted.
In the series, particularly when speaking about the Reformation, Schaeffer repeats much of the Criticism of the Catholic Church made by previous Protestant leaders and restates such criticism as accepted fact.
Schaeffer also accuses advocates of this viewpoint of utilizing logic when it suits their arguments, but attacking logic when it is convenient.

Schaeffer and I
* Rebecca Schaeffer was stalked and murdered July 18, 1989 by Robert John Bardo, who, according to Robert I. Simon, MD, had erotomania, as reported in his book Bad Men Do What Good Men Dream.
The undersigners came from a variety of evangelical Christian denominations, and include James Montgomery Boice, Carl F. H. Henry, Kenneth Kantzer, J. I. Packer, Francis Schaeffer, and R. C. Sproul.
In 2007 author Frank Schaeffer titled his autobiography Crazy for God: How I Grew Up as One of the Elect, Helped Found the Religious Right, and Lived to Take All ( or Almost All ) of It Back.
In absolute contrast to Schaeffer, Catholics see Aquinas as an enemy of relativism citing his work on theology ( including ST I Q1 A6 ad 2 ) where he says " The principles of other sciences either are evident and cannot be proved, or are proved by natural reason through some other science.

Schaeffer and proposed
Outrage at McCarthy's handling of the Sufi cemetery issue as well as his ( with the collusion of the town board ) lack of response to public concerns and secrecy surrounding a proposed natural gas pipeline through the town led to greater political awareness and activism in the town resulting in the defeat of council-members Hamilton and Schaeffer in the off-year elections of November 2011.

Schaeffer and term
The term acousmatique was first used by the French composer, and pioneer of musique concrète, Pierre Schaeffer.
In 1955, Jérôme Peignot and Pierre Schaeffer were the first to use the term acousmatic to define the listening experience of musique concrète.
Schaeffer derived the word acousmatique from akousmatikoi ( hearers ), a term used in the time of Pythagoras to refer to his uninitiated students.
In 1955, Jérôme Peignot and Pierre Schaeffer were the first to use the term acousmatique to define the listening experience of musique concrète.

Schaeffer and musique
Another important influence on Schaeffer ’ s practice was cinema and the techniques of recording and montage, which were originally associated with cinematographic practice, came to " serve as the substrate of musique concrète.
* Schaeffer, Pierre ( 1952 ), A la recherche d ’ une musique concrète.
He played guitar in a band, but his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales.
* Pierre Schaeffer ( 1910 – 1995 ), noted as the inventor of musique concrète
In late 1954, with Messiaen's support, Xenakis was accepted into the Groupe de Recherches de Musique Concrète, an organization established by Pierre Schaeffer and Pierre Henry, dedicated to studying and producing electronic music of the musique concrète variety.
In the 1940s and 50s composers, notably Pierre Schaeffer, started to explore the application of technology to music in musique concrète.
Later, in 1948, Pierre Schaeffer used the techniques of sound collage to create the first piece of musique concrète, " Étude aux chemins de fer ", which was assembled from recordings of trains.
Much of the tone of the album appears to be influenced by elements of musique concrète and by his time as a student of Pierre Schaeffer.
* Étude aux chemins de fer, the seminal 1948 composition of electronic music, specifically musique concrète, by Pierre Schaeffer, constructed from railway sounds
His compositional pieces elaborate on schaeffarian theories and methodologies which Schaeffer referred to as musique concrète.
The early works of musique concrete by Pierre Schaeffer have a surrealist character owing to the unexpected juxtaposition of sound objects, such as the sounds of Balinese priests chanting, a barge on the River Seine, and rattling saucepans in Etude aux casseroles ( 1948 ).
After the first concert of musique concrete ( Concert de bruits, October 5, 1948 ) Schaeffer received a letter from one member of the audience ( identified only as M. C .) describing it as " the music heard, by themselves alone, by Poe and Lautreamont, and Raymond Roussel.
Schaeffer himself argued that musique concrete tended either towards atonality or surrealism, or both ( Schaeffer 1959, 19 – 20 )
* Word and Music ( Parole et musique ), a 1982 avant-garde musical production by Pierre Schaeffer
She had studied piano and was already composing before having heard a broadcast by the founder of musique concrète Pierre Schaeffer.
Most noteworthy for pioneering the conceptual and theoretical framework with art music that most openly embraced the use of raw sound material and field recordings was Pierre Schaeffer who was developing musique concrète as early as 1940.

Schaeffer and point
The lead programmer Schaeffer looked back into the database and discovered that Tinsley picked the only strategy that could have defeated Chinook from that point.
On this position, at the point in which the non-Christian rationalist realizes that they cannot account for everything, they engage in what Francis Schaeffer called an " upper story leap.

Schaeffer and out
Book confides his suspicions to his superior officer, Chief Paul Schaeffer ( Josef Sommer ), who advises Book to keep the case secret so they can work out how to move forward with it.
A crazed Schaeffer then forces Rachel and Eli out of the house at gunpoint ; Eli signs to Samuel ( who returned unseen upon hearing gunfire ) to ring the warning bell.
When the original system was laid out, it ran to two wooden troughs on the Square, which is now the intersection of Main St. and Market St. One trough was since replaced by Matilda Zimmerman in memory of Mary Rex Zimmerman, her mother and great granddaughter of Alexander Schaeffer.
Pointing out negative statements Schaeffer made about theocracy, North and Chilton then explain why they promote it ( pp. 121 – 22 ).
The same comment applies to all of Dr. Schaeffer ’ s writings: he does not spell out the Christian alternative .( pp. 127-28 ; emphasis North and Chilton )"
This provoked Bardo, who had come to " rescue her ", into pulling out a gun he had purchased only days before, from a paper bag, pointing it at her chest and shooting Schaeffer.
Per Bardo's testimony to police, Schaeffer, upon being shot, screamed out, " Why?
Similarly, Malcolm E. Yapp, professor emeritus at London University, estimates that V. Dadrian's method " is not that of an historian trying to find out what happened and why but that of a lawyer assembling the case for the prosecution in an adversarial system "; Mary Schaeffer Conroy, professor of Russian history at Colorado University, Denver, criticizes V. N. Dadrian's inaccuracies, selective use of sources and failure to use Turkish archives, then concludes: " This book is more a work of journalism than solid history and is not recommended ".
Within this category, Schaeffer discusses three specific answers: first, existence ex nihilo, that all that exists " has come out of absolutely nothing.

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