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Schopenhauer and used
The word " spectrum " was strictly used to designate a ghostly optical afterimage by Goethe in his Theory of Colors and Schopenhauer in On Vision and Colors.
The word " spectrum " was strictly used to designate a ghostly optical afterimage by Goethe in his Theory of Colors and Schopenhauer in On Vision and Colors.
In 1890, when psychoanalysis was still unheard of, William James, in his monumental treatise on psychology, examined the way Schopenhauer, von Hartmann, Janet, Binet and others had used the term ' unconscious ' and ' subconscious '".
Generally the term is only used within the context of Greek Philosophy, but has also been used by modern philosophers such as Schopenhauer and Kurt Gödel ; otherwise, the term " transmigration " is more appropriate.
Schopenhauer claimed that Kant used the word incorrectly.
" Arthur Schopenhauer used the existence of boredom in an attempt to prove the vanity of human existence, stating, "... for if life, in the desire for which our essence and existence consists, possessed in itself a positive value and real content, there would be no such thing as boredom: mere existence would fulfil and satisfy us.
Arthur Schopenhauer used Indian philosophy to improve upon Kantian thought.
Schopenhauer used the word " will " as a human's most familiar designation for the concept that can also be signified by other words such as " desire ," " striving ," " wanting ," " effort ," and " urging.
Both Arthur Schopenhauer and Sigmund Freud have used this situation to describe what they feel is the state of individual in relation to others in society.
The German philosopher Arthur Schopenhauer used the word ( German Wolkenkuckucksheim ) in his publication On the Fourfold Root of the Principle of Sufficient Reason in 1813, as well as later in his main work The World as Will and Representation and in other places.

Schopenhauer and Jones's
Arthur Schopenhauer referred to one of Sir William Jones's publications in § 1 of The World as Will and Representation ( 1819 ).

Schopenhauer and basic
Music is, according to Schopenhauer, an immediate expression of will, the basic reality of the experienced world.
However Schopenhauer "… came to rest in an Absolute which transcends concrete experience … and for ( Schopenhauer ) the Critical Philosophy was only a prolegomena or propaedeutic to a speculative or ' transcendent ' philosophy of the kind which Gentile and Kant are united in opposing ", according to H. S. Harris's book on the basic metaphysics of Giovanni Gentile in contrast to that of Schopenhauer.

Schopenhauer and principle
*[...] Schopenhauer has depicted for us the tremendous terror which seizes man when he is suddenly dumbfounded by the cognitive form of phenomena because the principle of sufficient reason, in some one of its manifestations, seems to suffer an exception.
Nevertheless, in relation to the entire body of Nietzsche's works, many scholars have insisted that Nietzsche's principle of the will to power is less metaphysical and more pragmatic than Schopenhauer's will to live: while Schopenhauer thought the will to live was what was most real in the universe, Nietzsche can be understood as claiming only that the will to power is a particularly useful principle for his purposes.

Schopenhauer and philosophy
Beginning with Immanuel Kant, German idealists such as G. W. F. Hegel, Johann Gottlieb Fichte, Friedrich Wilhelm Joseph Schelling, and Arthur Schopenhauer dominated 19th-century philosophy.
Similarly, in regard to passages from the Enneads, " The only space or place of the world is the soul " and " Time must not be assumed to exist outside the soul ", Ludwig Noiré wrote: " For the first time in Western philosophy we find idealism proper in Plotinus, However, Plotinus does not address whether we know external objects, unlike Schopenhauer and other modern philosophers.
Schopenhauer wrote that "... materialism is the philosophy of the subject who forgets to take account of himself ".
One such reaction to the loss of meaning is what Nietzsche calls ' passive nihilism ', which he recognises in the pessimistic philosophy of Schopenhauer.
Wagner's composition of Tristan und Isolde was inspired by his affair with Mathilde Wesendonck and the philosophy of Arthur Schopenhauer.
This impact, together with his discovery of the philosophy of Arthur Schopenhauer in October 1854, led Wagner to find himself in a " serious mood created by Schopenhauer, which was trying to find ecstatic expression.
His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer.
This had led him first to the philosophy of Arthur Schopenhauer.
Primary influences on the style of Russian Symbolism were the irrationalistic and mystical poetry and philosophy of Fyodor Tyutchev and Vladimir Solovyov, the novels of Fyodor Dostoyevsky, the operas of Richard Wagner, the philosophy of Arthur Schopenhauer and Friedrich Nietzsche, French symbolist and decadent poets ( such as Stéphane Mallarmé, Paul Verlaine and Charles Baudelaire ), and the dramas of Henrik Ibsen.
He also wrote extensively on the philosophy of Schopenhauer and Nietzsche, as well on art, most notably his book Rembrandt: An Essay in the Philosophy of Art ( 1916 ).
Arthur Schopenhauer developed a philosophy that was essentially a synthesis of Hinduism with Western thought.
In his philosophy other outstanding figures followed in his footsteps — Hume and Kant in the 18th century, Arthur Schopenhauer in the 19th century, and Bertrand Russell, Ludwig Wittgenstein, and Karl Popper in the 20th century.
German philosophy, here taken to mean either ( 1 ) philosophy in the German language or ( 2 ) philosophy by Germans, has been extremely diverse, and central to both the analytic and continental traditions in philosophy for centuries, from Leibniz through Kant, Hegel, Schopenhauer, Marx, Nietzsche, Heidegger and Wittgenstein to contemporary philosophers.
Neo-Kantianism refers broadly to the revival of the type of philosophy explained by Immanuel Kant and of the interpretations of Kant provied by post-Kantian philosophers such as Schopenhauer, Jakob Friedrich Fries and Johann Friedrich Herbart.
After studying theology under Friedrich Schleiermacher and De Wette, he turned to pure philosophy, studying English writers and the German modifiers of Kantianism, such as Jacobi, Fries and Schopenhauer.
As the sacred texts of ancient Hindu and Buddhist philosophy became available in German translations in the 18th and 19th centuries, they influenced philosophers such as Schopenhauer to hold that in a healthy mind only deeds oppress our conscience, not wishes and thoughts ; " for it is only our deeds that hold us up to the mirror of our will "; the good conscience, thought Schopenhauer, we experience after every disinterested deed arises from direct recognition of our own inner being in the phenomenon of another, it affords us the verification " that our true self exists not only in our own person, this particular manifestation, but in everything that lives.
Arthur Schopenhauer recommends us to take refuge in things like art, philosophy, loss of the will to live, and tolerance toward ' fellow-sufferers '.
The aesthetic philosophy of Arthur Schopenhauer and Friedrich Nietzsche has contributed greatly to neo-romantic thinking, especially in Europe.

Schopenhauer and what
Philosopher Arthur Schopenhauer argued that concepts are " mere abstractions from what is known through intuitive perception, and they have arisen from our arbitrarily thinking away or dropping of some qualities and our retention of others.
" Nietzsche, who was heavily influenced by Schopenhauer, wrote: " Every concept originates through our equating what is unequal.
Arthur Schopenhauer has been accused of misogyny for his essay " On Women " ( Über die Weiber ), in which he expressed his opposition to what he called " Teutonico-Christian stupidity " on female affairs.
In his On the Freedom of the Will, Schopenhauer stated, " You can do what you will, but in any given moment of your life you can will only one definite thing and absolutely nothing other than that one thing.
In the preface to his book The World As Will And Idea, Schopenhauer writes that one who " has also received and assimilated the sacred primitive Indian wisdom, then he is the best of all prepared to hear what I have to say to him ".
Arthur Schopenhauer | Schopenhauer said " Man is free to do what he wills, but he cannot will what he wills " The Hard Determinist says that obviously, then, there is no ' free will '
Arthur Schopenhauer famously said " Man can do what he wills but he cannot will what he wills ".
Schopenhauer admired Lichtenberg greatly for what he had written in his notebooks.
Schopenhauer believed that what distinguished aesthetic experiences from other experiences is that contemplation of the object of aesthetic appreciation temporarily allowed the subject a respite from the strife of desire, and allowed the subject to enter a realm of purely mental enjoyment, the world purely as representation or mental image.
Schopenhauer believed that what gives arts such as literature and sculpture their value was the extent to which they incorporated pure perceptions.

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