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Schopenhauer and wrote
" Nietzsche, who was heavily influenced by Schopenhauer, wrote: " Every concept originates through our equating what is unequal.
His student ( and critic ), Schopenhauer, wrote:
Similarly, in regard to passages from the Enneads, " The only space or place of the world is the soul " and " Time must not be assumed to exist outside the soul ", Ludwig Noiré wrote: " For the first time in Western philosophy we find idealism proper in Plotinus, However, Plotinus does not address whether we know external objects, unlike Schopenhauer and other modern philosophers.
In the first volume of his Parerga and Paralipomena, Schopenhauer wrote his " Sketch of a History of the Doctrine of the Ideal and the Real ".
During this time he also collaborated in complete editions of the works of Arthur Schopenhauer and the writer Jean Paul and wrote numerous articles for various journals.
Arthur Schopenhauer wrote in § 18 of On the Fourfold Root of the Principle of Sufficient Reason ( 1813 ): "... the representation of coexistence is impossible in Time alone ; it depends, for its completion, upon the representation of Space ; because, in mere Time, all things follow one another, and in mere Space all things are side by side ; it is accordingly only by the combination of Time and Space that the representation of coexistence arises.
Georg Wilhelm Friedrich Hegel and Arthur Schopenhauer both wrote of Taoism.
Wagner wrote of his preoccupations with Schopenhauer and Tristan in a letter to Franz Liszt ( December 16, 1854 ): Never in my life having enjoyed the true happiness of love I shall erect a memorial to this loveliest of all dreams in which, from the first to the last, love shall, for once, find utter repletion.
He also wrote extensively on the philosophy of Schopenhauer and Nietzsche, as well on art, most notably his book Rembrandt: An Essay in the Philosophy of Art ( 1916 ).
Arthur Schopenhauer wrote: " This world could not have been the work of an all-loving being, but that of a devil, who had brought creatures into existence in order to delight in the sight of their sufferings.
Schopenhauer, a student of Fichte's, wrote of him:
For example, Arthur Schopenhauer, generally held to be one of the Continental Philosophers, wrote of Hegel's philosophy as “ a pseudo-philosophy paralyzing all mental powers, stifling all real thinking ”.
Schopenhauer wrote: " In consequence of Kant's criticism of all speculative theology, almost all the philosophizers in Germany cast themselves back on to Spinoza, so that the whole series of unsuccessful attempts known by the name of post-Kantian philosophy is simply Spinozism tastelessly got up, veiled in all kinds of unintelligible language, and otherwise twisted and distorted.
" Ortega y Gasset quoted Schopenhauer's Parerga and Paralipomena, Volume II, in which Schopenhauer wrote that Fichte, Schelling, and Hegel forgot " the fact that one can feel an authentic and bitter seriousness " for philosophy.
Schopenhauer wrote that " the assumption was made of a second substance, outside and along with matter, namely an immaterial substance.
Another, Schopenhauer, wrote, in 1844:
Arthur Schopenhauer wrote the following about Georg Wilhelm Friedrich Hegel:
Besides numerous articles, he wrote on Arthur Schopenhauer, Philosophie de Schopenhauer ( 1874 ; 7th ed., 1896 ), and on the contemporary psychology of Germany ( La Psychologie allemande contemporaine, 1879 ; 13th ed., 1898 ), also four little monographs on Les Maladies de la mémoire ( 1881 ; x3th ed., 1898 ); De la volonté ( 1883 ; 14th ed., 1899 ); De la personnalité ( 1885 ; 8th ed., 1899 ); and La Psychologie de l ' attention ( 1888 ), which supplied useful data to the study of mental illness.
In April, 1819, Schopenhauer wrote in his Reisebuch Diary: " In the Vatican of Philosophers there is the bust of Bias with the inscription of πλεἳστοι άνθρωπι κακοι men are bad.
He also wrote biographies of Wilhelm von Humboldt ( 1856 ), Hegel ( 1857 ), Schopenhauer ( 1864 ), Herder ( 1877-1885 ) and Max Duncker ( 1890 ).
Decidedly unimposing on the stage ( like Pacchiarotti ), he was endowed with a clear, pliant and pure voice which won him the admiration of such personages as Alfred de Vigny, who, in his story “ La vie e la mort du Capitaine Renaud ou La canne de jonc ”, wrote of “ a seraph ’ s voice which sprang from an emaciated and wrinkled face ”, or as the seventeen-year-old Arthur Schopenhauer who, in his turn, entered in his diary a voice that was “ beautiful in a supernatural way ” and provided with a full and sweet timbre.

Schopenhauer and "...
He defends the The Birth of Tragedy by stating: "... It is indifferent toward politics ,—' un-German ,' to use the language of the present time — it smells offensively Hegelian, and the cadaverous perfume of Schopenhauer sticks only to a few formulas.
" Arthur Schopenhauer used the existence of boredom in an attempt to prove the vanity of human existence, stating, "... for if life, in the desire for which our essence and existence consists, possessed in itself a positive value and real content, there would be no such thing as boredom: mere existence would fulfil and satisfy us.

Schopenhauer and materialism
" In claiming that " spiritualism is the specious and false safeguard against materialism ," Schopenhauer asserted that " the real and true safeguard materialism is idealism.

Schopenhauer and is
For Arthur Schopenhauer aesthetic contemplation of beauty is the most free that the pure intellect can be from the dictates of will ; here we contemplate perfection of form without any kind of worldly agenda, and thus any intrusion of utility or politics would ruin the point of the beauty.
It is thus for Schopenhauer one way to fight the suffering.
Philosopher Arthur Schopenhauer argued that concepts are " mere abstractions from what is known through intuitive perception, and they have arisen from our arbitrarily thinking away or dropping of some qualities and our retention of others.
In his On the Will in Nature, " Physiology and Pathology ," Schopenhauer said that a concept is " drawn off from previous images ... by putting off their differences.
Schopenhauer claimed that “ everything that exists for knowledge, and hence the whole of this world, is only object in relation to the subject, perception of the perceiver, in a word, representation .” According to him there can be " No object without subject " because " everything objective is already conditioned as such in manifold ways by the knowing subject with the forms of its knowing, and presupposes these forms …"
There is some debate over whether the sixth line is officially supposed to be " Schopenhauer and Hegel " or just " Wilhelm Friedrich Hegel ".
The reason for the confusion is that existing live recordings of the song ( included in the Monty Python Live at the Hollywood Bowl film and on the albums Live at Drury Lane and Live at City Center ) have the " Schopenhauer and Hegel " version, while the studio recording on Matching Tie and Handkerchief features the " Wilhelm Friedrich Hegel " version.
One such reaction to the loss of meaning is what Nietzsche calls ' passive nihilism ', which he recognises in the pessimistic philosophy of Schopenhauer.
"' That which bestows on everything tragic, its peculiar elevating force '" — he ( Schopenhauer ) says in The World as Will and Representation, Volume II, P. 495 — "' is the discovery that the world, that life, can never give real satisfaction and hence is not worthy of our affection: this constitutes the tragic spirit – it leads to resignation.
Schopenhauer was trying to support the doctrine that " everything that exists for knowledge, and hence the whole of this world, is only object in relation to the subject, perception of the perceiver, in a word, representation.
Many commentators have pointed out that Sachs in his famous Act 3 monologue Wahn, Wahn, überall Wahn is paraphrasing Schopenhauer when he describes the way that Wahn, or self-delusion, drives men to behave in ways which are actually destroying them.
The World as Will and Representation is the central work of Arthur Schopenhauer.
She is today known primarily for being the mother of Arthur Schopenhauer.
The theme of lust for Schopenhauer is thus to consider the horrors which will almost certainly follow the culmination of lust.
Generally the term is only used within the context of Greek Philosophy, but has also been used by modern philosophers such as Schopenhauer and Kurt Gödel ; otherwise, the term " transmigration " is more appropriate.
Silenus appears in the writings of Arthur Schopenhauer, who endorsed his most famous dictum that " the best thing for a man is not to be born ".

Schopenhauer and philosophy
Beginning with Immanuel Kant, German idealists such as G. W. F. Hegel, Johann Gottlieb Fichte, Friedrich Wilhelm Joseph Schelling, and Arthur Schopenhauer dominated 19th-century philosophy.
Schopenhauer used Jones's authority to relate the basic principle of his philosophy to what was, according to Jones, the most important underlying proposition of Vedânta.
Wagner's composition of Tristan und Isolde was inspired by his affair with Mathilde Wesendonck and the philosophy of Arthur Schopenhauer.
This impact, together with his discovery of the philosophy of Arthur Schopenhauer in October 1854, led Wagner to find himself in a " serious mood created by Schopenhauer, which was trying to find ecstatic expression.
His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer.
This had led him first to the philosophy of Arthur Schopenhauer.
Primary influences on the style of Russian Symbolism were the irrationalistic and mystical poetry and philosophy of Fyodor Tyutchev and Vladimir Solovyov, the novels of Fyodor Dostoyevsky, the operas of Richard Wagner, the philosophy of Arthur Schopenhauer and Friedrich Nietzsche, French symbolist and decadent poets ( such as Stéphane Mallarmé, Paul Verlaine and Charles Baudelaire ), and the dramas of Henrik Ibsen.
Arthur Schopenhauer developed a philosophy that was essentially a synthesis of Hinduism with Western thought.
In his philosophy other outstanding figures followed in his footsteps — Hume and Kant in the 18th century, Arthur Schopenhauer in the 19th century, and Bertrand Russell, Ludwig Wittgenstein, and Karl Popper in the 20th century.
German philosophy, here taken to mean either ( 1 ) philosophy in the German language or ( 2 ) philosophy by Germans, has been extremely diverse, and central to both the analytic and continental traditions in philosophy for centuries, from Leibniz through Kant, Hegel, Schopenhauer, Marx, Nietzsche, Heidegger and Wittgenstein to contemporary philosophers.
Neo-Kantianism refers broadly to the revival of the type of philosophy explained by Immanuel Kant and of the interpretations of Kant provied by post-Kantian philosophers such as Schopenhauer, Jakob Friedrich Fries and Johann Friedrich Herbart.
After studying theology under Friedrich Schleiermacher and De Wette, he turned to pure philosophy, studying English writers and the German modifiers of Kantianism, such as Jacobi, Fries and Schopenhauer.
As the sacred texts of ancient Hindu and Buddhist philosophy became available in German translations in the 18th and 19th centuries, they influenced philosophers such as Schopenhauer to hold that in a healthy mind only deeds oppress our conscience, not wishes and thoughts ; " for it is only our deeds that hold us up to the mirror of our will "; the good conscience, thought Schopenhauer, we experience after every disinterested deed arises from direct recognition of our own inner being in the phenomenon of another, it affords us the verification " that our true self exists not only in our own person, this particular manifestation, but in everything that lives.
Arthur Schopenhauer recommends us to take refuge in things like art, philosophy, loss of the will to live, and tolerance toward ' fellow-sufferers '.
The aesthetic philosophy of Arthur Schopenhauer and Friedrich Nietzsche has contributed greatly to neo-romantic thinking, especially in Europe.

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