The lyric beauties of Schubert's Trout Quintet -- its elemental rhythms and infectious melodies -- make it a source of pure pleasure for almost all music listeners.

The most famous is Franz Schubert's Piano Quintet in A major, known as " The Trout Quintet " for its set of variations in the fourth movement of Schubert's Die Forelle.

Franz Schubert's " Trout " piano quintet features the less common instrumentation of piano, violin, viola, cello and double bass.

87 ( inspiration for Schubert's " Trout " quintet )

His chamber music recordings include Brahms's cello sonatas, with Pierre Fournier, and Franz Schubert's Trout Quintet with the International Quartet and Claude Hobday.

In Christopher Nupen's 1969 documentary The Trout about a performance of Schubert's Trout Quintet in London by Jacqueline du Pré, Daniel Barenboim, Pinchas Zukerman and Itzhak Perlman, Mehta plays the double bass.

The piece is known as the Trout because the fourth movement is a set of variations on Schubert's earlier Lied " Die Forelle " ( The Trout ).

Waiting for Gods theme music is a variation in a higher octave of the opening of the fifth movement of Schubert's Trout Quintet, performed by the Nash Ensemble.

The first movement is a slightly unusual sonata form since the recapitulation begins, as in the first movement of Mozart ’ s sonata facile ( and Schubert's ' Trout ' Quintet ), in the subdominant, not in the main key of the piece as is more usual.

The film uses heavily the 4th movement from Schubert's Trout Quintet to great effect.

26, and the Piano Quintet which alludes to Schubert's String Quintet and Grand Duo for piano four hands.

Most famous of the cello quintets is Franz Schubert's Quintet in C major.

Franz Schubert's final work for chamber ensemble, the String Quintet in C major ( D. 956, op.

Schubert's string quintet was inspired by Mozart's K. 515 quintet and Beethoven's Quintet Op.

In turn, Schubert's work inspired Brahms in the writing of his Piano Quintet.

And although Schnabel's pianism bristles with excitement, it is meticulously faithful to Schubert's dynamic markings and phrase indications.

One of these songs, Ellens dritter Gesang, is popularly labelled as " Schubert's Ave Maria ".

This is apparent in his Valses nobles et sentimentales – inspired by Franz Schubert's collections, Valses nobles and Valses sentimentales – where the seven movements begin and end without pause, and in his chamber music where many movements are in sonata-allegro form, hiding the change from developmental sections to recapitulation.

More than as an opera singer, however, Schiøtz is remembered for his interpretation of Danish songs and Schubert's and Schumann's lieder, as well as songs by Carl Michael Bellman.

In the first subject group of Schubert's Piano Sonata in B-flat, D. 960, for example, the theme is presented three times, in B-flat major, in G-flat major, and then again in B-flat major.

This is a popular structure in Mahler's other symphonies, as well as Franz Schubert's.

* Franz Schubert's Piano Sonata in C minor, last movement, is a tarantella / rondo.

* The fourth movement of Schubert's Symphony No. 3 is also a tarantella, but following the Sonata form.

: Andsnes is represented with Schubert's ' Nocturne in E-flat, D 897 ', previously unreleased

: Andsnes is represented with the 4th movement from Schubert's ' Piano sonata in D, D850 ', previously released on EMI Classics 7243 5 57509 2 1 ( 2003 )

Schubert's Schwanengesang ( 1828 ), though collected posthumously, is also frequently performed as a cycle.

Like Schubert's " Auf dem Strom ", it is part of the small repertoire of solo vocal music ensemble with horn.

In Otto Erich Deutsch's catalogue of Schubert's works, it is D. 667.

Rather than the usual piano quintet lineup of piano and string quartet, Schubert's piece is written for piano, violin, viola, cello and double bass.

As commonplace in works of the Classical genre, the exposition shifts from tonic to dominant ; however, Schubert's harmonic language is innovative, incorporating many mediants and submediants.

A similar process is heard in three of Schubert's later compositions: the octet in F major, D. 803 ( fourth movement ); the piano sonata in A minor, D. 845 ( second movement ); and the Impromptu in B-flat major, D. 935 No. 3.

Such writing occurs also in other chamber works by Schubert, such as the piano trios, but to a much lesser extent, and is characteristic of Schubert's works for piano four-hands, one of his most personal musical genres.

It is from this that the D numbers used to identify Schubert's pieces are drawn.

Schubert's music and often the man himself and the subjectivity he presented have been criticized as effeminate, especially in comparison to Beethoven, the model and aggressive master of the sonata form ( Sir George Grove, after Schumann: " compared with Beethoven, Schubert is as a woman to a man "; Carl Dahlhaus: " weak " and " involuntary ").

It was while there that he did most of his work as a composer, publishing a version of Goethe's Erlkönig in 1824 ( written 1817-18 ) which some say rivals Schubert's far more famous version.

A number of classical composers have written incidental music for various plays, with the more famous examples including Ludwig van Beethoven's Egmont music, Franz Schubert's Rosamunde music, Felix Mendelssohn's Midsummer Night's Dream music, Georges Bizet's L ' Arlésienne music, and Edvard Grieg's music for Henrik Ibsen's Peer Gynt.

While much is written of the group's singing on television, they also recorded frequently for Dot Records in the 1950s & 1960s, producing over a dozen stereo albums featuring their own interpretations of tried and true standards like " Among My Souvenirs ," " Moon River ," " Twilight Time ," & many other popular songs, including some that they were best associated with, like " Scarlet Ribbons ," " Greensleeves ," and Schubert's " Ave Maria.

Franz Schubert's Symphony No. 5 in B flat major, D. 485, was written mainly in September, 1816 and completed on October 3, 1816.

In this sense Tzigane is comparable to Schubert's Arpeggione Sonata: that piece was also written in order to promote an uncommon instrument, and when the composition proved more popular than the instrument a few years later, execution shifted to a more common instrument ( cello in Schubert's case ).

The archetypal unfinished symphony is Franz Schubert's Symphony No. 8, written in 1822, six years before his death.

It was written in 1828, the year of Schubert's death.