However, Sennett enjoyed great success with short comedies starring Bing Crosby ; these films were probably instrumental in Sennett's product being picked up by a major studio, Paramount Pictures.

Eddie Cline began working for Mack Sennett's Keystone Studios in 1914 and supported Charlie Chaplin in some of the shorts he made at the studio.

Field's film career ended with the demise of Sennett's studio.

Directed by F. Richard Jones, the film features several shots of semi-rural Southern California ( the Edendale area along present-day Glendale Boulevard, where Sennett's studio was located ) showing houses and streets of the early 1920s, and of a Hollywood studio in action.

The 1943 film Spook Louder, a remake of Mack Sennett's The Great Pie Mystery, is often cited as their worst film.

* Lahue, Kalton ( 1971 ); Mack Sennett's Keystone: The man, the myth and the comedies ; New York: Barnes ; ISBN 978-0-498-07461-5

* Lahue, Kalton ( 1971 ); Mack Sennett's Keystone: The man, the myth and the comedies ; New York: Barnes ; ISBN 978-0-498-07461-5

( Sennett's corporate bosses retained the Keystone trademark and produced a cheap series of comedy shorts that were " Keystones " in name only: they were unsuccessful, and Sennett had no connection with them.

She also worked for Pathé Exchange and appeared as one of Mack Sennett's Bathing Beauties in 1928.

Mabel enters dressed as one of Sennett's famous bathing beauties and dances a youthful Charleston to " That's How Young I Feel " before reprising " Look What Happened to Mabel " backed by Mack, the cameraman, a stage manager and a few extras.

She was a popular star of Mack Sennett's Keystone Studios and is noted as one of the film industry's first female screenwriters, producers and directors.

Peggy's story was inspired in part by that of Gloria Swanson, who got her start as one of the Sennett Bathing Beauties at Mack Sennett's Keystone Studios before hitting it big as a dramatic actress, and who later married a French nobleman.

He also produced story ideas and directed silent movies with Mack Sennett for Keystone Studios, according to Sennett's biography The King of Comedy.

Sennett's style of " pie in the face " comedy is different from Chaplin's slower, more deliberate style, and when Charlie tries to assert his ideas, Sennett gives him some strong advice (" Less It Ends With a Chase ").

In a series of flashbacks, Sennett relates the glory days of Keystone Studios from 1911, when he discovered Normand and cast her in dozens of his early " two-reelers ", through his creation of Sennett's Bathing Beauties and the Keystone Cops to Mabel's death from tuberculosis in 1930.

The character of the Tramp was originally created by accident while Chaplin was working at Mack Sennett's Keystone Studio.

Movie producer Mack Sennett's response was typical: he hated being caught off-guard, but as the tribute progressed he relaxed, and by the end of the show he was quite pleased with the experience.

They reduced the usual frenetic pace of Sennett's films to give the audience a chance to appreciate the subtlety and finesse of their movement, and the cleverness of their gags.

Abbott and Costello Meet the Keystone Kops ( 1955 ) included a lengthy chase scene, showcasing a group of stuntmen dressed as Sennett's squad.

He claimed that the most respected lawyer in town, Northampton mayor ( and future President of the United States ) Calvin Coolidge, as well as Sennett's own mother, tried to talk him out of his theatrical ambitions.

Sennett's slapstick comedies were noted for their wild car chases and custard pie warfare.

Many of Sennett's films of the early 1920s were inherited by Warner Brothers when Warners merged with the original distributor, First National.

Some historians credit Sennett's films with having been responsible for municipal police forces across North America altering their uniforms to include military style officers ' caps since by the 1920s tall, British-style hats had become so indelibly associated with slapstick comedy.

In late 1914 Essanay succeeded in hiring Charlie Chaplin away from Mack Sennett's Keystone Studios, offering Chaplin a higher salary and his own production unit.

The film had several veterans of Mack Sennett's Keystone films, including Andy Clyde, Ben Turpin, and Hank Mann.

He first acted in Hollywood films in 1930, debuting in director Mack Sennett's The Chumps.

In 1925 Roach hired away Sennett's supervising director, F. Richard Jones.

Chaplin, with his Little Tramp character, quickly became the most popular star in Keystone director Mack Sennett's company of players.

Her first films portrayed her as a bathing beauty, but Normand quickly demonstrated a flair for comedy and became a star of Sennett's short films.

One exception is Richard Sennett's work on the importance of respect.

Deciding to become a painter, he entered the studio of Gerome in Paris, where he enjoyed the life of the artists, but soon found that whatever talent he might have did not lie in that direction.

The men did not object to his sketching them while they went about their work, but no one could be persuaded to come to his studio to pose.

But it did teach Roy the basic techniques of commercial art, and later, for twelve years, he and his sister Nina conducted an advertising art studio in Philadelphia.

Before becoming the studio host for The NFL on NBC in 1984, Costas did play-by-play of NFL games with analyst Bob Trumpy.

He did some studio work for RCA that year but had relocated to Knoxville again where he worked with Homer and Jethro on WNOX's new Saturday night radio show The Tennessee Barn Dance and the popular Midday Merry Go Round.

" Many studio heads agreed nor did they want negative feelings about Hollywood to be instilled in political leaders.

Upon his arrival in Hollywood, Lang joined the MGM studio and directed the crime drama Fury, starring Spencer Tracy as a man wrongly accused of a crime and then attacked by lynch mob who burn down the jail where he is awaiting trial and it is assumed they killed him in the flames, but did not.

In 2005 Brooks insisted that he was not touring and did not plan to record any new studio material until at least 2015.

In its initial years Winslow Homer took a studio there, as did Edward Lamson Henry, and many of the artists of the Hudson River School, including Frederic Church and Albert Bierstadt.

When Hughes found out about the rival film, he did everything he could to sabotage The Dawn Patrol by harassing Hawks and other studio personal, hiring a spy that was quickly caught and finally suing First National for copyright infringement.

Sahara did a lot of work for the Toho Company, the studio that has so far has produced twenty-eight Godzilla movies.

However, he did not appear on the single day scheduled for the shoot due to a dispute with the studio and he was written out of the scene.

He came down to the studio on the Mississippi Lad album, that's the first one I did for PolyGram, and he sang two of my songs, wouldn't accept any money, just trying to give me the best boost that he could.

" The Undertones did, however, release two studio singles, " Beautiful Friend " and " The Love Parade ", in February and October, however both of the singles the band released failed to make an impact upon the UK charts.

When they went into the recording studio, they still did not have a name for themselves.

Disney went to New York in February 1928 to negotiate a higher fee per short and was shocked when Mintz told him that not only did he want to reduce the fee he paid Disney per short but also that he had most of his main animators, including Harman, Ising, Maxwell, and Freleng — but not Iwerks, who refused to leave Disney — under contract and would start his own studio if Disney did not accept the reduced production budgets.

Jack Warner did, however, remain studio president until the summer of 1967, when Camelot failed at the box office and Warner gave up his position to the studio's longtime publicity director, Ben Kalmenson ; Warner did, however, remain on board as an independent producer and vice-president.

He was unhappy working in confines of the studio, and also felt the loss of income that resulted from their withdrawal from touring, since he did not write songs for the band and so received no publishing royalties.

It was not until after they stopped making the shorts in December 1957 did Moe learn of Cohn's underhanded tactics, what a valuable commodity the Stooges had been for the ailing studio, and how many millions more the act could have earned.

After a 2003 tour without Coxon, Blur did no studio work or touring as a band, as members engaged in other projects.

Overall the band kept low profile and did no studio recordings or touring as a three-piece.

Audiences took some time to appreciate his films, and he did not want to have to satisfy studio officials.