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Shakespeare's and primary
* Cinthio's Tale — A 19th century English translation of Shakespeare's primary source.
Shakespeare's primary source for Henry V, as for most of his chronicle histories, was Raphael Holinshed's Chronicles ; the publication of the second edition in 1587 provides a terminus ad quem for the play.
Shakespeare's primary source for Richard II, as for most of his chronicle histories, was Raphael Holinshed's Chronicles ; the publication of the second edition in 1587 provides a terminus post quem for the play.
Caliban ( ) is one of the primary antagonists in William Shakespeare's play The Tempest.
Shakespeare's primary source for Henry IV, Part 1, as for most of his chronicle histories, was the second edition ( 1587 ) of Raphael Holinshed's Chronicles, which in turn drew on Edward Hall's The Union of the Two Illustrious Families of Lancaster and York.
In turn, critics widely agree that King Leir served as a primary source for Shakespeare's King Lear.
" As such, the play's primary interest for critics has tended to lie in relation to what it reveals about Shakespeare's conception of certain themes before he became an accomplished playwright.
The Festival's primary mandate is to present productions of William Shakespeare's plays, but it also produces a wide variety of theatre from Greek tragedy to contemporary works.
Shakespeare's primary source for Henry IV, Part 2, as for most of his chronicle histories, was Raphael Holinshed's
An example of a primary metaphor could be that of Shakespeare's ' As You Like It ', where life is depicted as being similar to a theater.
( Thomas Kyd is frequently proposed as the author of the hypothetical Ur-Hamlet that may have been one of Shakespeare's primary sources for Hamlet.
* Raphael Holinshed and his collaborators who wrote the Chronicles of England, Scotland and Wales ( 2nd edition, 1587 ), which was Shakespeare's primary source for his history plays.

Shakespeare's and source
In addition to the anonymous The Famous Victories of Henry V, in which Oldcastle is Henry V's companion, Oldcastle's history is described in Raphael Holinshed's Chronicles, Shakespeare's usual source for his histories.
According to a popular theory, Shakespeare's main source is believed to be an earlier play — now lost — known today as the Ur-Hamlet.
By contrast, Shakespeare's King John, a relatively anti-Catholic play that draws on The Troublesome Reign for its source material, offers a more " balanced, dual view of a complex monarch as both a proto-Protestant victim of Rome's machinations and as a weak, selfishly motivated ruler ".
Shakespeare's source for the tragedy are the accounts of King Macbeth of Scotland, Macduff, and Duncan in Holinshed's Chronicles ( 1587 ), a history of England, Scotland and Ireland familiar to Shakespeare and his contemporaries.
According to John of Fordun, whose account is the original source of part at least of William Shakespeare's Macbeth, Malcolm's mother was a niece of Siward, Earl of Northumbria, but an earlier king-list gives her the Gaelic name Suthen.
* Like Laertes, who received the famous list of maxims from his father Polonius, Robert Cecil received a similar list from his father Burghley — a list that E. K. Chambers suggested as Shakespeare's likely source.
The main source of Rosencrantz and Guildenstern are Dead is Shakespeare's Hamlet.
Opening a new theatre in Parma, his Zaira ( 1829 ) was a failure at the Teatro Ducale, but Venice welcomed I Capuleti e i Montecchi, which was based on the same Italian source as Shakespeare's Romeo and Juliet.
Shakespeare's most important source is probably the second edition of The Chronicles of England, Scotlande, and Irelande by Raphael Holinshed, published in 1587.
In Shakespeare's own lifetime, a writer known for doing likewise was Matteo Bandello, who based his work on that of writers such as Giovanni Boccaccio and Geoffrey Chaucer, and who could have served as an indirect source for Shakespeare.
Shakespeare was familiar with this book as it contains the original source for Shakespeare's Othello.
Unlike the Induction and the main plot however, there is a recognised source for Shakespeare's sub-plot, first suggested by Alfred Tolman in 1890 ; Ludovico Ariosto's I Suppositi ( 1551 ), which Shakespeare used either directly or through George Gascoigne's English prose translation Supposes ( performed in 1566, printed in 1573 ).
Championing the bad quarto theory, Ann Barton says, A Shrew is " now generally believed to be either a pirated and inaccurate version of Shakespeare's comedy or else a " bad quarto " of a different play, now lost, which also served Shakespeare as a source.
Though some scholars disagree, Creiddylad is traditionally identified as the prototype of Geoffrey of Monmouth's pseudo-historical Queen Cordeilla, who is the source of William Shakespeare's heroine Cordelia ( the youngest daughter of King Lear ).
Like most of Shakespeare's history plays, the source is Raphael Holinshed's Chronicles, while Jean Froissart's Chronicles is also a major source for this play.
* Lawrence Twine – The Pattern of Painful Adventures, second edition ; a source for Shakespeare's Pericles, Prince of Tyre
Its list of Shakespeare's plays is an important source for establishing their chronology.
Obviously Shakespeare's source for Romeo and Juliet, it features a character called Friar Laurence, as does Two Gentlemen, and a scene where a young man attempts to outwit his lover's father by means of a corded ladder ( as Valentine does in Two Gentlemen ).

Shakespeare's and for
Are we better off for having Shakespeare's idea of Shylock??
Accompanied by `` Master Greene our solicitor '' ( Thomas Greene of the Middle Temple, Shakespeare's `` cousin '' ), Quiney tried to consult Sir Edward Coke, attorney general, and gave money to a clerk and a doorkeeper `` that we might have access to their master for his counsel butt colde nott have him att Leasure by the reason of thees trobles '' ( the Essex rising on February 8 ).
* Shakespeare's Hamlet is an anagram for the Danish Prince Amleth.
Nelson publicly encouraged this close bond with his officers and on 29 September 1798 described them as " We few, we happy few, we band of brothers ", echoing William Shakespeare's play Henry V. From this grew the notion of the Nelsonic Band of Brothers, a cadre of high-quality naval officers that served with Nelson for the remainder of his life.
Similarly, when Jean de Schelandre wrote about Banquo in his Stuartide in 1611, he also changed the character by portraying him as a noble and honourable man — the critic D. W. Maskell describes him as “… Schelandre's paragon of valour and virtue ”— probably for reasons similar to Shakespeare's.
What Shakespeare writes here thus amounts to a strong support of James ' right to the throne by lineage, and for audiences of Shakespeare's day, a very real fulfillment of the witches ' prophecy to Banquo that his sons would take the throne.
* 1660 – A woman ( either Margaret Hughes or Anne Marshall ) appears on an English public stage for the first time, in the role of Desdemona in a production of Shakespeare's play Othello.
It is known internationally for its castle Kronborg, where William Shakespeare's play Hamlet is set.
Although he had a reckless, unpredictable, and violent nature that precluded him from attaining any court or government responsibility and led to the ruination of his estate, Oxford was noted in his own time as a patron of the arts, lyric poet, and playwright, and since the 1920s he has been the most popular alternative candidate proposed for the authorship of Shakespeare's works.
In Shakespeare Identified, published in 1920, J. Thomas Looney, an English schoolteacher, proposed Oxford as a candidate for the authorship of Shakespeare's works.
In that year, Vitagraph's An Auto Heroine ; or, The Race for the Vitagraph Cup and How It Was Won, contains a couple of dialogue titles, and the same firm's Julius Caesar includes three lines of dialogue from Shakespeare's play quoted in intertitles before the actors speak them, finishing with " This was the noblest Roman of them all ".
Notorious for a life of dissipation and debauchery somewhat similar to Falstaff, he was among the first to mention Shakespeare in his work ( in Greene's Groats-Worth of Wit ), suggesting to Greenblatt that the older writer may have influenced Shakespeare's characterization.
Its name is often used as a general term for graphic, amoral horror entertainment, a genre popular from Elizabethan and Jacobean theatre ( for instance Shakespeare's Titus Andronicus and Webster's The White Devil ) to today's splatter films.
He particularly criticized the simple imitation of the French example and pleaded for a recollection of the classic theorems of Aristotle and for a serious reception of Shakespeare's works.
Certain aspects of Gesta Danorum formed the basis for William Shakespeare's play, Hamlet.
For example, in the 17th century cross dressing was common in plays, as, for example, evident in the content of many of William Shakespeare's plays ( and by the actors in the actual performances, since female roles in Elizabethan Theater were always performed by males, usually prepubescent boys ).
He almost certainly created the title role for Richard Burbage, the leading tragedian of Shakespeare's time.
Shakespeare's company, the Chamberlain's Men, may have purchased that play and performed a version for some time, which Shakespeare reworked.
However, Stephen Greenblatt has argued that the coincidence of the names and Shakespeare's grief for the loss of his son may lie at the heart of the tragedy.
Finally, in a period when most plays ran for two hours or so, the full text of Hamlet — Shakespeare's longest play, with 4, 042 lines, totalling 29, 551 words — takes over four hours to deliver.
In 1692, he composed The Fairy-Queen ( an adaptation of Shakespeare's A Midsummer Night's Dream ), the score of which ( his longest for theatre ) was rediscovered in 1901 and published by the Purcell Society.
The Indian Queen followed in 1695, in which year he also wrote songs for Dryden and Davenant's version of Shakespeare's The Tempest ( recently, this has been disputed by music scholars < ref >

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