This follows the pattern of temptation used at the time of Shakespeare.

Hegel himself, however, in his seminal " The Phenomenology of Spirit " argues for a more complicated theory of tragedy, with two complementary branches which, though driven by a single dialectical principle, differentiate Greek tragedy from that which follows Shakespeare.

" In this sense, Shakespeare must have written A Shrew, and as it is decidedly inferior to The Shrew, it follows that it is an early draft of the later play.

The route of the cycle way has to connected Shakespeare Road, in Eaton Socon, to Barford Road, in Eynesbury and follows the southern boundary of St Neots Community School.

Here he follows Hans Blumenberg, and attempts to apply his theory of modernity to Shakespeare.

Another historical parallel found in Holinshed is that Henry is presented as unstable, constantly on the brink of madness, something which is not in Hall, who presents a gentle but ineffective King ( again, Shakespeare follows Hall here ).

Modern editors generally agree that Shakespeare is responsible for almost exactly half the play — 827 lines — the main portion after scene 9 that follows the story of Pericles and Marina.

Philip Sidney's The Countess of Pembroke's Arcadia may also have influenced Shakespeare insofar as it contains a character who follows her betrothed, dressed as his page, and later on, one of the main characters becomes captain of a group of Helots.

Two hundred years later in 1792 Samuel Ireland slightly expands on Shakespeare as follows:

Loosely based on the real-life Kendal family, this film follows the story of nomadic British actors as they perform in towns in post-colonial India performing plays by Shakespeare.

The sonnet on Shakespeare is particularly interesting since it follows the typical Shakespearian sonnet form: this may indicate Weever had seen actual examples of Shakespeare's sonnets, which at this date circulated only in manuscript.

A performance of a Shakespeare or American History play follows, and the day is concluded by a question and answer session with the actors.

Shakespeare borrowed the character of Banquo from Holinshed's Chronicles, a history of Britain published by Raphael Holinshed in 1587.

Shakespeare often used Raphael Holinshed's Chronicles of England, Scotland, and Ireland — commonly known as Holinshed's Chronicles — as a source for his plays, and in Macbeth he borrows from several of the tales in that work.

Shakespeare's source for the tragedy are the accounts of King Macbeth of Scotland, Macduff, and Duncan in Holinshed's Chronicles ( 1587 ), a history of England, Scotland and Ireland familiar to Shakespeare and his contemporaries.

Shakespeare borrowed the story from several tales in Holinshed's Chronicles, a popular history of the British Isles known to Shakespeare and his contemporaries.

Stanley Wells and Michael Dobson point out that Holinshed's Chronicles, which Shakespeare used as a source, mention an Innogen, and that Forman's eyewitness account of the April 1611 performance refers to " Innogen " throughout.

Shakespeare derived from Holinshed's Chronicles certain verbal collocations and points of action.

The date of composition is unknown, but must lie somewhere between 1587, the year of publication of the second, revised edition of Holinshed's Chronicles, upon which Shakespeare drew for this and other plays, and 1598, when King John was mentioned among Shakespeare's plays in the Palladis Tamia of Francis Meres.

) was an English chronicler, whose work, commonly known as Holinshed's Chronicles, was one of the major sources used by William Shakespeare for a number of his plays.

Although Holinshed's treatment of the Wars of the Roses is derived in large part from Hall's work, even to the point of reproducing large portions of it verbatim, there are enough differences between Hall and Holinshed to establish that Shakespeare must have consulted both of them.

The account in Holinshed's Chronicle was then used by William Shakespeare as the basis of his play Macbeth.

Shakespeare based Macbeth in part upon the narratives of King Duff and King Duncan in Holinshed's Chronicles ( 1587 ).

Geoffrey's story was incorporated into Raphael Holinshed's Chronicles in 1577, where it was found by William Shakespeare and used as the basis of his romance, Cymbeline.

As usual in his history plays, Shakespeare relied primarily on Raphael Holinshed's Chronicles to achieve his dramatic ends and to accommodate official sensitivities over the materials involved.

The character's origins lie in the accounts of Kings Duff and Duncan in Holinshed's Chronicles ( 1587 ), a history of Britain familiar to Shakespeare.

While Lady Macduff and her children are mentioned in Holinshed's Chronicle as the innocent victims of Macbeth's cruelty, Shakespeare is completely responsible for developing Macduff's son as a character.

The account was used by Shakespeare as the basis for a scene in his play Henry V.

Many scholars suggest that Shakespeare possessed an extensive knowledge of the story of Antony and Cleopatra through the historian Plutarch, and used Plutarch ’ s account as a blueprint for his own play.

This account was used by Shakespeare in his play The Life and Death of King John.

Fifteen of Scheemakers ' works — monuments, figures and busts — are in Westminster Abbey ; two were executed in collaboration with his master Delvaux: the “ Hugh Chamberlen ” ( d. 1728, and therefore perhaps produced during his first visit to London ) and “ Catherine, duchess of Buckinghamshire .” He is best known by his monument to Shakespeare ( 1740 ), but as this work was designed by Kent the responsibility must not all be laid to Scheemakers ' account.

There is no doubt that Shakespeare drew heavily on Sir Thomas More's account of Richard III as a criminal and tyrant as inspiration for his own rendering.

Thus it seems possible that Shakespeare, in conforming to the growing " Tudor Myth " of the day, as well as taking into account new theologies of divine action and human will becoming popular in the wake of the Protestant Reformation, sought to paint Richard as the final curse of God on England in punishment for the deposition of Richard II in 1399.

His most noted works include A Discourse of the Adventures of Master FJ ( 1573 ), an account of courtly sexual intrigue and one of the earliest English prose fictions ; The Supposes, ( performed in 1566, printed in 1573 ), an early translation of Ariosto and the first comedy written in English prose, which was used by Shakespeare as a source for The Taming of the Shrew ; the frequently anthologised short poem " Gascoignes wodmanship " ( 1573 ); and " Certayne Notes of Instruction concerning the making of verse or

The execution of the popular Hastings was controversial among contemporaries and has been interpreted differently by historians and other authors: while the traditional account, harking back to authors of the Tudor period including William Shakespeare, considered the conspiracy charge invented and merely a ploy to remove Hastings, who was too formidable an obstacle to Richard's royal ambitions, others have been more open to the possibility of such a conspiracy and that Richard merely reacted to secure his position.

Meres is especially well known for his Palladis Tamia, Wits Treasury ( 1598 ), a commonplace book that is important as a source on the Elizabethan poets, and more particularly because it is the first critical account of the poems and early plays of William Shakespeare.

The account of their conversations, long supposed to be lost, was discovered in the Advocates ' Library, Edinburgh, by David Laing, and was edited for the Shakespeare Society in 1842 and printed by Gifford & Cunningham.

Shakespeare retains the essence of the classic story, incorporating Livy's account that Tarquin's lust for Lucrece sprang from her husband's own praise of her.

An account of Sedaris ' attempts at acting after being introduced to Shakespeare by an actor's classroom visit.

His other works include Dinny and the Witches ( 1948, revised 1961 ), in which a jazz musician incurs the wrath of three Shakespearean witches by blowing a riff which stops time ; the book for the musical version of Clifford Odets ' Golden Boy ( 1964 ), which earned him yet another Tony nomination ; A Mass for the Dead ( 1968 ), an autobiographical family chronicle ; A Cry of Players ( 1968 ), a speculative account of the life of young William Shakespeare ( with Anne Bancroft starring for Gibson once again, this time as Shakespeare's wife, Anne Hathaway ); Goodly Creatures ( 1980 ), about Puritan dissident Anne Hutchinson ; and Monday After the Miracle ( 1982 ), a continuation of the Helen Keller story.

On account of her literary talents and aforementioned family connections to Shakespeare, she is one of the writers who have been claimed as possible authors of the works of William Shakespeare in the Shakespeare authorship question.