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Shakespeare and uses
By figuratively asserting that the world is a stage, Shakespeare uses the points of comparison between the world and a stage to convey an understanding about how the world works and the lives of the people within it.
" Shakespeare also uses Italian in the banter between Lucentio and Tranio and in the greetings between Petruchio and Hortensio in the first act.
Shakespeare also uses the legal term, " quietus " ( final settlement ), in Sonnet 134, the last Fair Youth sonnet.
Shakespeare, on the other hand, uses two sets of twins, which, according to William Connolly, “ dilutes the force of situations .” One suggestion is that Shakespeare got this idea from Plautus ’ Amphitruo, in which both twin masters and twin slaves appear.
By writing his comedies in a combination of Elizabethan and Plautine styles, Shakespeare helps to create his own brand of comedy, one that uses both styles.
Also, Shakespeare uses the same kind of opening monologue so common in Plautus ’ s plays.
Shakespeare uses the image of Proteus to establish the character of his great royal villain Richard III in the play Henry VI, Part Three, in which the future usurper boasts:
The play also uses frequent references to Shakespeare and other writers to further its didactic messages.
Due to processing power limitations, the program uses a probabilistic model ( by using a random number generator or RNG ) instead of actually generating random text and comparing it to Shakespeare.
William Shakespeare, in Julius Caesar uses the spleen to describe Cassius ' irritable nature.
In Antony and Cleopatra Shakespeare uses several literary techniques to convey a deeper meaning about the differences between Rome and Egypt.
Shakespeare uses this technique in the final scenes of Julius Caesar.
Traditionally, Shakespeare uses prose to distinguish social classes-the upper class generally speaks in poetry while the lower classes speak in prose.
Shakespeare uses language to distinguish between different types of characters.
The courtly scenes tend to be spoken in blank verse, whereas the commons tend to speak in prose, with fewer metaphors and less decorative language ( Shakespeare uses this contrast in several plays, such as The Two Gentlemen of Verona, where prose marks the servants out from their masters ).
Shakespeare uses both Latin and misused English to represent the attitudes and differences of the people of this era.
" Although the play is set in Illyria in the Balkans Shakespeare often uses local London references.
Shakespeare uses doggerel in The Comedy of Errors to help establish the intellectual and socioeconomic status of the Dromio twins ( III. i ).
William Shakespeare uses anacoluthon in his history plays such as in this ( Henry V IV iii 34-6 ):
Shakespeare later uses it in All's Well That Ends Well.
They then return to the Gate House, which after the Dissolution of the monasteries was put to many uses, with Shakespeare, Dr Johnson, Hogarth and Dickens all taking part in its story.
Researchers have applied a range of tests and techniques to determine the relative shares of Shakespeare and Fletcher in the play — Hallet Smith, in The Riverside Shakespeare, cites " metrical characteristics, vocabulary and word-compounding, incidence of certain contractions, kinds and uses of imagery, and characteristic lines of certain types "— in their attempts to distinguish the shares of Shakespeare and Fletcher in the play.

Shakespeare and lengthy
Some critics ( such as Stanley Wells ) argue that the speech, with its wordiness, abstraction, strained allusions, and lengthy metaphors, is poorly written, evidence that Shakespeare was not yet in control of his medium.
His favorite episode to score was the episode " The Dream Sequence Always Rings Twice ", which featured two lengthy black and white dream sequences and enjoyed the episode " Atomic Shakespeare ", also a fantasy episode.

Shakespeare and verses
( e. g. SOE agents often used verses by Shakespeare, Racine, Tennyson, Molière, Keats, etc.
The earliest English poetical treatise on Angling by John Dennys, said to have been a fishing companion of Shakespeare, was published in 1613, The Secrets of Angling, of which 6 verses were quoted in the better known book Izaak Walton's Compleat Angler ( 1653 ), of which the latter two chapters were actually written by his friend Charles Cotton, and described the fishing in the Derbyshire Wye.
" Although John Milton and James Thomson seem to have interested him and a few of his verses show slight inspiration from Shakespeare and Thomas Gray, it would be an exaggeration to say Chénier studied English literature.
In the meanwhile Ingenioso has met with a patron, a foolish poetry-lover named Gullio, for whom he composes amorous verses in the style of Chaucer, Spenser, and Shakespeare, the last alone being to the patron's satisfaction.
Shakespeare uses some of its verses in The Merry Wives of Windsor and Hamlet, and directly quotes the anonymous poem, " Against him that had slaundered a gentlewoman with him selfe ", in The Rape of Lucrece:
A private commission: new verses by Shakespeare.

Shakespeare and soliloquies
In Hamlet, Shakespeare reverses this so that it is through the soliloquies, not the action, that the audience learns Hamlet's motives and thoughts.
as if they were odes by Keats or soliloquies from Shakespeare.
) are especially noteworthy, partly because they were to have a more profound influence on Renaissance tragedians than their Greek originals .” Conventions commonly associated with Renaissance tragedies, most popularly Shakespeare, that are owed to Seneca, are revenge tragedies, structure of five acts, use of elaborate speeches, soliloquies, and asides, violence and horror performed on stage ( as opposed to Greek tragedies in which all such actions occurred off stage ), and an interest in the human condition, morality of nobility, and the supernatural, specifically with its human connection.
The plays of William Shakespeare feature many soliloquies, the most famous being the " To be or not to be " speech in Hamlet.
To be a star of the legitimate drama came to mean being first and foremost a " great Shakespeare actor ", with a famous interpretation of, for men, Hamlet, and for women, Lady Macbeth, and especially with a striking delivery of the great soliloquies.

Shakespeare and reflect
Harold Jenkins criticised the idea of any direct personal satire as " unlikely " and " uncharacteristic of Shakespeare ", while G. R. Hibbard hypothesized that differences in names ( Corambis / Polonius: Montano / Raynoldo ) between the First Quarto and other editions might reflect a desire not to offend scholars at Oxford University.
Pauline Kiernan argues that Shakespeare changed English drama forever in Hamlet because he " showed how a character's language can often be saying several things at once, and contradictory meanings at that, to reflect fragmented thoughts and disturbed feelings.
The political implications within the play reflect on Shakespeare ’ s England in its message that Impact is not a match for Reason.
" Walter Kaufman changed the quote to reflect the Kierkegaardian difference in his book, From Shakespeare to Existentialism ( 1959 ), His relation to philosophy is best expressed by changing one small word in Marx's famous dictum: " The philosophers have only interpreted the world, in various ways: the point, however, is to change "- not " it ," as Marx said, but ourselves.
Under his direction, GLSF in 1985 changed to its name to the " Great Lakes Theater Festival ," to reflect the broader body of work produced beyond Shakespeare.

Shakespeare and Richard's
All these characteristics are repeated by Shakespeare, who also adds to Richard's deformity to include a hunch, a limp and a withered arm.
A further reason for abridgment is that Shakespeare assumed that his audiences would be familiar with the Henry VI plays, and frequently made indirect references to events in them, such as Richard's murder of Henry VI or the defeat of Henry's queen Margaret.
* Interactive video interview with McKellen on Shakespeare, Richard III and Richard's opening speech.
The execution of the popular Hastings was controversial among contemporaries and has been interpreted differently by historians and other authors: while the traditional account, harking back to authors of the Tudor period including William Shakespeare, considered the conspiracy charge invented and merely a ploy to remove Hastings, who was too formidable an obstacle to Richard's royal ambitions, others have been more open to the possibility of such a conspiracy and that Richard merely reacted to secure his position.

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