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She argues that HPI incorporates three dimensions of poverty: life span measured by the proportion of the population expected to die before age 40, lack of knowledge measured by the proportion who are illiterate, and a decent standard of living measured by a composite index of access to health services, access to safe water, and malnutrition among children less than 5, that could specifically account for gender disparities.
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She and argues
She argues that the convergence of sexism and racism during slavery contributed to black women having the lowest status and worst conditions of any group in American society.
She argues that slavery allowed white society to stereotype white women as the pure goddess virgin and move black women to the seductive whore stereotype formerly placed on all women.
She argues that in order for women to be equally represented in the workplace, women must be portrayed as men are: as lacking sexual objectification.
She argues that Bacon's movement for the advancement of learning was closely connected with the German Rosicrucian movement, while Bacon's New Atlantis portrays a land ruled by Rosicrucians.
She argues that the legacy of Christian misogyny was consolidated by the so-called " Fathers " of the Church, like Tertullian, who thought a woman was not only " the gateway of the devil " but also " a temple built over a sewer.
She argues that they undertook their research using a novel and previously untested methodology in order to confirm a predetermined theory about the age of these structures.
She argues that symbolic work with these personal symbols or core images can be as useful as working with dream symbols in psychoanalysis or counseling.
She argues that subversion occurs through the enactment of an identity that is repeated in directions that go back and forth which then results in the displacement of the original goals of dominant forms of power.
She argues " The provision on the establishment of “ secure and recognized boundaries ” would have been meaningless if there had been an obligation to withdraw from all the territories.
She argues that a stage direction in A Shrew seems to indicate a part to be played by the minor actor Simon Jewell, who died in August 1592.
She argues that if Knack borrows from both The Shrew and A Shrew, it means The Shrew must have been on stage by mid-June 1592 at the latest, and again suggests a date of composition of somewhere in late 1591 / early 1592.
She argues unflinchingly with Creon about the morality of the edict and the morality of her actions.
She argues that anger originates at age 18 months to 3 years to provide the motivation and energy for the individuation developmental stage whereby a child begins to separate from their carers and assert their differences.
She argues against the institution of slavery yet, at least initially, feels repulsed by the slaves as individuals.
She argues that the church is not an example of Jean Baudrillard's concept of hyperreality, arguing that " they create, rather than consume, popular culture in the practice of their spirituality ".
She argues that the youths ' agreement on the way the night's events unfolded proves that things occurred just as they say.
She argues with Destiny, declaring there is more to existence than what is in his book.
She argues that their intellectual debts to Locke are most evident when one looks at the 1865 debates in the Province of Canada ’ s legislature on whether or not union with the other British North American colonies would be desirable.
She argues that the later evidence suggests that:
She argues that wit is natural, whereas learning is artificial, and that, in her time, men have more opportunity to educate themselves than women do.
She argues that organizations and political bodies in the Mideast like Hamas and Hezbollah " have a greater interest in maintaining a state of hostility with Israel than in improving the lives of the people they claim to represent ".
She also argues that Eliade's theories have been able to accommodate " new data to which Eliade did not have access ".
She also argues that this is actually changing the nature of Fa ' afafines itself, and making it more ' homosexual.
" She argues that Dissenters deserve the same rights as any other men: " We claim it as men, we claim it as citizens, we claim it as good subjects.
She argues that Arthur was betrothed to Catherine of Aragon from the age of two: if he had been weak and sickly it would have been reported to Isabel of Castile and Ferdinand of Aragon, Catherine's parents.
She and incorporates
She incorporates religious references in her speech, particularly the story of Esther.
She is known for writing sexually-driven lyrics and female empowerment compositions with a bit of an edge to them through her love for free-spirited word play and incorporates a wide genre of music such as pop, dance, jazz, soul, hip-hop, techno, rock, reggae, and quiet storm.
She invented a style called " Butoh-vocal theatre " which incorporates singing, talking, mudras, sign language, spoken word and experimental vocalizations with butoh after the traditional dance styles of the Edo people of West Africa.
She argues for a new vision of human freedom which incorporates the insights of feminism and liberalism into a form of anarchism based on what she calls " existential individualism.
She has created work that incorporates performance, radio, and sound, papermaking, and printmaking.
She goes on to cite " Chief Joseph " as an example-a song that incorporates one of the most famous quotes in Native American history: " I will fight no more forever ".
She and three
She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.
She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.
She was standing on a flat rock three feet above ground and when she saw him she rose to full height and roared, opening her mouth wide, lashing her tail, and stamping at the rock with both forefeet in irritation, as much as to say: `` How dare you disturb me in my sacred precinct ''??
She saw me and sat down beside me, three feet away.
She was not alone for there were three other such children in the big city's special nursery.
She had three elder brothers, Nero Caesar, Drusus Caesar and the future Emperor Caligula, and two younger sisters, Julia Drusilla and Julia Livilla.
She died in 1274, after they had three children.
She wrote at least three autobiographical books about adapting to blindness.
She played bit parts in three English-language films, the British comedy Doctor at Sea ( 1955 ) with Dirk Bogarde, Helen of Troy ( 1954 ), in which she was understudy for the title role but appears only as Helen's handmaid, and Act of Love ( 1954 ) with Kirk Douglas.
She became a vegetarian and raised three million francs to fund the foundation by auctioning off jewellery and many personal belongings.
She orders Mordechai to have all Jews fast for three days together with her, and on the third day she goes to Ahasuerus, who stretches out his sceptre to her which shows that she is not to be punished.
She subsequently gave birth to three daughters and another son, Samuel ( who would eventually succeed their father as rector of Stenbrohult and write a manual on beekeeping ).
She swallows a huge amount of water three times a day before belching it back out again, creating whirlpools.
" She spent the next three years investigating the law of God according to the Bible, especially in the words and works of Jesus.
She arranges to leave her daughter with Laura and her father until she can return in three months.
She was named Mary and christened three days later with great ceremony at the Church of Observant Friars.
She had three children, a daughter ( who went to live at the Dominican Abbey in Poissy in 1397 as a companion to the king's daughter, Marie ), a son Jean, and another child who died in childhood.
She constructed three allegorical foremothers: Reason, Justice, and Rectitude.
She was about three years older than Diderot.
She received an Academy Award nomination for her performance in Pillow Talk, won three Henrietta Awards ( World Film Favorite ), a Grammy Lifetime Achievement Award, Presidential Medal of Freedom, Legend Award from the Society of Singers, Los Angeles Film Critics Association's Career Achievement Award and, in 1989, received the Cecil B. DeMille Award for lifetime achievement in motion pictures.
She was one of the three maiden goddesses, Diana, Minerva and Vesta, who swore never to marry.
She also served as one of three co-hosts ( along with Roy Clark and Glen Campbell ) on the CBS special Fifty Years of Country Music.
She also employed a tutor to study anatomy and physiology three evenings a week.
She had three children, Louisa ( 1873 – 1943 ), Margaret ( 1874 – 1875 ), who died of meningitis, and Alan ( 1877 – 1952 ).
She died on 24 March 1603 at Richmond Palace, between two and three in the morning.
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