She argues that the convergence of sexism and racism during slavery contributed to black women having the lowest status and worst conditions of any group in American society.

She argues that slavery allowed white society to stereotype white women as the pure goddess virgin and move black women to the seductive whore stereotype formerly placed on all women.

She argues that in order for women to be equally represented in the workplace, women must be portrayed as men are: as lacking sexual objectification.

She argues that Bacon's movement for the advancement of learning was closely connected with the German Rosicrucian movement, while Bacon's New Atlantis portrays a land ruled by Rosicrucians.

She argues that the legacy of Christian misogyny was consolidated by the so-called " Fathers " of the Church, like Tertullian, who thought a woman was not only " the gateway of the devil " but also " a temple built over a sewer.

She argues that they undertook their research using a novel and previously untested methodology in order to confirm a predetermined theory about the age of these structures.

She argues that symbolic work with these personal symbols or core images can be as useful as working with dream symbols in psychoanalysis or counseling.

She argues that subversion occurs through the enactment of an identity that is repeated in directions that go back and forth which then results in the displacement of the original goals of dominant forms of power.

She argues " The provision on the establishment of “ secure and recognized boundaries ” would have been meaningless if there had been an obligation to withdraw from all the territories.

She argues that a stage direction in A Shrew seems to indicate a part to be played by the minor actor Simon Jewell, who died in August 1592.

She argues that if Knack borrows from both The Shrew and A Shrew, it means The Shrew must have been on stage by mid-June 1592 at the latest, and again suggests a date of composition of somewhere in late 1591 / early 1592.

She argues unflinchingly with Creon about the morality of the edict and the morality of her actions.

She argues that anger originates at age 18 months to 3 years to provide the motivation and energy for the individuation developmental stage whereby a child begins to separate from their carers and assert their differences.

She argues against the institution of slavery yet, at least initially, feels repulsed by the slaves as individuals.

She argues that the church is not an example of Jean Baudrillard's concept of hyperreality, arguing that " they create, rather than consume, popular culture in the practice of their spirituality ".

She argues that the youths ' agreement on the way the night's events unfolded proves that things occurred just as they say.

She argues with Destiny, declaring there is more to existence than what is in his book.

She argues that their intellectual debts to Locke are most evident when one looks at the 1865 debates in the Province of Canada ’ s legislature on whether or not union with the other British North American colonies would be desirable.

She argues that wit is natural, whereas learning is artificial, and that, in her time, men have more opportunity to educate themselves than women do.

She argues that organizations and political bodies in the Mideast like Hamas and Hezbollah " have a greater interest in maintaining a state of hostility with Israel than in improving the lives of the people they claim to represent ".

She also argues that Eliade's theories have been able to accommodate " new data to which Eliade did not have access ".

She also argues that this is actually changing the nature of Fa ' afafines itself, and making it more ' homosexual.

" She argues that Dissenters deserve the same rights as any other men: " We claim it as men, we claim it as citizens, we claim it as good subjects.

She argues that Arthur was betrothed to Catherine of Aragon from the age of two: if he had been weak and sickly it would have been reported to Isabel of Castile and Ferdinand of Aragon, Catherine's parents.

She thought again of her children, those two who had died young, before the later science which might have saved them could attach even a label to their separate malignancies.

She says later, but still within the opening five minutes, `` I keep thinking of a divorce but that's another emotional death ''.

She later divorced Graham, who is believed to have moved to Bolivia.

She had quarreled with Lucien, she had resisted his demands for money -- and if she died, by the provisions of her marriage contract, Lucien would inherit legally not only the immediate sum of gold under the floorboards in the office, but later, when the war was over, her father's entire estate.

She had activated one of her microscopic tools which she would later use for minute repairs to various parts of her control panel.

She later said her years at the home " were the happiest years " of her life ; many of the incidents in her novel Little Women ( 1868 ) are based on this period.

She later married to Turner Doughtry.

She then read Latin at Birmingham University and later attended Lady Margaret Hall, Oxford, to read Philosophy, Politics and Economics ( PPE ).

She expressed reservations over the eventual winner David Cameron, feeling that he did not, like the other candidates, have a proven track record, and she was later a leading figure in parliamentary opposition to his A-List policy, which she has said is " an insult to women ".

She later starred in Jean-Luc Godard's 1963 film Le Mépris.

She was later a partner in the Washington, D. C. office of the Birmingham, Alabama law firm Balch & Bingham.

She later told the Avalanche-Journal:

Following some success illustrating cards and booklets, Potter wrote and illustrated The Tale of Peter Rabbit publishing it first privately in 1901, and a year later as a small, three-colour illustrated book with Frederick Warne & Co. She became unofficially engaged to her editor Norman Warne in 1905 despite the disapproval of her parents, but he died suddenly a month later, of leukemia.

She studied book illustration from a young age and developed her own tastes, but the work of the picture book triumvirate Walter Crane, Kate Greenaway and Randolph Caldecott, the last an illustrator whose work was later collected by her father, was a great influence.

She later had a brief solo music career in the early 2000s after the dissolution of Hole, releasing America's Sweetheart ( 2004 ), and went through several rehab sentences and run-ins with the law until achieving sobriety.

She died two years later.

She would later convert to Henry's faith when they married.

She would later become one of the few successful women theater promoters on Broadway.

She was convinced that: " The divine Spirit had wrought the miracle — a miracle which later I found to be in perfect scientific accord with divine law.

She is later spotted by Tommy Duckworth in late August.

She did not ally herself with Eakins ' ardent student supporters, and later wrote, " A curious instinct of self-preservation kept me outside the magic circle.

She was well suited to the precise work but later wrote, " this was the lowest depth I ever reached in commercial art, and although it was a period when youth and romance were in their first attendance on me, I remember it with gloom and record it with shame.

She later claims to have been bitten on the chest, although no wounds are found on her.

She had a strong religious upbringing and developed a faith that would play a major role in later life.