She argues that the convergence of sexism and racism during slavery contributed to black women having the lowest status and worst conditions of any group in American society.

She argues that slavery allowed white society to stereotype white women as the pure goddess virgin and move black women to the seductive whore stereotype formerly placed on all women.

She argues that in order for women to be equally represented in the workplace, women must be portrayed as men are: as lacking sexual objectification.

She argues that Bacon's movement for the advancement of learning was closely connected with the German Rosicrucian movement, while Bacon's New Atlantis portrays a land ruled by Rosicrucians.

She argues that the legacy of Christian misogyny was consolidated by the so-called " Fathers " of the Church, like Tertullian, who thought a woman was not only " the gateway of the devil " but also " a temple built over a sewer.

She argues that they undertook their research using a novel and previously untested methodology in order to confirm a predetermined theory about the age of these structures.

She argues that symbolic work with these personal symbols or core images can be as useful as working with dream symbols in psychoanalysis or counseling.

She argues that subversion occurs through the enactment of an identity that is repeated in directions that go back and forth which then results in the displacement of the original goals of dominant forms of power.

She argues " The provision on the establishment of “ secure and recognized boundaries ” would have been meaningless if there had been an obligation to withdraw from all the territories.

She argues that a stage direction in A Shrew seems to indicate a part to be played by the minor actor Simon Jewell, who died in August 1592.

She argues that if Knack borrows from both The Shrew and A Shrew, it means The Shrew must have been on stage by mid-June 1592 at the latest, and again suggests a date of composition of somewhere in late 1591 / early 1592.

She argues unflinchingly with Creon about the morality of the edict and the morality of her actions.

She argues that anger originates at age 18 months to 3 years to provide the motivation and energy for the individuation developmental stage whereby a child begins to separate from their carers and assert their differences.

She argues against the institution of slavery yet, at least initially, feels repulsed by the slaves as individuals.

She argues that the church is not an example of Jean Baudrillard's concept of hyperreality, arguing that " they create, rather than consume, popular culture in the practice of their spirituality ".

She argues that the youths ' agreement on the way the night's events unfolded proves that things occurred just as they say.

She argues with Destiny, declaring there is more to existence than what is in his book.

She argues that their intellectual debts to Locke are most evident when one looks at the 1865 debates in the Province of Canada ’ s legislature on whether or not union with the other British North American colonies would be desirable.

She argues that the later evidence suggests that:

She argues that organizations and political bodies in the Mideast like Hamas and Hezbollah " have a greater interest in maintaining a state of hostility with Israel than in improving the lives of the people they claim to represent ".

She also argues that Eliade's theories have been able to accommodate " new data to which Eliade did not have access ".

She also argues that this is actually changing the nature of Fa ' afafines itself, and making it more ' homosexual.

" She argues that Dissenters deserve the same rights as any other men: " We claim it as men, we claim it as citizens, we claim it as good subjects.

She argues that Arthur was betrothed to Catherine of Aragon from the age of two: if he had been weak and sickly it would have been reported to Isabel of Castile and Ferdinand of Aragon, Catherine's parents.

In Romeo and Juliet, Romeo describes Rosaline, saying that " She hath Dian's wit ".

She was also noted for her wit ; among her numerous sayings and quips are " Much more genius is needed to make love than to command armies " and " We should take care to lay in a stock of provisions, but not of pleasures: these should be gathered day by day.

She was known for her wit and humor, as her son later would be.

She, coming to wit thereof, throws herself from a high window to the ground, and dies, and is buried with her lover.

She has two lovers in Faenza, to wit, Giannole di Severino and Minghino di Mingole, who fight about her.

She is described as a petite sandy haired girl who has green eyes and a great deal of wit.

She successfully defended her conduct with wit and defiance.

" She often displayed the quick wit and lively intelligence which bound James to her through ten years and four children.

She was a storyteller, who would liven her rhetoric with real and folk-tale characters, punctuate with participation from audience members, flavor it with passion, and include humor-ridden methods to rile up the crowd such as profanity, name-calling, and wit.

She falls in love with Florian at first sight, and the company celebrate joyously the discovery that men are not the monsters that Princess Ida had claimed ( The woman of the wisest wit ).

She became well known for her assertiveness and for her vicious wit with which many male colleagues, and once the Lord Mayor of London were attacked.

She interviewed her fellow expatriate writers and artists for U. S. periodicals and soon became a well-known figure on the local scene ; her black cloak and her acerbic wit are remembered in many memoirs of the time.

She retained her wit and charm throughout her life, and has the distinction of being the recipient of English verses by Voltaire.

She described him as being a true friend who cares about people he works with, and as having a special sense of wit and humor.

She has a biting and sarcastic wit, serving as somewhat of a comic relief throughout the show.

She is marred with red hair and dark skin, but I think her wit is well matched with yours.

She takes a character that is next door to a cipher and infuses her with innocence and mischief, wit and feeling, despite limited help from the script.

She had short-cropped black hair, conservative spectacles, wore clothes that were less formfitting than her friends, and was noted for her sharp wit and cynical nature.

She is at war with the men of wit, and she can be opposed.

She was a woman of considerable wit, and held her own at the court of Louis XIV, but her husband pursued his gallant exploits to the close of a long life, being, said Ninon de l ' Enclos, the only old man who could affect the follies of youth without being ridiculous.

She was considered to have powers of observation and a sharp and caustic wit, but her prolific production and the rise of modernist criticism caused her works to be overlooked in the twentieth century.

She was notorious for demonstrating her sharp wit and goring of sacred cows in her column, where she also first articulated many of the political ideas that reached their final form in The God of the Machine.

She had been the richest lady in Europe ; she was niece to Cardinal Mazarin, and was married to the richest subject in Europe, as was said ; she was born at Rome, educated in France, and was an extraordinary beauty and wit, but dissolute, and impatient of matrimonial restraint, so as to be abandoned by her husband, and banished the 17th-century male views on the topic: when she came to England for shelter, lived on a pension given her here, and is reported to have hastened her death by intemperate drinking strong spirits.

She is unhappy with the play, believing that Henry gives short shrift to the female character in order to show off his own wit through the mouth of Max.