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Page "Melissa Auf der Maur" ¶ 6
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She and collaborated
She collaborated with producers Max Martin and Denniz Pop, who provided the singer with a gritty yet popular sound.
She organized and collaborated with civil rights leaders, including Edgar Nixon, president of the local chapter of the NAACP ; and Dr. Martin Luther King, Jr., a new minister in town who gained national prominence in the civil rights movement.
She has also collaborated with Marius de Vries, who has worked with Björk.
She collaborated with novelist and playwright Michael Frayn on the BBC programmes Beyond a Joke ( 1972 ) and Making Faces ( 1975 ).
She has collaborated with Ann M. Martin twice, with P. S.
She collaborated again with director Robert Altman in what would prove to be his last film, A Prairie Home Companion, playing Rhonda Johnson, one half of a middle-aged Midwestern singing duo with Meryl Streep.
She also collaborated with Junkie XL for his 2003 album Radio JXL: A Broadcast from the Computer Hell Cabin.
She also collaborated on the album Bobbie Gentry & Glen Campbell, which earned a gold record certificate.
She and Renwick also collaborated on another comedy-drama, Love Soup, starring Tamsin Greig and transmitted on BBC One in the autumn of 2005.
She then collaborated with actress Neve Campbell on a screenplay named The Company ( 2003 ), about the inner workings of Chicago ’ s Joffrey Ballet, which was directed by her old friend Robert Altman.
She has also collaborated with dance artist Chicane for performing the vocals on the single " Saltwater ", which was also featured in the VisitScotland advertising campaign, as well as having been used by Fáilte Ireland to promote Ireland, and by Belfast city council, both in television adverts.
She collaborated with talented craftsman such as Jim Steinman and David Foster who helped her devise more adult contemporary songs.
She first collaborated on a screenplay for The Dark Angel, an earlier play and silent film.
She was married to fellow composer Hajime Mizoguchi, with whom she collaborated on the soundtracks for Please Save My Earth and The Vision of Escaflowne.
She also collaborated with Texas Music band, Cross Canadian Ragweed on their hit, " Sick and Tired " in 2004.
She has recorded extensively with this unusual instrument and has collaborated with such luminary figures as composer Pauline Oliveros, choreographer Deborah Hay, the Kronos Quartet, and Francis-Marie Uitti.
She consoled herself largely by recording a new album, enlisting Charlie Calello, with whom she had collaborated on Eli and the Thirteenth Confession.
She concluded that he was not an " agent " and that there is no evidence he collaborated with KGB.
She has collaborated with most major orchestras, including the New York Philharmonic and Berlin Philharmonic.
She received a Golden Globe Award for the music score to the film Gladiator, on which she collaborated with Hans Zimmer.
She next collaborated with the duo Secret Garden in recording the song " The Things You Are to Me " for their 2007 album, Inside I'm Singing.
She has collaborated with a number of other musicians, among them Otomo Yoshihide, Sachiko M ( with whom she performs as Cosmos ) and Utah Kawasaki ( with whom she makes up Astro Twin ).
She also collaborated with composers including Aaron Copland on Appalachian Spring, Louis Horst, Samuel Barber, William Schuman, Carlos Surinach, Norman Dello Joio, and Gian Carlo Menotti.
She collaborated with NewsRadio writer Joe Furey for a special, " Working with Joe Furey " featurette for Furey's film Love and Support.

She and with
She helped him with the dishes, then he brought more water in from the spring before it got dark.
She wiped it off with the sleeve of her coat.
She remembered little of her previous journey there with Grace, and she could but hope that her dedication to her mission would enable her to accomplish it.
She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.
She was standing with her back to the glass door.
She raised a protesting hand with a startled air.
She had touched her face, truly a noble and pure face, only with a lip salve which made her lips glisten but no redder than usual.
She cackled with mirth, showing the stumps of betel-stained teeth.
She had driven up with her husband in a convertible with Eastern license plates, although the two drivers knew nothing at the moment about that.
She would look at Jack, with that hidden something in her eyes, and Jack would see the Woman and become breathless and a little sick.
She said, with the solicitude of a middle-aged woman for her only child.
She munched little ginger cakes called mulatto's belly and kept her green, somewhat hypnotic eyes fixed on a light-colored male who was prancing wildly with a 5-foot king snake wrapped around his bronze neck.
She said with intense feeling: `` Come near, let me feel your arms.
She daubed at her swimming eyes with a lacy handkerchief and said with obvious emotion: `` That poor boy!!
She, too, is concerned with `` the becoming, the process of realization '', but she does not think in terms of subtle variations of spatial or temporal patterns.
She has rarely been photographed with him and, except for Carl's seventy-fifth anniversary celebration in Chicago in 1953, she has not attended the dozens of banquets, functions, public appearances, and dinners honoring him -- all of this upon her insistence.
She opened the boxes with a tear in her eye and a sad smile on her face.
She ended her letter with the assurance that she considered his friendship for her daughter and herself to be an honor, from which she could not part `` without still more pain ''.
She was Ellen Aldridge, a widow of good repute who was employed by Gorton's wife and lived with the family.
She had to clean the glass on the display cases in the butcher shop, help her brother scrub the cutting tables with wire brushes, mop the floors, put down new sawdust on the floors and help check the outgoing orders.
She had been picked up by the Russians, questioned in connection with some pamphlets, sentenced to life imprisonment for espionage.
She gave me the names of some people who would surely help pay for the flowers and might even march up to the monument with me.
She had, with her own work-weary hands, put seeds in the ground, watched them sprout, bud, blossom, and get ready to bear.

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