She continued.

She continued to show regularly in the Salon, to generally favorable reviews, until 1873, the year before the first Impressionist exhibition.

She continued as CEO until Beech was purchased by Raytheon Company on 8 February 1980.

She continued to write, illustrate and design spin-off merchandise based on her children ’ s books for Warne until the duties of land management and diminishing eyesight made it difficult to continue.

She subsequently withdrew it realising that some of her samples were contaminated, but continued her microscopic studies for several more years.

She continued to campaign for occupational safety and health while working as an investigating attorney for the U. S. Commission on Industrial Relations during Woodrow Wilson's presidency.

She continued to counter abusive literary treatments of women.

She continued to make minor and frequently nostalgic period musicals such as Starlift, The West Point Story, On Moonlight Bay, By the Light of the Silvery Moon, and Tea For Two for Warner Brothers.

She continued to have hits with " Heartbreaker " ( 1978 ), " Baby I'm Burning " and " You're the Only One " ( both 1979 ), all of which charted in the pop singles Top 40, and all of which also topped the country-singles chart ; 1979's " Sweet Summer Lovin '" became the first Parton single in two years to not top the country singles chart ( though it still nonetheless reached the top ten ).

She also continued to explore new business and entertainment ventures such as her Dollywood theme park, that opened in 1986 in Pigeon Forge, Tennessee.

She continued touring in 1986 with the Think About Love Tour, and 1989 for the White Limozeen Tour.

She continued to enjoy steady success during the 1990s and 2000s ; her 2000 album A Day Without Rain sold 15 million copies, and became the top selling new age album of the 2000s in the US, according to Nielsen SoundScan.

She continued to work there for the rest of her career and was as dean of the school from 1883 to 1902.

She then continued her career in the United States, as did Maurice Tourneur and Léonce Perret after World War I.

She continued to star in various films, but by the early 1940s, her appearances became less frequent.

She continued on at UCLA, receiving a Ph. D. in 1975, and became a faculty member at the university.

She continued appearing in Hollywood films until 1949.

She has continued to act, appearing in the film Chocolat ( 2000 ).

She continued to advance her trademark interests of education and literacy by establishing the semi-annual National Book Festival in 2001 and encouraged education on a worldwide scale.

She continued as an important counselor to the king until her death in 1252.

She continued to act in the theatre for most of her career, and became noted for her portrayal of Nora in Henrik Ibsen's A Doll's House, but became wider known once she started to work with eminent Swedish film director Ingmar Bergman.

She later directed Blanchett in A Streetcar Named Desire ( play ) at the Sydney Theatre Company in Australia, which ran September through October 2009, and then continued from 29 October to 21 November 2009 at the Kennedy Center for the Performing Arts in Washington, DC, where it won a

She continued to produce films for others, including Sleep, My Love ( 1948 ) with Claudette Colbert and Love Happy ( 1949 ) with the Marx Brothers.

She continued her studies from 1861 through 1865, the duration of the American Civil War.

She continued to travel around the nation, speaking out against drug and alcohol abuse.

She played with style and a touch of the grand manner, and every piece she performed was especially effective in its closing measures.

She painted a large canvas in 1884, Les Derniers Jours d ' Enfance, a portrait of her sister and nephew whose composition and style revealed a debt to James McNeill Whistler and whose subject matter was akin to Mary Cassatt's mother-and-child paintings.

She begins by claiming that her opponent was an “ expert in rhetoric ” as compared to herself “ a woman ignorant of subtle understanding and agile sentiment .” In this particular apologetic response, de Pizan belittles her own style.

She therefore always worked with parliament and advisers she could trust to tell her the truth — a style of government that her Stuart successors failed to follow.

She appeared in a silent film, Deliverance ( 1919 ), which told her story in a melodramatic, allegorical style.

She was a patron of the arts as well as a leader of fashion, whose innovative style of dressing was copied by women throughout Italy and at the French court.

She has stated preferring to learn an opponent's style so she can play intentionally against him rather than playing " objective " chess.

:" She fiddled her ' estampie ', her lays, and her strange tunes in the French style, about Sanze and St Denis "

She employed two private hairdressers who would style her hair on a regular basis in the White House.

Barbara Walters said of her, " She has served every day for eight long years the word ' style.

She represented the modern England of the Sixties – just as Steed, with his vintage style and mannerisms, personified Edwardian era nostalgia.

She became Lady Olivier ; and, after their divorce, per the style granted the divorced wife of a knight, she became socially known as Vivien, Lady Olivier.

She has been noted for her ethereal visual style and symbolic lyrics.

At around this point there was a change in the style of Lansky's music that made it sound slightly more modern, and 1997 heralded a one-hour computer opera titled Things She Carried, a musical portrait about an unnamed woman in a series of eight movements.

" She spoke of her hopes of finding a niche in comedy, and in other interviews she expressed her desire to become " a light comedienne in the Carole Lombard style ".

She lost the style of Royal Highness but was allowed the style " Sarah, Duchess of York ".

She lost the style of Royal Highness but was allowed the style " Diana, Princess of Wales " and continued to be treated as a member of the Royal Family and was accorded the same precedence she enjoyed whilst being married to The Prince of Wales when accompanying her children, The Duke of Cambridge and Prince Harry, second and third in line, respectively, to the throne.

She was Princess of Wales from 1863 to 1901, the longest anyone has ever held that title, and became generally popular ; her style of dress and bearing were copied by fashion-conscious women.

She painted her whole life, changing style from the classical impressionism of her youth to the highly abstract modernist style of her later years.

" She cites the goals of feminist criticism as: ( 1 ) To develop and uncover a female tradition of writing, ( 2 ) to interpret symbolism of women's writing so that it will not be lost or ignored by the male point of view, ( 3 ) to rediscover old texts, ( 4 ) to analyze women writers and their writings from a female perspective, ( 5 ) to resist sexism in literature, and ( 6 ) to increase awareness of the sexual politics of language and style.

She found the stone much more appealing in this new modern style.

She formed a political style based on her original music.