She also sang the jazz song " After You've Gone " for the end credits of the film The Cat's Meow ( 2001 ).

She also lent her voice to the end credits of The Cat's Meow, singing Henry Creamer and Turner Layton's jazz standard " After You've Gone.

She credits her brother, Todd, as one of her most important sources of inspiration, and her mother and grandmother as role models.

She also recorded a song called " Distant Storm " for the film China O ' Brien ; in the credits, the song is attributed to a band called Tess Makes Good.

She credits government with much of her success in public life.

She began to attract attention and finally landed larger film roles that began to win her screen credits.

She has provided voices for numerous films, television shows, video games and commercials, garnering over 200 credits.

She further credits such qualities as assisting her husband and her family to endure the suffering they experienced as a result of their political allegiance.

She credits her books as tangible examples of her contemplation and contrasts her self-proclaimed harmless ideas with wild thoughts which, she states, lead to indiscreet actions.

She has credits ( sometimes under her full name, sometimes simply as kira ) on such films as Confessions of a Dangerous Mind ( 2002 ), Under the Tuscan Sun ( 2003 ), and The Twilight Saga: New Moon ( 2009 ), and has also appeared onscreen in the documentaries We Jam Econo: The Story of the Minutemen and American Hardcore.

She also sings Marc Collin's " Lalala " over the closing credits of 2 Days in Paris, for which she also wrote all of the original score.

She was more than just a soloist, and this is why I have such a problem with specific credits.

Kuttner acknowledged “ de facto enroads ” before Glass-Steagall “ repeal ” but argued the GLBA ’ s “ repeal ” had permitted “ super-banks ” to “ re-enact the same kinds of structural conflicts of interest that were endemic in the 1920s ”, which he characterized as “ lending to speculators, packaging and securitizing credits and then selling them off, wholesale or retail, and extracting fees at every step along the way .” Stiglitz argued “ the most important consequence of Glass-Steagall repeal ” was in changing the culture of commercial banking so that the “ bigger risk ” culture of investment banking “ came out on top .” He also argued the GLBA “ created ever larger banks that were too big to be allowed to fail ”, which “ provided incentives for excessive risk taking .” Warren explained Glass-Steagall had kept banks from doing “ crazy things .” She credited FDIC insurance, the Glass-Steagall separation of investment banking, and SEC regulations as providing “ 50 years without a crisis ” and argued that crises returned in the 1980s with the “ pulling away of the threads ” of regulation.

Burke credits his grandmother as his primary spiritual and musical influence: " She was my mentor, a spiritual medium directly associated with Daddy Grace and Father Divine.

Additional credits include Miami Vice, Murder, She Wrote, the Showtime television movie Common Ground ( which he also wrote ), and Cheers, which earned him an Emmy Award nomination for Outstanding Supporting Actor in a Comedy Series.

She added theatrical credits to her repertoire ; she understudied Leslie Uggams for the Broadway show Hallelujah Baby in 1967, and appeared with the Equity Theatre in a production of Lost in the Stars.

She is referred to thereafter, and in the closing credits, as Moneypenny.

She has a cameo appearance in the 2007 remake of the original cult-classic Hairspray as a William Morris talent agent, and teamed up with star Nikki Blonsky, who had played the role of Tracy Turnblad in the 2007 movie musical remake, and Marissa Jaret Winokur, who had played the role of Tracy Turnblad in the Broadway musical based on the original 1988 film, to record " Mama I'm a Big Girl Now " for the soundtrack, which is played at the film's end credits.

She credits her 1982 book Race to the Finish?

" She has been featured in television commercials and program opening credits sprinkling pixie dust with a wand in order to shower a magical feeling over various other Disney personalities, though the 1953 animated version of Tinker Bell never actually used a wand.

She joined the Bishop's Waltham Little Theatre Company when she was nine, and credits Angie Blackford as influential in her early stage career.

( She credits her interview technique to Gay Byrne, who hosted the contest when she was in Tralee.

She credits her decision to become a registered nurse as " one of the most practical, wonderful ones I ever made … because, aside from the science, you learn crisis management, decision making, prioritizing …"

She credits her teacher, Marilyn Frasca at The Evergreen State College, with teaching her these creativity and writing techniques.

She also appeared in The Princess Bride ( 1987 ) and Scrooged ( 1988 ), with Bill Murray, in which Variety called her " unquestionably pic's comic highlight.

She was accepted by the John Murray Anderson School of Theatre, and studied dance with Martha Graham.

She befriends her tough but lovable boss Lou Grant ( Edward Asner ), newswriter Murray Slaughter ( Gavin MacLeod ), and buffoonish anchorman Ted Baxter ( Ted Knight ).

She had a relationship with SNL castmate Bill Murray, with whom she had also worked at the National Lampoon, that ended badly.

She initially worked as a waitress at a restaurant in Baker Street and there met Maureen O ’ Connor, a girl who worked at Murray ’ s Cabaret Club in Soho.

She introduced Keeler to the owner, Percy Murray, who hired her almost immediately as a topless showgirl.

She is married to Stan and has 3 children-Colin, Dawn and Murray.

She worked as a writer for the New York Evening World and published the Murray Hill News in 1952.

She also made an appearance in the low-rated, low-budget 1985 Neal Israel comedy, Moving Violations, alongside John Murray, Sally Kellerman, Fred Willard, and Jennifer Tilly, where she played the straight-man friend to Nedra Volz's character who was a haphazard driver needing to renew her license at traffic school.

In addition to the McNally plays, Lane has appeared in numerous other Off Broadway productions, including Love ( the musical version of Murray Schisgal's Luv ), Measure for Measure directed by Joseph Papp in Central Park, for which he received the St. Clair Bayfield Award, The Common Pursuit, The Film Society, Mizlansky / Zilinsky or Schmucks, In a Pig's Valise, Trumbo, She Stoops to Conquer, The Merry Wives of Windsor and A Midsummer Night's Dream.

She is perhaps best known for her roles as Marita Covarrubias in The X-Files, Adele Stanton on The Majestic, Cybil Bennett in Silent Hill, Amanda Dumfries in The Mist, Olivia Murray in The Shield, and Andrea in The Walking Dead.

She married William Murray, 1st Earl of Mansfield.

She is best known for the Murray v. Curlett lawsuit, which led to a landmark Supreme Court ruling ending official Bible-reading in American public schools in 1963.

She has contributed songs to movie soundtracks and has teamed with musicians such as Roy Orbison, Tony Bennett, Elton John, Anne Murray and Jane Siberry.

She met her future husband, Don Murray, at Barmore.

She has a very elderly cat named Murray.

She later was able to change his name to Murray Brooks and continued to raise him as her own causing quite a rift in her own family and alienating herself from Cleanth and William.

She never married and on her death the title passed to her niece Margaret Murray.

She was the Hit Squad's first female member, and made guest appearances on albums by Keith Murray, Redman, Xzibit, Delinquent Habits, Funkdoobiest, the Cocoa Brovaz, and others.

She wrote to 20 publishers in London, who " all wrote back ", and soon joined John Murray, her UK publisher for four decades.

She worked with such notables as Ivan Reitman, Neil Simon, Sydney Pollack, Robert Redford, Ned Beatty, Burt Reynolds, John Candy, John Larroquette, Dom DeLuise, Roger Moore, Bill Murray, Jane Fonda, Dean Martin, Carl Reiner, David Carradine, Sammy Davis, Jr., Steve Guttenberg, Howard W. Koch, Albert S. Ruddy, Hal Needham, and Thomas R. Bond II to name a few.

She was a regular on The Ken Murray Show from 1950 to 1951.

She reported that when her son was ill, he spent the day making up stories about images in magazines and she asked Murray if pictures could be employed in a clinical setting to explore the underlying dynamics of personality.

She was one of several writers, none of whom were given credit for contributing to the screenplay, for the 1982 megahit Tootsie, notably the scenes involving the character played by Bill Murray.