She also sang the jazz song " After You've Gone " for the end credits of the film The Cat's Meow ( 2001 ).

She also lent her voice to the end credits of The Cat's Meow, singing Henry Creamer and Turner Layton's jazz standard " After You've Gone.

She also recorded a song called " Distant Storm " for the film China O ' Brien ; in the credits, the song is attributed to a band called Tess Makes Good.

She credits government with much of her success in public life.

She began to attract attention and finally landed larger film roles that began to win her screen credits.

She has provided voices for numerous films, television shows, video games and commercials, garnering over 200 credits.

She further credits such qualities as assisting her husband and her family to endure the suffering they experienced as a result of their political allegiance.

She credits her books as tangible examples of her contemplation and contrasts her self-proclaimed harmless ideas with wild thoughts which, she states, lead to indiscreet actions.

She has credits ( sometimes under her full name, sometimes simply as kira ) on such films as Confessions of a Dangerous Mind ( 2002 ), Under the Tuscan Sun ( 2003 ), and The Twilight Saga: New Moon ( 2009 ), and has also appeared onscreen in the documentaries We Jam Econo: The Story of the Minutemen and American Hardcore.

She also sings Marc Collin's " Lalala " over the closing credits of 2 Days in Paris, for which she also wrote all of the original score.

She was more than just a soloist, and this is why I have such a problem with specific credits.

Kuttner acknowledged “ de facto enroads ” before Glass-Steagall “ repeal ” but argued the GLBA ’ s “ repeal ” had permitted “ super-banks ” to “ re-enact the same kinds of structural conflicts of interest that were endemic in the 1920s ”, which he characterized as “ lending to speculators, packaging and securitizing credits and then selling them off, wholesale or retail, and extracting fees at every step along the way .” Stiglitz argued “ the most important consequence of Glass-Steagall repeal ” was in changing the culture of commercial banking so that the “ bigger risk ” culture of investment banking “ came out on top .” He also argued the GLBA “ created ever larger banks that were too big to be allowed to fail ”, which “ provided incentives for excessive risk taking .” Warren explained Glass-Steagall had kept banks from doing “ crazy things .” She credited FDIC insurance, the Glass-Steagall separation of investment banking, and SEC regulations as providing “ 50 years without a crisis ” and argued that crises returned in the 1980s with the “ pulling away of the threads ” of regulation.

Burke credits his grandmother as his primary spiritual and musical influence: " She was my mentor, a spiritual medium directly associated with Daddy Grace and Father Divine.

Additional credits include Miami Vice, Murder, She Wrote, the Showtime television movie Common Ground ( which he also wrote ), and Cheers, which earned him an Emmy Award nomination for Outstanding Supporting Actor in a Comedy Series.

She credits Murray Rothbard's book Man, Economy, and State: A Treatise on Economic Principles as being " solely responsible for turning from the advocacy of limited government to a lifetime of work within the individualist-anarchist tradition.

She added theatrical credits to her repertoire ; she understudied Leslie Uggams for the Broadway show Hallelujah Baby in 1967, and appeared with the Equity Theatre in a production of Lost in the Stars.

She is referred to thereafter, and in the closing credits, as Moneypenny.

She has a cameo appearance in the 2007 remake of the original cult-classic Hairspray as a William Morris talent agent, and teamed up with star Nikki Blonsky, who had played the role of Tracy Turnblad in the 2007 movie musical remake, and Marissa Jaret Winokur, who had played the role of Tracy Turnblad in the Broadway musical based on the original 1988 film, to record " Mama I'm a Big Girl Now " for the soundtrack, which is played at the film's end credits.

She credits her 1982 book Race to the Finish?

" She has been featured in television commercials and program opening credits sprinkling pixie dust with a wand in order to shower a magical feeling over various other Disney personalities, though the 1953 animated version of Tinker Bell never actually used a wand.

She joined the Bishop's Waltham Little Theatre Company when she was nine, and credits Angie Blackford as influential in her early stage career.

( She credits her interview technique to Gay Byrne, who hosted the contest when she was in Tralee.

She credits her decision to become a registered nurse as " one of the most practical, wonderful ones I ever made … because, aside from the science, you learn crisis management, decision making, prioritizing …"

She credits her teacher, Marilyn Frasca at The Evergreen State College, with teaching her these creativity and writing techniques.

She lay there, making no effort to get back on her feet.

She drank greedily, and murmured, `` Thank you '', as he lowered her head.

She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She stared at him, her eyes wide as she thought about what he had said ; ;

She got to her feet, staggered, and almost fell.

She sat down at the table, shaking her head.

She clung to him, talking to him, and dabbing at her eyes.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She showed her surprise by tightening the reins and moving the gelding around so that she could get a better look at his face.

She said, and her tone had softened until it was almost friendly.

She had picked up the quirt and was twirling it around her wrist and smiling at him.

She swung the quirt again, and this time he caught her wrist and pulled her out of the saddle.

She came down against him, and he tried to break her fall.

She wiped it off with the sleeve of her coat.

She brought up her free hand to hit him, but this time he was quicker.

She finally regained her balance and got up in the saddle.

She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.

She remembered little of her previous journey there with Grace, and she could but hope that her dedication to her mission would enable her to accomplish it.