She is often the first to spot vital clues, which sometimes lead to the solution of the mystery, and also tends to see through Fatty's disguises before anyone else.

Afraid that she will become the next target, Darby goes on the run. She tries to hide by making a few disguises and almost having herself get killed.

She was also one of Ernest's " multiple personalities " in Ernest Scared Stupid and one of his disguises in Ernest Goes to Africa, Ernest Rides Again, Ernest Goes to Jail and Ernest Saves Christmas.

She flees from home after an argument with her father and disguises herself as a beggar by donning filthy rags.

She disguises herself as a shepherd but she takes off her lambskin garments and freezes to death with her herd.

She frequently disguises her ability to channel and appears just short of her middle years.

She disguises herself as a dead rat ( knowing Mrs. Jewls ' dislike of them ) to get down to the playground and be able to get a green ball.

She disguises Cupid as Aeneas's son Ascanius, so that he can get close to Dido and touch her with his arrow.

She disguises herself in a costume very similar to a stereotypical Hallowe ' en witch, wearing a green-faced old crone mask, a floppy black hat, and a long black dress.

She disguises herself in order to avenge a wrong done to her family.

She disguises herself as an estate agent in Hong Kong and meets Kam Ching-chung by chance and leads him to Pak So-so.

She would use all manner of magic spells in combat against the Heroic Warriors, and duped many people with her magical disguises in episodes such as The Shaping Staff, The Curse of the Spellstone, Evil-Lyn's Plot and The Royal Cousin.

She was telling herself that this might just be her reward at the end of a long meaningful search for truth.

Steinhager '' She whispered Steinhager to herself, several times, memorizing it.

She softly let herself into the bed, and took her regular side, away from the door, where she slept better because Keith was between her and the invader.

She was exposing herself to temptation which it is best to avoid where it can consistently be done.

She ended her letter with the assurance that she considered his friendship for her daughter and herself to be an honor, from which she could not part `` without still more pain ''.

She was occupying herself in an attempt to write an article about the variety of houses that they had rented abroad.

She seemed to speak to herself.

She lost not a second, picking herself up and continuing her pilgrimage to Laura.

She disciplined herself daily to do what must be done.

She had even steeled herself to keep Juanita upstairs in the nurse's room off the empty nursery, although the girl tried to insist on moving back to the quarters to spare Kate remembrance of the baby's death.

She took a good look at herself in the mirror before she turned and, walking with very small steps, started toward the door.

She described herself and her circumstances unhesitatingly.

She walked back to the house and entered, feeling herself returning, sensing some kind of opportunity in the empty building.

She knew she was feeling afraid and inwardly laughed at herself.

She had done all the things she had promised herself she would do, but she had not thought of this.

She held herself that way and turned her head towards them and laughed and winked.

She described herself as having the same kind of `` irresponsible '' feeling as she had once experienced under hypnosis.

She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.

She gave herself a title, Lady Diana Harrington.

She paused at the kitchen door, caught her breath, told herself firmly that the opium was only an attempt to frighten her and went into the kitchen, where Glendora was eyeing the chickens dismally and Maude was cleaning lamp chimneys.

She has to have at least one car herself.

She gave herself fancy airs!!

She found herself wishing an old wish, that she had told Doaty she was running away, that she had left something more behind her than the loving, sorry note and her best garnet pin.

She felt mindless, walking, and almost easy until the church spire told her she was near the cemetery, and she caught herself wondering what she would say to Doaty.

She told herself rebelliously, and with pride, I am an American!!

She played a virginal princess kidnapped and raped by mercenaries in Flesh & Blood ( 1985 ), an innocent waitress pursued by the psychotic title character in The Hitcher ( 1986 ) ( both films pitting her opposite Rutger Hauer ), and a young woman on the verge of a nervous breakdown in Heart of Midnight ( 1989 ).

She is obscurely described by Irenaeus as " a never-aging aeon in a virginal spirit ", to whom, according to certain " Gnostici ", the Innominable Father wished to manifest Himself, and who, when four successive beings, whose names express thought and life, had come forth from Him, was quickened with joy at the sight, and herself gave birth to three ( or four ) other like beings.

She was believed to be perpetually virginal.

She was certain now that it would be no harder to bear her child here in such pleasant surroundings than at home in the big white house in Haverhill.

She wore grey every day, and white every evening.

She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.

She stood there, watching Holden come in, and she put the piece of toast in her mouth and bit off one corner with a huge chomp of her white teeth.

She was moving through a screen of hemlocks, in among the white birch and maples.

She was blonde, and young, and nice and round in a tight white dress.

" She has also rejected an immigrant designation for African-Americans and instead prefers the term " black " or " white " to denote the African and European U. S. founding populations.

She argues that slavery allowed white society to stereotype white women as the pure goddess virgin and move black women to the seductive whore stereotype formerly placed on all women.

She suggests this explains the low numbers of black women who participated in the feminist movement in the 1970s, pointing to Louis Harris ' Virginia Slims poll done in 1972 for Philip Morris that she says showed 62 percent of black women supported " efforts to change women's status " and 67 percent " sympathized with the women's rights movement ", compared with 45 and 35 percent of white women ( also Steinem, 1972 ).

She may grow up learning all about the scientific facts of colors, but has no way of experiences colors other than black or white.

She poses with a bow and arrow, wearing white.

She temporarily aborted her child, which was killed by the white snake.

She asserted that Atwood " was a truly revolutionary woman ... among the first white women to fight so righteously for their beliefs and to die for what they believed in.

She was also the mother of " starlike " Asterion, called by the Greeks the Minotaur, after a curse from Poseidon caused her to experience lust for and mate with a white bull sent by Poseidon.

She sat on a plain wooden throne with a white woolen cushion and did not trouble to choose an emblem for herself.

She never identified his white father, said to be a nearby planter ; he played no significant role in Washington's life.

She rejected white interpretations of scripture that urged slaves to be obedient and found guidance in the Old Testament tales of deliverance.

She knew that white people in the South had buried valuables when Union forces threatened the region, and also that black men were frequently assigned to digging duties.

She subsequently endorsed Washington for the general election, in which he faced three white opponents.

She raced around Hazzard with her cousins, first in a yellow and black 1974 Plymouth Road Runner ( later on it was a Plymouth Satellite ) and then, from the mid-second season, in her trademark white 1980 Jeep CJ-7 christened " Dixie " with a Golden Eagle emblem on the hood ( and the name " Dixie " on the hood sides ).

She was harassed by white protesters outside the school, and the police had to take her away in a patrol car to protect her.

She has eaten one of the magic apples, thereby becoming immortal, but her face is now " deadly white ;" Digory begins to understand what the last line in the sign means.

She is portrayed as a female white Japanese bobtail cat with a red bow.