She, too, is concerned with `` the becoming, the process of realization '', but she does not think in terms of subtle variations of spatial or temporal patterns.

She has a maid called Maria who prevents the public adoration from becoming too much of a burden on her employer, but does nothing to prevent her from becoming too much of a burden on others.

She does not receive a mitre nor is given a crosier as part of the ceremony ; however, by ancient tradition, she may carry a crosier when leading her community.

She does not understand what's going on around the cabin and is not alive long enough to figure it out.

She does not classify her music as belonging to the New Age genre.

She threatens to kill him if he does not join, but he rides off and dies of the disease she sent upon him, and his young bride dies of a broken heart.

She tells her servant Ninshubur ( Lady Evening ), a reference to Inanna's role as the evening star, that if she does not return in three days, to get help from her father Anu, Enlil, king of the gods, or Enki.

She is the one, or rather the love or fear she inspires in the hero, or else the concern he feels for her, who makes him act the way he does.

She does not appear in the best-known film she directed, The Hitch-Hiker ( 1953 ), developed by her company, The Filmakers, with support and distribution by RKO.

She is also described as having the power of prophecy yet she does not reveal what she knows.

She wonders if Rhett will kiss her, but to Scarlett's irritation, he does not.

She does, however, have a sexual relationship with John Krajewski.

" She does not, because of this, evade the duty imposed on her of proclaiming humbly but firmly the entire moral law, both natural and evangelical.

She does so by ascending on a flying tire until she reaches a structure resembling clouds, into which she disappears, although in the film version of Cats she ascends with Old Deuteronomy and then she walks up a giant metal hand to the Heaviside layer.

She is on a mission when she does not follow orders from her superior and tries to stop their target from choking.

She also is what I consider a classic Indian beauty .... her natural, distinctive Indian looks set her apart from many other heroines ( I say heroines because many have yet to learn to act, and cannot justfully be called actresses yet ), she proves that she does not need blatant blond / red highlights, tons of body paint and makeup, blue contacts, and scraps of clothes to look beautiful ... and that the complete following of Western trends isn ´ t worth sacrificing traditional Indian beauty, grace, and respect for popularity ... a mixture of both that remains respectable ... it ´ s quality rather than quantity ( or lackthereof, in the clothes department ).

* She does not realize that eating meat is wrong.

Attempts to translate these sentences in an emotivist framework seem to fail ( e. g. " She does not realize, ' Boo on eating meat !'").

Prescriptivist translations fare only slightly better (" She does not realize that she is not to eat meat ").

* She does not realize that " eating meat is wrong " is a true statement.

She does not wear real fur.

She is reluctant to reveal this part of her background, as she does not want to be known by a nickname she had been called earlier in life -- the Dancing Doctor.

She is attracted to young, handsome, romantically spirited Willoughby and does not think much of the older, more reserved Colonel Brandon.

Bailey later said " She sang a few songs that she had written, and I thought to myself, this kid is like nineteen years old, where does she get this?

She also off-handedly mentions that she knows about Fergus and Dil, warning him that the IRA will kill him if Fergus does not co-operate.

She seemed to have come such a long distance -- too far for her destination which had wilfully been swallowed up in the greedy gloom of the trees.

She had arrived this morning and come straight to the English Gardens.

She had come to a decision.

She stood up, smoothing her hair down, straightening her clothes, feeling a thankfulness for the enveloping darkness outside, and, above everything else, for the absence of the need to answer, to respond, to be aware even of Stowey coming in or going out, and yet, now that she was beginning to cook, she glimpsed a future without him, a future alone like this, and the pain made her head writhe, and in a moment she found it hard to wait for Lucretia to come with her guests.

She thought royal status might come her way when, while she was still in Rome, she met Pulley Bey, a personal procurer to King Farouk of Egypt.

She took refuge on a tongue of land extending into a gully, crouched at the base of a thorn tree, and waited for them to come up.

She knew where to come.

She come to the kitchen and say she take it up to you ''.

She stood there, watching Holden come in, and she put the piece of toast in her mouth and bit off one corner with a huge chomp of her white teeth.

She had held to the letter of her contract and didn't come onto the stage until well after 4 p.m., the appointed hour, although the Music at Newport people had tried to get the program underway at 3.

She had come to make her peace with the past, and of that past this ancient of the earth was only a kind of shadow.

She remembered, suddenly, a night of savage moonlight and scudding clouds when she and Adelia, having dared each other, had stolen out of their great safe house and come here, hand in hand, hoping and fearing ghosts.

She let him come and go as he pleased, or as it pleased her.

She notes that she too once had dreams, having come to Vienna to study opera singing with Salieri.

She introduces herself as the Lady from Lourdes, a professional Miracle Inspector, come to investigate the miracle.

She may have been influenced by them, or have come to similar conclusions on her own ; as an Anglican, the reasonings she gave are rooted in the theologies of Creation and Incarnation, and thus are slightly different from the Catholic Chesterton and Belloc.

She recognizes her freedom to come and go as she pleases saying, " Ah is free, Miss Scarlett.

She convinces Ashley to come to Atlanta and manage the mill, all the while still in love with him.

She later manifests a " telekinetic sensitivity " ( called " the Manifestation of the Phoenix ") to objects in her immediate environment that lets her feel the texture of objects, their molecular patterns, feel when other objects come into contact with them, and probe them at a molecular or subatomic level.

She observed the Muslim niceties, taking taxis to and from the office so as not to come into close physical contact with men on the buses.

She returned home in 1896 following her father's request that she come home to nurse her mother, who died three years later in 1899.

She claimed that these interpretations would reactivate repressed castration anxieties, and childhood narcissistic grandiosity and its complementary fear of dissolving into nothing during heterosexual intercourse would come with the renewal of heterosexual potency.

She claims she calls it a probe and not a screwdriver because that's what it is, and to signify that she has come to hate the Doctor.

She had already published extensively, having won various awards, and had come especially to meet Hughes and his fellow poet Lucas Myers.

She also observes that the chess pieces have come to life, though they remain small enough for her to pick up.