She, too, is concerned with `` the becoming, the process of realization '', but she does not think in terms of subtle variations of spatial or temporal patterns.

She has a maid called Maria who prevents the public adoration from becoming too much of a burden on her employer, but does nothing to prevent her from becoming too much of a burden on others.

She does not receive a mitre nor is given a crosier as part of the ceremony ; however, by ancient tradition, she may carry a crosier when leading her community.

She does not understand what's going on around the cabin and is not alive long enough to figure it out.

She threatens to kill him if he does not join, but he rides off and dies of the disease she sent upon him, and his young bride dies of a broken heart.

She tells her servant Ninshubur ( Lady Evening ), a reference to Inanna's role as the evening star, that if she does not return in three days, to get help from her father Anu, Enlil, king of the gods, or Enki.

She is the one, or rather the love or fear she inspires in the hero, or else the concern he feels for her, who makes him act the way he does.

She does not appear in the best-known film she directed, The Hitch-Hiker ( 1953 ), developed by her company, The Filmakers, with support and distribution by RKO.

She is also described as having the power of prophecy yet she does not reveal what she knows.

She wonders if Rhett will kiss her, but to Scarlett's irritation, he does not.

She does, however, have a sexual relationship with John Krajewski.

" She does not, because of this, evade the duty imposed on her of proclaiming humbly but firmly the entire moral law, both natural and evangelical.

She does so by ascending on a flying tire until she reaches a structure resembling clouds, into which she disappears, although in the film version of Cats she ascends with Old Deuteronomy and then she walks up a giant metal hand to the Heaviside layer.

She is on a mission when she does not follow orders from her superior and tries to stop their target from choking.

She also is what I consider a classic Indian beauty .... her natural, distinctive Indian looks set her apart from many other heroines ( I say heroines because many have yet to learn to act, and cannot justfully be called actresses yet ), she proves that she does not need blatant blond / red highlights, tons of body paint and makeup, blue contacts, and scraps of clothes to look beautiful ... and that the complete following of Western trends isn ´ t worth sacrificing traditional Indian beauty, grace, and respect for popularity ... a mixture of both that remains respectable ... it ´ s quality rather than quantity ( or lackthereof, in the clothes department ).

* She does not realize that eating meat is wrong.

Attempts to translate these sentences in an emotivist framework seem to fail ( e. g. " She does not realize, ' Boo on eating meat !'").

Prescriptivist translations fare only slightly better (" She does not realize that she is not to eat meat ").

* She does not realize that " eating meat is wrong " is a true statement.

She does not wear real fur.

She is reluctant to reveal this part of her background, as she does not want to be known by a nickname she had been called earlier in life -- the Dancing Doctor.

She is attracted to young, handsome, romantically spirited Willoughby and does not think much of the older, more reserved Colonel Brandon.

Bailey later said " She sang a few songs that she had written, and I thought to myself, this kid is like nineteen years old, where does she get this?

She also off-handedly mentions that she knows about Fergus and Dil, warning him that the IRA will kill him if Fergus does not co-operate.

She wanted to classify facts and generalize them into laws that could form a system of psychology and sociology, which were then just coming into existence.

She enjoyed reading, especially books by Charles Dickens in her father's small den, and she took a strong interest in flowers, which she learned to classify with a copy of Asa Gray's Elements of Botany.

She fights for Rocky's inclusion in a mainstream junior high school, and she confronts a principal who would rather classify Rocky with mental retardation and relegate him to a special education school to fulfill his special needs.

She lay there, making no effort to get back on her feet.

She drank greedily, and murmured, `` Thank you '', as he lowered her head.

She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She stared at him, her eyes wide as she thought about what he had said ; ;

She got to her feet, staggered, and almost fell.

She sat down at the table, shaking her head.

She clung to him, talking to him, and dabbing at her eyes.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She showed her surprise by tightening the reins and moving the gelding around so that she could get a better look at his face.

She said, and her tone had softened until it was almost friendly.

She had picked up the quirt and was twirling it around her wrist and smiling at him.

She swung the quirt again, and this time he caught her wrist and pulled her out of the saddle.

She came down against him, and he tried to break her fall.

She wiped it off with the sleeve of her coat.

She brought up her free hand to hit him, but this time he was quicker.

She finally regained her balance and got up in the saddle.

She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.

She remembered little of her previous journey there with Grace, and she could but hope that her dedication to her mission would enable her to accomplish it.