She, too, is concerned with `` the becoming, the process of realization '', but she does not think in terms of subtle variations of spatial or temporal patterns.

She has a maid called Maria who prevents the public adoration from becoming too much of a burden on her employer, but does nothing to prevent her from becoming too much of a burden on others.

She does not receive a mitre nor is given a crosier as part of the ceremony ; however, by ancient tradition, she may carry a crosier when leading her community.

She does not understand what's going on around the cabin and is not alive long enough to figure it out.

She does not classify her music as belonging to the New Age genre.

She threatens to kill him if he does not join, but he rides off and dies of the disease she sent upon him, and his young bride dies of a broken heart.

She tells her servant Ninshubur ( Lady Evening ), a reference to Inanna's role as the evening star, that if she does not return in three days, to get help from her father Anu, Enlil, king of the gods, or Enki.

She is the one, or rather the love or fear she inspires in the hero, or else the concern he feels for her, who makes him act the way he does.

She does not appear in the best-known film she directed, The Hitch-Hiker ( 1953 ), developed by her company, The Filmakers, with support and distribution by RKO.

She is also described as having the power of prophecy yet she does not reveal what she knows.

She wonders if Rhett will kiss her, but to Scarlett's irritation, he does not.

She does, however, have a sexual relationship with John Krajewski.

" She does not, because of this, evade the duty imposed on her of proclaiming humbly but firmly the entire moral law, both natural and evangelical.

She does so by ascending on a flying tire until she reaches a structure resembling clouds, into which she disappears, although in the film version of Cats she ascends with Old Deuteronomy and then she walks up a giant metal hand to the Heaviside layer.

She is on a mission when she does not follow orders from her superior and tries to stop their target from choking.

She also is what I consider a classic Indian beauty .... her natural, distinctive Indian looks set her apart from many other heroines ( I say heroines because many have yet to learn to act, and cannot justfully be called actresses yet ), she proves that she does not need blatant blond / red highlights, tons of body paint and makeup, blue contacts, and scraps of clothes to look beautiful ... and that the complete following of Western trends isn ´ t worth sacrificing traditional Indian beauty, grace, and respect for popularity ... a mixture of both that remains respectable ... it ´ s quality rather than quantity ( or lackthereof, in the clothes department ).

* She does not realize that eating meat is wrong.

Attempts to translate these sentences in an emotivist framework seem to fail ( e. g. " She does not realize, ' Boo on eating meat !'").

Prescriptivist translations fare only slightly better (" She does not realize that she is not to eat meat ").

* She does not realize that " eating meat is wrong " is a true statement.

She does not wear real fur.

She is reluctant to reveal this part of her background, as she does not want to be known by a nickname she had been called earlier in life -- the Dancing Doctor.

She is attracted to young, handsome, romantically spirited Willoughby and does not think much of the older, more reserved Colonel Brandon.

Bailey later said " She sang a few songs that she had written, and I thought to myself, this kid is like nineteen years old, where does she get this?

She also off-handedly mentions that she knows about Fergus and Dil, warning him that the IRA will kill him if Fergus does not co-operate.

`` She doesn't want you now.

She was the only kind of Negro Laura Andrus would want around: independent, unservile, probably charging double what ordinary maids did for housework -- and doubly efficient.

She said to the saleslady, `` I want a dress to put on around the house ''.

She didn't want to be the only one with a stove in her room, especially as her life span was nearly run out anyway, and she insisted that Hope have the heater.

She was trying to make a hole in my armor, and I didn't want it.

She reveals that she had expected that he would want to sacrifice his reputation for hers, and that she had planned to kill herself to prevent him from doing so.

She never left Haworth for more than a few weeks at a time as she did not want to leave her ageing father.

She wrote, " Fleury is much less benign than Bouguereau and don't temper his severities … he hinted of possibilities before me and as he rose said the nicest thing of all, ' we will do all we can to help you '… I want these men … to know me and recognize that I can do something.

She did not want their food, referring to the table laid for her in Heaven with her real family.

Woman in the Court – In her house happens the first judgment of K. She claims help from K. because she doesn't want to be abused by the magistrates.

She calls Rhett a cad and tells him no woman would want a baby of his.

She asked for three pigeons and three sparrows from each house, since she did not want to burden the villagers any further after the siege.

She did not want the school to become " the Vassar of the West " because she felt that would not be an appropriate memorial for her son.

She wanted to marry him but Worf refused because he did not want to share his dishonor with her and their son ( TNG: " Reunion ").

She also chose Tau Ceti for a final shortlist of just five stars suitable for searches by the ( indefinitely postponed ) Terrestrial Planet Finder telescope system, commenting that " these are places I'd want to live if God were to put our planet around another star.

She later stated in an interview, " I didn't want to do Willow as someone who's feeling sorry for herself.

She is everything that a guy from Knight's Ridge would want in a woman.

She reportedly called Nichols and said, " I want to see you!

She wanted to build her own life and said “ the poor suburbs, it's not enough just to want to get out.

Director Michael Curtiz did not want Crawford and told Jack Warner, " She comes over here with her high-hat airs and her goddamn shoulder pads ... why should I waste my time directing a has-been?

Alice interpreted the look as a flirtation and left the room, prompting Gertrude to follow, and when Gertrude returned, she said, " doesn't want to come lunch .... She feels the heat today.

She is closely associated with a line from Grand Hotel, one which the American Film Institute in 2005 voted the 30th most memorable movie quote of all time, " I want to be alone, I just want to be alone ", a theme echoed in several of her other roles.

She didn ’ t want to go on ".