" Further he elaborates ," She is an exemplary dancer. From Kathak to Dhak Dhak, she's done it all and wowed us every step of the way.

She lay there, making no effort to get back on her feet.

She began it deliberately, so that none of her words would be lost on him.

She jerked the coat back on and squeezed it around her again, but not soon enough.

She went on:

She placed her palms, fingers outspread, on the desk in an odd gesture as if to say, `` Now, what next ''??

She set the dipper on the edge of the deck, leaving it for him to stretch after it while she looked on scornfully.

She was sitting on the edge of the bed again, back in the same position where the snake had found her.

She munched little ginger cakes called mulatto's belly and kept her green, somewhat hypnotic eyes fixed on a light-colored male who was prancing wildly with a 5-foot king snake wrapped around his bronze neck.

She was nude to the waist and her tumbled abundance of black hair did not conceal the knife slashes on her back.

She remained squatting on her heels all the time we were there ; ;

She read everything else she could get her hands on, including an article ( she thinks it was in the Atlantic Monthly ) by Mark Twain on `` White Slavery ''.

She wrote in her journal, `` I have not heard the least profane language since I have been on board the vessel.

She kept the dolls on the Lincoln bed.

She would often go up on the roof to see the attendant take down the flag in the evening.

She opened the boxes with a tear in her eye and a sad smile on her face.

She had to clean the glass on the display cases in the butcher shop, help her brother scrub the cutting tables with wire brushes, mop the floors, put down new sawdust on the floors and help check the outgoing orders.

She smoothed the covers on Scotty's bed and picked things up from the floor.

She had even steeled herself to keep Juanita upstairs in the nurse's room off the empty nursery, although the girl tried to insist on moving back to the quarters to spare Kate remembrance of the baby's death.

She came to the ballroom and stood on the two carpeted steps that led down to it.

She was still laughing when I grabbed her and started rolling her on the bed.

She was told by the manservant who opened the door that his lordship was engaged on work from which he had left strict orders he was not to be disturbed.

She signed the letters quickly, stamped them, and placed them on the hall table for Raphael to mail in town.

Dolores Agnes Fuller ( born Dolores Eble ; March 10, 1923 – May 9, 2011 ) was an American actress and songwriter best known as the one-time girlfriend of the low-budget film director Edward D. Wood, Jr. She played the protagonist's girlfriend in Glen or Glenda, co-starred in Wood's Jail Bait, and had a minor role in Bride of the Monster.

" She has also been quoted as saying that " His dressing up didn ’ t bother me — we all have our little queer habits " and giving Wood's drinking as the reason for their breakup.

She also complained that she was only portrayed as " sort of as an actress " and did not feel she was given credit for her other accomplishments and contributions towards Wood's career.

She was scheduled to return to the American stage in a 1982 revival of Anastasia with Natalie Wood, until Wood's death just weeks before rehearsals.

She later appeared in the independent drama, Lost and Delirious ( 2001 ) and played Evan Rachel Wood's girlfriend during a guest-arc on ABC's Once and Again ( 2001 – 2002 ).

She kills the vampire, leaves Giles and rushes to Wood's place.

She starred in Point Pleasant, a short-lived 2005 series on FOX, and also landed a role in Pretty Persuasion, portraying Evan Rachel Wood's best friend.

She has appeared in various TV productions in Italy, and on stage in several theater productions in both Italy and America, including Grease and an adaptation of Ed Wood's Bride and the Beast.

She is not describing herself as taking this man, but actually doing so ( perhaps the most thorough analysis of such " illocutionary acts " is J. L. Austin, " How to Do Things With Words ").

She has always seen herself as " a person with so much to sort out ", and this is why she has been in analysis for a quite a number of years.

She stated that in it she sets out to " convince readers of the need for theories that allow for a good deal of human variation and that integrate the analytical powers of the biological and the social into the systematic analysis of human development.

Dr. Lisa Young, who had appeared before the Citizen's Assembly to discuss the barriers to women in various electoral systems, did not support Carr's analysis: " She presented evidence that there was no clear solution in the electoral system for increasing women's representation.

She is also known for her work in psycholinguistics, semiotics and analysis of the oral literature of her native country.

She excoriated deconstructionist Jacques Derrida as " simply not worth studying " and labels his analysis of Chinese culture " pernicious " and without " evidence of serious study ".

She emphasised the importance of temporality in social analysis, dividing it into four stages: structural conditioning, social interaction, its immediate outcome and structural elaboration.

She visited Portugal in 1974 to report on and participate in the Carnation Revolution that overthrew the fascist dictatorship, recording her experiences and analysis in ' Eyewitness in Revolutionary Portugal ' ( 1975 ).

She published over thirty papers on functional approximation, numerical analysis and Mathieu functions.

She intended the blog to provide " content and analysis you can't get anywhere else on a daily basis – both on the blog and in our original video features ".

She warns Staunton that theirs is only the first phase of analysis.

She was decontaminated at the plant and sent home with a testing kit to collect urine and faeces for further analysis.

She is best known for her contribution to the development – jointly with Ernesto Laclau, with whom she co-authored Hegemony and Socialist Strategy-of the so-called Essex School of discourse analysis, a type of post-marxist political inquiry drawing on Gramsci, post-structuralism and theories of identity, and redefining Left politics in terms of radical democracy.

She is married to George Edgar Slusser, with whom she shares an interest for the comparative analysis of science fiction, with a focus on the influence of the works of H. G. Wells.

She even gained her own title, Birds of Prey, about her and a group of superhero operatives she organizes " The character has been the subject of analysis in academia, regarding the portrayal of women, librarians, and those living with disabilities in mainstream media.

She works in real analysis, geometric measure theory, and geometric nonlinear functional analysis.

She applied statistical-mathematical methods for analysis of folk music.

She and others using her partnership / domination conceptual framework have applied her analysis to fields ranging from politics and economics to religion, business, and education.

She is the author of over fifty market studies and wrote a bi-monthly industry analysis column for Telephony magazine.

" She further noted that the AAPOR's own journal, Public Opinion Quarterly, " published an analysis of Burnham's Iraq survey by David Marker of Westat, a consultancy in Maryland that designs surveys.

She undertook post-graduate studies at the London School of Economics where she was awarded an MSc ( Dist ) for her work on strategic analysis and international and defence studies.

She has worked in syntax, phonetics, phonology, morphology, historical and comparative linguistics, Romance studies, structure of Japanese, structure of American Sign Language, poetics, writing for ESL students, and mathematical and linguistic analysis of folk dance.

She provides an in-depth analysis of why, in her view, the wage labor system is inherently corrupt and unreformable and why it must be abolished and replaced with a system in which people would be completely free to choose to perform ( or not to perform ) voluntary activities, a system that would, in Brown's view, encourage people to be creative and self-directed, that would celebrate enjoyment and fulfillment.