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Page "Sophie Tucker" ¶ 4
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She and even
She had reached a point at which she didn't even care how she looked.
She was amazingly light, and so relaxed in his arms that he wasn't even sure she was conscious.
She could not scream, for even if a sound could take shape within her parched mouth, who would hear, who would listen??
She had spent too many hours looking ahead, hoping and longing to catch even a glimpse of Dan and finding nothing but emptiness.
She quickly exploited the exalted position she now occupied, by harassing the disorganized males and even putting many of them to death.
She even devised a system of colors, whereby the boy could easily distinguish the different note values.
She gave me the names of some people who would surely help pay for the flowers and might even march up to the monument with me.
She was wise enough to realize a man could be good company even if he did weigh too much and didn't own the mint.
She had even steeled herself to keep Juanita upstairs in the nurse's room off the empty nursery, although the girl tried to insist on moving back to the quarters to spare Kate remembrance of the baby's death.
She thought again of her children, those two who had died young, before the later science which might have saved them could attach even a label to their separate malignancies.
She even spoke differently when she was clean, and she was clean now for his departure and her voice clear and rather sharp.
She stood up, smoothing her hair down, straightening her clothes, feeling a thankfulness for the enveloping darkness outside, and, above everything else, for the absence of the need to answer, to respond, to be aware even of Stowey coming in or going out, and yet, now that she was beginning to cook, she glimpsed a future without him, a future alone like this, and the pain made her head writhe, and in a moment she found it hard to wait for Lucretia to come with her guests.
She had had a dignity about her, even barefoot and almost too tan.
She lived in an ultra-modern house whose decoration, appointments, paint, and even pets were chosen to complement her coloring ; ;
She would sometimes even get a little hard on you, she took you so seriously.
She ascribed her delight with both experiences to the effect they seemed to have of temporarily removing from her the controls which she felt so compulsively necessary to maintain even when it might seem appropriate to relax these controls.
She is even prone to regard the college girl as immature.
She didn't tell anyone, even her mother, what was wrong.
She didn't even give me a chance to refuse.
She was even more miserable than me.
She wouldn't have, even if he'd asked her.
She found this immensely comforting, even though Mercer did not make much sense out of it.
She offers advice to governesses, widows, and even prostitutes.
She also was respected by the semi-Hellenic countries around the Greek world, such as Lydia, Caria, and even Egypt.
" She said that " pro-homosexual activists ... are creating media events all over the country and even internationally.

She and sang
She sang him Scott's charming ballad `` Rosabelle '', which was the vogue of the moment.
She sang only two songs in the film, " Que Sera, Sera ( Whatever Will Be, Will Be )" which won an Academy Award for Best Original Song and " We'll Love Again ".
She also sang the jazz song " After You've Gone " for the end credits of the film The Cat's Meow ( 2001 ).
She wrote and sang lead vocals on Surfer Rosas " Gigantic ", and the single " Bam Thwok ", credited as Mrs. John Murphy on the former composition — at the time she was married and she used this name as an ironic feminist joke.
She also sang lead vocals on the Francis-written " Into the White " and the Neil Young cover " I've Been Waiting for You ", both B-sides.
She sang with Goodman's orchestra in two 1943 films, Stage Door Canteen and The Powers Girl.
Bailey later said " She sang a few songs that she had written, and I thought to myself, this kid is like nineteen years old, where does she get this?
She sang in the operas children's choir at the Staatstheater Nürnberg.
Post-punk act Siouxsie and the Banshees revisited " She Cracked " on Downside Up, as did Seaweed on the John Peel Sub-Pop Sessions album, and Joan Jett sang " Roadrunner " on her cover album, The Hit List.
She sang " Mulberry ", a song about her time in the countryside after the Japanese collapse in World War II for only the third time in her life, with Thurston Moore.
She recorded a duet of " Santa Claus is Coming to Town " with Chris Isaak on his 2004 Christmas album Chris Isaak Christmas and sang with Isaak on his PBS Christmas television special.
She sang a coded song to Mary, a trusted fellow slave, that was a farewell.
She sang in a trio of little girls dressed in bellhop uniforms.
She was also featured on the first single from Donell Jones ' second album, " U Know What's Up ", and she sang " Space Cowboy " with * NSYNC on their 2000 album, No Strings Attached.
She played the violin and sang her own original compositions.
She sang in her role opposite Maurice Chevalier in the Ernst Lubitsch musical The Smiling Lieutenant ( 1931 ), and was admired by critics for her ability to shrewdly play character role opposite the Miriam Hopkins.
She sang with Tony Pastor's big band.
She sang " When October Goes " – lyrics by Johnny Mercer and music by Barry Manilow ( after Mercer's death ) – from Manilow's 1984 album 2: 00 AM Paradise Cafe, and discussed what an excellent musician Manilow was.
With the aid of First Lady Eleanor Roosevelt and her husband Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D. C. She sang before a crowd of more than 75, 000 people and a radio audience in the millions.
She sang one final song and then died.
She also sang the R & B classic " Ooh Child " with the girl group Destiny's Child.
She sang " Same Ol ' Story " followed by a newly remixed version of " Girls Just Want to Have Fun ".
She taught herself to play on the violin and flute, and sang in the peasants ' fairs in Sweden with her brother.
She had a featured role as Queenie in Universal Pictures ' 1936 version of Show Boat starring Irene Dunne, and sang a verse of Can't Help Lovin ' Dat Man with Dunne, Helen Morgan, Paul Robeson, and the African-American chorus.
She sang in church and local pageants until age 17 when Warnes was offered an opera scholarship to Immaculate Heart College.

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