She becomes depressed and explores magic more deeply, often with powerful but inconsistent results.

She also explores research that identifies mood disorders in such famous writers and artists as Ernest Hemingway ( who shot himself after electroconvulsive treatment ), Virginia Woolf ( who drowned herself when she felt a depressive episode coming on ), composer Robert Schumann ( who died in a mental institution ), and even the famed visual artist Michelangelo.

" She explores the idea that " shyness is a form of deviance: a problem for society as much as for the individual ", and concludes that, to some extent, " we are all impostors, faking our way through social life ".

She explores every inch of Karabekian's home, constantly asking him questions.

She offers her protagonist a way out into a new order that breaks with the law of the father, creating a " monstrous " text that explores the possibilities of a lesbian identity .”

She presents the history of the geisha community and explores the context in which geisha traditionally were in the forefront of fashion, which for the modern geisha is no longer true.

She explores God as he relates to nothing ( ness ) and everything.

She explores the idea that there can be peace in death.

She follows this up by appointing an informateur who explores the options of a new cabinet.

She also explores the labels that she says patriarchal society places on women to prolong what she sees as male domination of society.

She explores the feeling of loneliness throughout the tales.

She explores different musical styles, with the albums absolute ego and material displaying Electronica influences.

She explores the world inside the camp, trying out Japanese and American hobbies before taking up baton twirling.

She also explores the " silencing " of underrepresented groups: women, people of colour, and poor whites.

She is perhaps best known for her authorship of Trains: A Memoir of a Hidden Childhood during and after World War II which explores not only her survival of the Holocaust as a ' hidden child ' but also the psychological toll of keeping her identity hidden, even to herself, in post World War II Poland.

She explores how the use of contemporary media in productions, such as the Penny Woolcock film of the opera, affects perception of the two sides of the political conflict.

She co-produced the multi-platform documentary project, Service: when women come marching home, and created True Rep, a repertory company that explores trauma and resilience through testimonial theater and film, bridging actors, writers, directors, musicians and artists with the human ( e ) service sector.

Frances Cress Welsing ( born March 18, 1935 in Chicago ) is an African American psychiatrist practicing in Washington, D. C .. She is noted for her " Cress Theory of Color Confrontation ", which explores the practice of white supremacy.

She also explores the history of American photography in relation to the idealistic notions of America put forth by Walt Whitman and traces these ideas through to the increasingly cynical aesthetic notions of the 1970s, particularly in relation to Arbus and Andy Warhol.

She co-founded the Ecosophical Research Association in 1984, an organization that explores myth, with a focus on cryptozoology.

She also explores the traumatic situation facing farm workers and other farming families in similar positions to hers.

She movingly explores the tensions in the triangular relationship between Alexander and his two lovers, Hephaistion and Bagoas, and suggests that Alexander went mad with grief over Hephaistion's untimely death.

She explores contemporary music as well as the traditional repertoire.

She not only explores their marital relations, including their failings and desires, but also mentions Sun Yat-sen's political career and Song Qingling's feelings of isolation and loneliness after her husband died.

She could not scream, for even if a sound could take shape within her parched mouth, who would hear, who would listen??

She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.

She didn't sound like a pale girl.

She approached the problem by investigating the methods of sound reproduction through the centuries, human and instrumental.

She was a tireless worker, and relied on input from her vocal coach and producers to improve her sound.

She collaborated with producers Max Martin and Denniz Pop, who provided the singer with a gritty yet popular sound.

She suggested he simply repeat the word uberflut (" deluge " or " flood ") and focus on its sound rather than its meaning.

At around this point there was a change in the style of Lansky's music that made it sound slightly more modern, and 1997 heralded a one-hour computer opera titled Things She Carried, a musical portrait about an unnamed woman in a series of eight movements.

She made a smooth transition to sound films, starting with High Voltage ( 1929 ).

She added the "- gle " to make it sound less demeaning and more " cuddly ".

She joined a " loop group ", and recorded vocals for characters in the background of films, although in most cases the sound was turned down so that very little of her voice was heard.

She acquires a chimpanzee-like alien pet that made one sound, " Bloop ".

She was a famous and beautiful woman from all accounts, and I liked the sound of her name.

She used American producers to give herself a unique sound.

Here, for the first time, was someone who could tell us from her own experience what it was like to be extremely sound sensitive (" like being tied to the rail and the train's coming ")... She was asked many questions: " Why does my son do so much spinning?

She was a former Ziegfeld Follies Girl who went on to greater fame on Broadway and in the emerging medium of sound films.

She stayed within the country Top 10 up until the mid 1980s ; however, most of her music by the late ' 70s had a slick pop sound to it.

She repeated her stage role of Rosalind, opposite Laurence Olivier's Orlando, in the 1936 film As You Like It, the first sound film version of Shakespeare's play, and the first sound film of any Shakespeare play filmed in England.

In another scene from the book, a friend of the family ( Millicent Osborne ) had been alarmed by the sound of whimpering from the bedroom: " She walked in and found mother under the bed, huddled up in a fetal position.

She is buried across the sound in Somesville, Maine.

She was the first person in the sound era to win an acting Oscar without speaking a line of dialogue.

She continued to improve the sound until she felt it was worthy for the king's ears.

She worked for UFA and, as a trained singer, easily made the transition to the sound era, appearing in comedy films alongside German stars such as Willi Forst, Bruno Kastner, Georg Alexander, Theo Lingen, and Heinz Rühmann.

She dubbed the toy Slinky ( meaning " sleek and graceful "), after finding the word in a dictionary, and deciding that the word aptly described the sound of a metal spring expanding and collapsing.