She expresses this through several of her tales, including " The Merchant and the Jinni ", " The Fisherman and the Jinni ", " The Three Apples ", and " The Hunchback ".

" She said of the Stansfield character, " In this preposterous role, Mr. Oldman expresses most of the film's sadism as well as many of its misguidedly poetic sentiments.

She fearlessly expresses her prejudices against working class women like Eva / Daisy, whom she accuses of being immoral, dishonest and greedy.

She explains that this is how all ghosts are, and he expresses great sorrow.

She expresses complex feelings about what she and her friends consider genetic differences between races.

She also expresses her desire to achieve fame.

She expresses that she had difficulty creating rhymes that could communicate her intended meaning.

She later expresses that she feels she caused Uncle Ben's death (" You wanted to take the subway, and he wanted to drive you.

In spoken Welsh, the word ddim ( not ) often occurs with a prefixed or mutated verb form that is negative in meaning: Dydy hi ddim yma ( word-for-word, " Not-is she not here ") expresses " She is not here " and Chaiff Aled ddim mynd ( word-for-word, " Not-will-get Aled not go ") expresses " Aled is not allowed to go ".

She remarks sarcastically to Jerry ( after he expresses surprise that she would date Puddy, who is a mechanic ) that it's " such a huge turn off " for her when Puddy comes home " dripping with animal sexuality like Stanley Kowalski ".

She is also fired twice by Peterman: first when her penchant for poppy seed muffins cause her to fail a drug test in " The Shower Head " and then in " The English Patient " when she expresses her hatred for the movie The English Patient.

She expresses a strong distaste for every world that she and Sasshi visit.

She expresses her desire to get away from the farm life and see distant lands.

She, at one point, expresses a desire to keep Spike as a pet.

The benefactive case ( abbreviated, or sometimes when it is a core argument ) is a grammatical case used where English would use " for ", " for the benefit of ", or " intended for ", e. g. " She opened the door for Tom " or " This book is for Bob ". The benefactive case expresses that the referent of the noun it marks receives the benefit of the situation expressed by the clause.

She initially expresses disinterest in an alliance with Earth, after seeing SG-1's revulsion at the idea of becoming hosts.

She wields the sword Harusame ( which would reappear in Shaman King as a primary medium for Amidamaru ) and expresses an interest in travelling to find her birth parents.

She expresses her bewilderment to Tarrant, who explains that Fortney saved her husband from freezing to death and warns her that when they return to Korea, Brubaker will have to attack the dangerous bridges at Toko-ri.

She expresses a desire to have him for herself somehow, but admits that he has refused the offer or simply slipped from her grasp several times throughout their incarnations.

She outwardly expresses herself as happy-go-lucky, although she is actually hiding things about her past.

Athletes such as Carlos Lopes, the Castro brothers, Fernando Mamede, all of whom are international medal and record winners, Rui Silva, Naide Gomes, Francis Obikwelu ( Europe ’ s fastest man nowadays, and silver medal in Athens 2004 ), Yuri Bilonog and Ionela Târlea are all athletes of Sporting's centenary generation that expresses and interprets Sporting ’ s drive for success on all fronts. She has big lips.

She occasionally expresses excitement at humiliation, shown through the use of her grandfather's bowler hat, a symbol that is born during one sexual encounter with Tomáš, before it eventually changes meaning and becomes a relic of the past.

She expresses her desire to be cremated and thrown to the winds after death-a last symbol of eternal lightness.

She later expresses a deep feeling of regret over siding with the All-Stars, claiming that she feels more at home with the original roster.

She lay there, making no effort to get back on her feet.

She drank greedily, and murmured, `` Thank you '', as he lowered her head.

She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She stared at him, her eyes wide as she thought about what he had said ; ;

She got to her feet, staggered, and almost fell.

She sat down at the table, shaking her head.

She clung to him, talking to him, and dabbing at her eyes.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She showed her surprise by tightening the reins and moving the gelding around so that she could get a better look at his face.

She said, and her tone had softened until it was almost friendly.

She had picked up the quirt and was twirling it around her wrist and smiling at him.

She swung the quirt again, and this time he caught her wrist and pulled her out of the saddle.

She came down against him, and he tried to break her fall.

She wiped it off with the sleeve of her coat.

She brought up her free hand to hit him, but this time he was quicker.

She finally regained her balance and got up in the saddle.

She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.

She remembered little of her previous journey there with Grace, and she could but hope that her dedication to her mission would enable her to accomplish it.