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She and had
She had reached a point at which she didn't even care how she looked.
She stared at him, her eyes wide as she thought about what he had said ; ;
She had helped him change his mind.
She said, and her tone had softened until it was almost friendly.
She had picked up the quirt and was twirling it around her wrist and smiling at him.
She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.
She seemed to have come such a long distance -- too far for her destination which had wilfully been swallowed up in the greedy gloom of the trees.
She had the feeling that, under the mouldering leaves, there would be the bodies of dead animals, quietly decaying and giving their soil back to the mountain.
She had to get away from here before this demoniac possession swallowed up the liquid of her eyes and sank into the fibers of her brain, depriving her of reason and sight.
She had been snared here by a vile sensuality that writhed around her throat in ever-tightening circles.
She had to escape.
She had to move in some direction -- any direction that would take her away from this evil place.
She wondered what had taken place in town, between him and his wife.
She had spent too many hours looking ahead, hoping and longing to catch even a glimpse of Dan and finding nothing but emptiness.
She had arrived this morning and come straight to the English Gardens.
She had retreated to this world.
She had touched her face, truly a noble and pure face, only with a lip salve which made her lips glisten but no redder than usual.
She had hated the whole idea before they started.
She had jumped away from his shy touch like a cat confronted by a sidewinder.
She had driven up with her husband in a convertible with Eastern license plates, although the two drivers knew nothing at the moment about that.
She might have been someone he had once loved.
She began to watch a blonde-haired man, also in shorts, standing right at the rear of the wrecked car in the one spot that most of the crowd had detoured slightly.
She was sitting on the edge of the bed again, back in the same position where the snake had found her.
She had the opportunity that few clever women can resist, of showing her superiority in argument over a man.

She and directed
Murder, She Said ( 1961, directed by George Pollock ) was the first of four British MGM productions starring Rutherford.
Angela Lansbury, who had played Miss Marple in the movie, The Mirror Crack'd, directed by Guy Hamilton, went on to star in the TV series Murder, She Wrote as Jessica Fletcher, a mystery novelist who also solves crimes.
She does not appear in the best-known film she directed, The Hitch-Hiker ( 1953 ), developed by her company, The Filmakers, with support and distribution by RKO.
She decided that an ecumenical council needed to be held to address the issue of iconoclasm and directed this request to Pope Hadrian I ( 772 – 795 ) in Rome.
She made her film debut in Oedipus Wrecks, a short film directed by Woody Allen for the anthology New York Stories ( 1989 ).
She co-wrote, directed and starred in the film and produced it under the banner of her own company, Leni Riefenstahl Productions.
She later directed Blanchett in A Streetcar Named Desire ( play ) at the Sydney Theatre Company in Australia, which ran September through October 2009, and then continued from 29 October to 21 November 2009 at the Kennedy Center for the Performing Arts in Washington, DC, where it won a
She played Lady Macbeth on Broadway opposite Maurice Evans in a production directed by Margaret Webster that ran for 131 performances in 1941, the longest run of the play in Broadway history.
She was a prolific stage performer, frequently in collaboration with her then-husband, Laurence Olivier, who directed her in several of her roles.
She appeared in the 1975 screen adaptation of the Hans Fallada novel, Every Man Dies Alone directed by Alfred Vohrer, released in English as Everyone Dies Alone in 1976 and for which she won an award for best actress at the International Film Festival in Carlsbad, then in Czechoslovakia.
She filmed two projects in Canada during this time: the independent film Between Strangers ( 2002 ), directed by her son Edoardo and co-starring Mira Sorvino, and the television miniseries Lives of the Saints ( 2004 ).
She played another eccentric character the following year in Tell Me That You Love Me, Junie Moon, directed by Otto Preminger.
She appeared as Mistress Quickly in Orson Welles ' film Chimes at Midnight ( 1965 ) and was directed by Charlie Chaplin in A Countess from Hong Kong ( 1967 ), starring Marlon Brando and Sophia Loren, which was one of her final films.
She appeared in many notable films in France during the 1950s, including Thérèse Raquin ( 1953 ), directed by Marcel Carné, Les Diaboliques ( 1954 ), and The Crucible ( Les Sorcières de Salem ; 1956 ), based on Arthur Miller's The Crucible.
She directed her friends in make-believe games and performances and dreamed of becoming an actress.
She followed her role in Gosta Berling with a starring role in the 1925 German film Die freudlose Gasse ( The Joyless Street or The Street of Sorrow ), directed by G. W. Pabst and co-starring Asta Nielsen.
She starred in Storm Warning ( 1950 ) with Ronald Reagan and Doris Day, the noir, anti Ku Klux Klan film by Warner Brothers, and in Monkey Business ( 1952 ) with Cary Grant and Marilyn Monroe, directed by Howard Hawks.
She later appeared in an " Off Broadway " production of Durang's comedy Beyond Therapy in 1981, which was directed by the up-and-coming director Jerry Zaks.
She directed a short film in New York, I Love You, a romantic-drama anthology of love stories set in New York and a 12-minute movie on AIDS awareness ( funded by The Gates Foundation ) called Migration.
She was also the screenwriter of the 1959 French film Hiroshima mon amour, which was directed by Alain Resnais.
All three of Lauper's first videos were directed by Edd Griles, " Girls Just Want to Have Fun ", " Time After Time " and " She Bop ".
She remained a member of the company for four seasons, 1957 – 1961, her roles including Katherine in Henry V in 1958 ( which was also her New York debut ), and as Juliet in Romeo and Juliet in October 1960, directed and designed by Franco Zeffirelli.
She had a romantic role in the BBC television film Langrishe, Go Down ( 1978 ), with Jeremy Irons and a screenplay by Harold Pinter from the Aidan Higgins novel, directed by David Jones, in which she played one of three spinster sisters living in a fading Irish mansion in the Waterford countryside.
She returned to the West End from 13 March – 23 May 2009, playing Madame de Merteuil in Yukio Mishima's Madame De Sade, directed by Michael Grandage as part of the Donmar season at Wyndham's Theatre.

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