She has shared her husband's greatness, but only within the confines of their home ; ;

She has rarely been photographed with him and, except for Carl's seventy-fifth anniversary celebration in Chicago in 1953, she has not attended the dozens of banquets, functions, public appearances, and dinners honoring him -- all of this upon her insistence.

She has small, broad, capable hands and an enormous energy.

She has studied and observed and she is convinced that her young man is going to be endlessly enchanting.

She has the small, highly developed body of a prime athlete, and holds in contempt the `` girls who just move sex ''.

She has a pretty bad cold ''.

She hesitated, she hopped, she rolled and rocked, skipped and jumped, but in some two weeks she started to pace, From that time to this she has shown steady improvement and now looks like one of the classiest things on the grounds.

She has been acting as a prostitute.

She teamed up with another beauty, whose name has been lost to history, and commenced with some fiddling that would have made Nero envious.

She replied, `` I know of one man that has not been friendly with him.

`` She says she has to finish a story ''.

She gave a fine portrayal of Auntie Mame on Broadway in 1958 and has appeared in live television from `` Captain Brassbound's Conversion '' to `` Camille ''.

She has to have at least one car herself.

She is the most beautiful thing you ever laid eyes on, and her dancing has a feminine suavity, lightness, sparkle, and refinement which are simply incomparable.

) She has since turned to Bellini, whose opera `` Beatrice Di Tenda '' in a concert version with the American Opera Society introduced her to New York last season.

She has a good, firm delivery of songs and adds to the solid virtues of the evening.

She is just home from a sojourn in London where she has become the sweetheart of a young fellow named Ronnie ( we never do see him ) and has been subjected to a first course in thinking and appreciating, including a dose of good British socialism.

She also has a habit of constantly changing her hairstyle, and in every appearance by her much is made of the clothes and hats she wears.

She has a maid called Maria who prevents the public adoration from becoming too much of a burden on her employer, but does nothing to prevent her from becoming too much of a burden on others.

She has authored over fifty-six novels and she has a great dislike of people taking and modifying her story characters.

" She first met Poirot in the story Cards on the Table and has been bothering him ever since.

She also has a remarkable ability to latch onto a casual comment and connect it to the case at hand.

She was nude to the waist and her tumbled abundance of black hair did not conceal the knife slashes on her back.

She had black eyes, long and intriguingly tilted, and the way she walked was melody.

She giggled during the ceremony, and Mousie Chandler, who was one of Linda's bridesmaids, said John glared black as death at her.

She makes the argument that grouping all people of African descent together regardless of their unique ancestral circumstances would inevitably deny the lingering effects of slavery within the American community of slave descendents, in addition to denying black immigrants recognition of their own unique ancestral backgrounds.

" She has also rejected an immigrant designation for African-Americans and instead prefers the term " black " or " white " to denote the African and European U. S. founding populations.

She argues that the convergence of sexism and racism during slavery contributed to black women having the lowest status and worst conditions of any group in American society.

She argues that slavery allowed white society to stereotype white women as the pure goddess virgin and move black women to the seductive whore stereotype formerly placed on all women.

She suggests this explains the low numbers of black women who participated in the feminist movement in the 1970s, pointing to Louis Harris ' Virginia Slims poll done in 1972 for Philip Morris that she says showed 62 percent of black women supported " efforts to change women's status " and 67 percent " sympathized with the women's rights movement ", compared with 45 and 35 percent of white women ( also Steinem, 1972 ).

She may grow up learning all about the scientific facts of colors, but has no way of experiences colors other than black or white.

She slowly began to turn into a black poplar, the bark spreading up her legs from the earth, but just before the woody stiffness finally reached her throat and as her arms began sprouting twigs her husband Andraemon heard her cries and came to her.

She screamed: " Instead of a son, I am given a daughter, dark and ugly, with a great nose and black eyes.

She then proposes that black people are given their own land.

She wears black.

She was from Mississippi and had graduated from Fisk University, a historically black college.

She stayed with Sam Green, a free black minister living in East New Market, Maryland ; she also hid near her parents ' home at Poplar Neck in Caroline County, Maryland.

She knew that white people in the South had buried valuables when Union forces threatened the region, and also that black men were frequently assigned to digging duties.

She raced around Hazzard with her cousins, first in a yellow and black 1974 Plymouth Road Runner ( later on it was a Plymouth Satellite ) and then, from the mid-second season, in her trademark white 1980 Jeep CJ-7 christened " Dixie " with a Golden Eagle emblem on the hood ( and the name " Dixie " on the hood sides ).

She also became acquainted with Frederick Douglass and became an activist for black civil rights.

" She produced visualizations for the Hayden's " Big Bang Theatre " and worked with the Denver Museum of Nature and Science to produce high-resolution data-driven visualizations of terabytes of scientific data for " Black Holes: The Other Side of Infinity ," a digital dome program on black holes.

She explained that if the public came to see her they would wear their best clothes, so she should reciprocate in kind ; Norman Hartnell dressed her in gentle colours and avoided black to represent " the rainbow of hope ".

She and her husband were booed by a crowd of two to three thousand people brandishing sticks and black flags.

She has also been recognized for playing a pivotal role in crossing racial boundaries in the recording industry, where black artists were once considered to be substandard.

She prohibited visitors — including the studio brass — from her sets and demanded that black flats or screens surround her to prevent extras and technicians from watching her.

She also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel, which included Lena Horne and Ethel Waters.